Carmen is eager to try out the new Moog DFAM (“Drummer From Another Mother”). We would love to try one out, too 😻
From our friend and fellow traveler Julia More, aka The Synth Witch.
You can see Carmen’s previous appearance here.
Miep returns to CatSynth, this time with a Roland JX-8P. You can see some of Miep’s previous appearances via this tag.
The JX-8P was a follow-up to Roland’s popular JX-3P. Some more info on it from Vintage Synth Explorer:
Though it is far more advanced than its predecessor, the JX-3P, the JX-8P has its drawbacks. Hands-on programming is sacrificed and reduced to assigning the parameter you want to tweak to a data-slider near the pitch/mod bender. Enter the PG-800 controller which gives you total control of all the JX-8P’s editable parameters with hands-on traditional slider control. Membrane buttons dominate the front panel of the JX-8P providing access to the various preset and user patches and to page through and assign editable parameters.
Sometimes Sam Sam ends up in CatSynth pics of her own, as when she recently got up to explore the redesigned studio space. She is fascinated by the new decorative shelves as well as the narrow band between the video/office corner and the modular synth.
Perhaps she is picking up some scents on the modular case from our recent live performances.
I have been having a lot of fun in the studio lately, especially making videos and exploring our synthesizer collection in greater depth. I really should be working on some more formal compositions, but it seems I am in more of experimenting and exploratory mood at the moment. I have also, unfortunately, been battling insomnia. It ebbs and flows, and on the worst night (about a week ago), I decided to sit up for a while and play with the Roland JP-08 boutique synth.
The size is actually ideal for playing in bed late at night. I spent some time exploring the architecture (it’s basically a Jupiter 8 with a few extensions) and came up with some new and unusual patches. We hope to share them with you in an upcoming CatSynth TV.
Cat mug with a TTSH, a clone of the Arp 2600 synthesizer. By Alexander Henriksson on Facebook.
And another cat has found its 🏠
The TTSH is an Arp 2600 clone that can be built as a DIY project, as described by The Human Comparator. San Pedro Labs builds full versions, including wood casings. (They used to be here in San Francisco, but have recently relocated to New Mexico.)
Charlotte the cat contemplates the horror that is a circuit-bent Big Mouth Billy Bass. From Ok Housecat on YouTube.
I was often sardonically amused by this fishy contraption since the commercials in the 1990s. But now I am genuinely intrigued by its circuit-bending possibilities. At the very least, it could make for a fun CatSynth TV episode. I found at least one set of instructions here, but it might be even more fun to just take it aport and just explore with alligator cables.
The Horror…The Horror…
As we get ready for our next Pitta of the Mind show this Thursday, March 8, we look back at our recent show at Pro Arts in Oakland, where we were joined by Usufruct, Alex Cruse, and Murder Murder. You can see a bit of all four groups in this recent CatSynth TV episode.
Pitta of the Mind’s color theme (we always have a color or pattern theme) for this evening was blue and featured blue-themed poems by Maw Shein Win, many from her new book Invisible Gifts.
[Photo by Tom Scandura]
I used the Prophet 12 synthesizer, along with the modular system, my trusty Nord Stage, and some percussion instruments to create a musical interplay with the words as well as the space between them.
Even though we haven’t performed in a while and only had one rehearsal, I felt this was one of our strongest performances – and the feedback I got from the audience backed up that perception. In particular, I think the poem “You Will Be With Me in a Town Called Paradise” came out particularly well, with a sultry vibe and jazzy accompaniment on electric piano.
After our set, Usufruct, the duo of Polly Moller Springhorn and Tim Walters took the stage.
[Photo by Tom Scandura]
As the word “usufruct” implies, they make use of materials for which they have usage rights beyond ownership, such as public-domain text sources. Polly’s vocal interpretations of the texts are processed electronically by Tim using custom programs written in SuperCollider. The end result is simultaneously dark and playful. But beyond the text sections, I was particularly taken with the instrumental portion at the beginning, which featured bass flute live and electronically processed.
Alex Cruse brought a very different vibe and sensibility to the evening, with an electronic performance that focused on beats, loops, and hits.
There were many delightful sounds and many hard-edged industrial noise moments as well. The vocals were deliberately obscured by heavy distortion and other processing but provided a percussive element that worked well with the rhythms.
The final set by Murder Murder was again something altogether different. With two drummers, two horns, two electronic performers, and vocals, it was nonstop intensity from the first drum hit.
The intensity continued for several minutes and then came to a sudden close. It was the musical equivalent of a tornado tearing through our calm evening of voice and electronics, but perhaps it was a fitting coda to the evening.
We thank Pro Arts and Sarah Lockhart for having us at this series, which has become quite a mainstay of the Oakland scene. I hope to be back again soon with one of my other projects. And of course, we are looking forward to our next Pitta of the Mind Show – where we will once again be joined by Usufruct – at the Luggage Store Gallery in San Francisco on Thursday, March 8 at 8 PM.
A black cat posing with several vintage small keyboards, including some familiar ones from Casio and Yamaha. From Milomi Studio on Instagram.
Some of these keyboards may be considered “toys”, but they are still musical instruments. I coveted some of these small keyboards before I discovered synthesizers. I do now have a Casio SK-1 that gets used in live performance.
Just a cat lounging on a mixer next to a pair of Korg Volcas. I’m pretty sure I see a Sample and Kick, along with an Arturia BeatStep Pro.
By Jente Boes via the Facebook group Synthesizer Freaks. Here is a second picture, this time with a Korg Electribe.
Purim is the “most synthesizer-y” of Jewish holidays, given that one of it’s central rituals is noisemaking. This year we created a synthesizer demo running sounds from a gragger through several modules.
The demo uses a mixture of pre-recorded gragger on the QuBit Nebulae and live sound via the Mikrophonie and Make Noise Echophon. The full list of modules used in the Purim demo is:
I do wish I already had a Qu-bit Nebulae v2 for this project. You can see our review of v2 from NAMM 2018 here.
Purim is a holiday that commemorates the saving of the Jewish people in the ancient Persian Empire from the king’s wicked advisor Haman, as told in the book of Esther. Traditionally, the gragger is used to mask the name of Haman when said out loud during readings.
No, this isn’t Sam Sam, though this cat does look a bit like her from behind. This is the cat that lives with synthguy216, who shares this photo via Instagram. He has certainly mastered the art of playing two-tier keyboards 😸