New CatSynth TV: Hidden Sub Phatty

We have a brand-new CatSynth TV!  This one demonstrates a couple of the hidden features of the Moog Sub Phatty synthesizer.

In particular, we look at filter-topology selection and Oscillator 2 beat frequencies.  The filter selection makes the instrument much more powerful, moving between the extra crunchy 1 and 2-pole filters to the smooth 4-pole that is “quintessentially Moog”.  The beat frequency is a bit more esoteric – it maintains beating frequencies across different pitches, leading to some odd detunings in different registers.  But it can add a new timbral-metric component to compositions – something to explore in more depth.

We also look at the Editor/Librarian software from Moog, which is really handy for accessing these features as well as saving patches.

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Marlon Brando

Marlon Brando is a controversial figure in contemporary circles, but we did some great movies a long time ago (followed by some not-so-great ones, then a couple more classics, and then some really awful ones). But his work has intertwined with many things at CatSynth over the past couple of years. Consider this cartoon by J.B. (Jason Berry), part of our extended Mensa Cat series.

Marlin Brando

We leave the joke as an exercise to the reader. 😸

There is also the tune “Marlon Brando” initially composed by Jason Berry for Vacuum Tree Head, which I redid for my own band CDP.  Here is a live performance of us playing it at the Make Out Room in San Francisco.

CDP Marlon Brando May 1 from CatSynth on Vimeo.

And finally, our friends at the Cat Museum of San Francisco shared this feline photo today.

Wordless Wednesday: Me and a Big Cat in SoHo (New York)

A rare self-portrait for Wordless Wednesday. This was taken last September in the SoHo district of lower Manhattan when we espied this large sculpture of a cat.

Pitta of the Mind, Usufruct, Alex Cruse, Murder Murder at Pro Arts

As we get ready for our next Pitta of the Mind show this Thursday, March 8, we look back at our recent show at Pro Arts in Oakland, where we were joined by Usufruct, Alex Cruse, and Murder Murder.  You can see a bit of all four groups in this recent CatSynth TV episode.

Pitta of the Mind’s color theme (we always have a color or pattern theme) for this evening was blue and featured blue-themed poems by Maw Shein Win, many from her new book Invisible Gifts.  

Pitta of the Mind
[Photo by Tom Scandura]

I used the Prophet 12 synthesizer, along with the modular system, my trusty Nord Stage, and some percussion instruments to create a musical interplay with the words as well as the space between them.

Amanda's Pitta of the Mind Setup with Prophet 12, Modular synth and Nord Stage EX

Even though we haven’t performed in a while and only had one rehearsal, I felt this was one of our strongest performances – and the feedback I got from the audience backed up that perception.  In particular, I think the poem “You Will Be With Me in a Town Called Paradise” came out particularly well, with a sultry vibe and jazzy accompaniment on electric piano.

After our set, Usufruct, the duo of Polly Moller Springhorn and Tim Walters took the stage.


[Photo by Tom Scandura]

As the word “usufruct” implies, they make use of materials for which they have usage rights beyond ownership, such as public-domain text sources.  Polly’s vocal interpretations of the texts are processed electronically by Tim using custom programs written in SuperCollider.  The end result is simultaneously dark and playful.  But beyond the text sections, I was particularly taken with the instrumental portion at the beginning, which featured bass flute live and electronically processed.

Alex Cruse brought a very different vibe and sensibility to the evening, with an electronic performance that focused on beats, loops, and hits.

There were many delightful sounds and many hard-edged industrial noise moments as well.  The vocals were deliberately obscured by heavy distortion and other processing but provided a percussive element that worked well with the rhythms.

The final set by Murder Murder was again something altogether different.  With two drummers, two horns, two electronic performers, and vocals, it was nonstop intensity from the first drum hit.

The intensity continued for several minutes and then came to a sudden close.  It was the musical equivalent of a tornado tearing through our calm evening of voice and electronics, but perhaps it was a fitting coda to the evening.

We thank Pro Arts and Sarah Lockhart for having us at this series, which has become quite a mainstay of the Oakland scene.  I hope to be back again soon with one of my other projects.  And of course, we are looking forward to our next Pitta of the Mind Show – where we will once again be joined by Usufruct – at the Luggage Store Gallery in San Francisco on Thursday, March 8 at 8 PM.

Farewell to 2017

2017 in review

Once again, it is time for our end-of-year collage and review. So many images to choose from in such a busy 2017 that took us in so many directions at once, both outward and inward.

At the end of 2016, I was still reeling from the loss of Luna and the election.  But I did welcome Sam Sam into my life and also promised myself that I would prosper and thrive in the new terrifying Trump era.  And we did, focusing on moving forward with the things from 2016 that did go well.  Lots of new music as a solo performer, with my new band CDP, and with Vacuum Tree Head.   There are now three CatSynth-branded apps for both iOS and Android, and a fourth on the way.  We launched CatSynth TV, with 22 videos under our belt since October.  And Sam Sam has blossomed into a sassy and thoroughly spoiled cat whom we love dearly.

If there is a word of caution on the personal and professional fronts, it is perhaps that 2017 was too much.  After a strong first half of the year through July, I scaled back on live performance to focus on other priorities.  I regret that, but it was also the reality of the many things going on.  I wish the apps, blog, and video channels were progressing faster, but it’s as fast as we can go with our myriad other responsibilities.  The last couple months, while still rich with experience, have been an exercise in paring back and trying to focus on the highest priorities; and also focus on health, self-care, and well being.  These are all very challenging, but I’m grateful to have the help of loved ones.

We cannot ignore the fact that our rebound in 2017 after two difficult years took place amidst a dark pall over the country and world.  Many friends have suffered amidst the monumental forces of hurricanes, flooding, fires, and human foolishness.  The latter is most visible in the face of the current regime that continues to embarrass and threaten us.  These are things we have to be vigilant about as we move in 2018.  I do feel personally in the cross-hairs on multiple fronts, so I hope we can continue to survive and prosper as well as we did in 2017, and maybe at the end of 2018 we will look back and saw how the world became at least a slightly better place.

It is also interesting to look back to our end-of-year post from 2007, ten years ago.  It was a dark, cold time amidst major life changes – I couldn’t have imagined then what life would be like now.  Will we feel the same way in 2027?  And will there still be a CatSynth then?  Only time will tell…

New CatSynth TV: inWooble December Edition

Our latest CatSynth TV documents yesterday’s edition of inWooble, a monthly synthesizer meetup and jam session at LinkedIn’s offices in downtown San Francisco. I had the opportunity to join this time, and had a good time performing with everyone – I particularly enjoyed the time where we were rhythmically together or forming complex contrapuntal textures across the six modular-synthesizer setups. And the views of downtown SF out the window were pretty cool, too.

Hosts:
Franck Martin
Juan Rosales
Bryan Levay

Participants:
M.0 (Maurice Jackson)
Amanda Chaudhary
Chris Otchy

The Facebook live stream from the event can be found https://www.facebook.com/franck.martin.music/videos/1921164038148996/

Outsound & VAMP Present A Holiday Pop-Up Benefit Show

Recently, John Lee, the creator of bayimproviser.com donated a portion of his extensive record collection to Outsound. And our friends at VAMP are helping us sell them to fund our continuing mission of promoting new music in the Bay Area and beyond. To launch this effort, Outsound held a benefit concert at VAMP on December 1.

I performed a solo set with my trusty Nord Stage EX, modular synth, and Casio SK-1.

Amanda Chaudhary setup for show with Nord and modular

As with most of my current solo performances, I try to combine both idiomatic jazz and funk elements with more experimental electronics. I opened with White Wine (instrumental) with the extended solo section morphing into a more free-form electro-acoustic improvisation that also included the garrahand drum. It moved from sections of disco and bossa nova rhythms to noise to complex harmonies from the drum and Make Noise Echopon module. It was a fun set with an appreciative audience of both attendees and record-store patrons.

Amanda Chaudhary

After my set, Tri-Cornered Tent Show took stage. Anchored by bandleader Philip Everett on clarinet and electronics and Ray Schaeffer on bass, the band explored a variety of sounds and styles from noisy electronics and percussion to R&B grooves to psychedelic serenades featuring Valentina O on vocals. Anthony Flores rounded out the band on drums.

Tri-Cornered Tent Show

It was interesting to see how both sets explored the intersection of avant-garde electronic and acoustic sounds with more familiar idioms. Soul, funk, and R&B were present in both sets, but then we each veered off in different directions. Between us, we might have covered many of the genres in VAMP’s record bins!

It was a fine night of music and fellowship, and it’s great to see an independent (and idiosyncratic) store like VAMP flourishing in downtown Oakland. You can find out more about them here. And please visit Outsound’s website to find out about upcoming programs and how you can help support our work bring new music to our community.

Serena Toxicat and #OaklandCatFashionWeek

Today we look back at the recent art and fashion show featuring the work of Serena Toxicat. I was fortunate to be a part of this show as a model, and it was featured in Episode 9 of CatSynth TV.

Serena Toxicat is a multi-disciplinary artist, working as a writer, visual artist, musician, and now a fashion designer – longtime readers may recognize her via our reviews of her band Protea. Her paintings were featured on the walls of Farley’s East in Oakland as the fashion show took place in the lobby. She also had her music, books, and cat-themed tarot cards on hand.

One sees themes that repeat throughout her work in various media. There are of course the cats – I particularly liked the painting featuring manuls or Pallas cats – and felines reminiscent of Egyptian iconography. But there are themes running through as well with the bright high-contrast colors and dreamlike arrangements of forms. The feline, color, whimsy and spiritual dimensions are all of a piece and come together in her life experience as well as her outward creativity.


[Photo from @serenatoxicat on Instagram]

The show itself was a fun experience. Each of us modeled two looks over the course of the evening, with more formal runway-style processions interspersed with more freeform dance sections.

A good time was had by all.

In addition to Serena and myself, the models included Ariel McEtchin, Gina Ghorbani, Charlena Verrette, Kristine Katalyst, Maya Imani, Sam Isis, and Jessa Nico.

Although the art show is now over, you can see and learn more about Serena Toxicat’s work via her Facebook page.

Outsound New Music Summit: Touch the Gear

The 2017 Outsound New Music Summit kicked off this Sunday with the annual Touch the Gear event. As always, there were several musicians and instrument-makers were on hand to demonstrate their setups or inventions.

alphastare

Above we see Alphastare demonstrating his setup for processing of synthesized and recorded sounds that he uses in his live shows. Below, CDP bandmate Tom Djll shows his analog modular synthesizer setup with sundry external boxes for expressive control of sound.

Tom Djll

I opted to show my modular synth as well this year, along with the Moog Theremini.

CatSynth setup at Touch the Gear, with Modular and Moog Theremini

The theremin is always a popular item at this event.

Kim Nucci demonstrated some custom modules alongside a Korg MS-20 mini and a DIY metal instrument with sensors.

Kim Nucci

I have always found metal plus electronics a musically interesting combination.

Among the more unusual and surprising instruments this year was Dania Luck’s musical chessboard. It contained sensors for the magnetic chess pieces, with each square of the board triggering a different synthesizer in a SuperCollider patch.

Dania Luck.  Chess board and SuperCollider patch.

This wasn’t the only SuperCollider program being shown, as our friend Tim Walters demonstrated his patch and controller setup. It is the setup he will use as part of Usufruct in the opening concert for the Summit.

Tim Walters.  SuperCollider and controller.

Tim Thompson was on hand with the latest incarnation of his electronic-music instrument, the Space Palette Pro.

Tim Thompson.  Space Palette Pro
[Tim Thompson demonstrates the Space Palette Pro to Outsound director Rent Romus.]

It uses the same software as previous versions of the Space Palette, but with a new more compact interface based on new touch-sensitive pads from Sensel Morph. These pads are quite impressive in both response and feel, and we at CatSynth will definitely be looking into them.

Not all the demos included electronics. There were several acoustic instruments demonstrated by the Pet the Tiger collective (David Samas, Ian Saxton, Tom Nunn, Derek Drudge), including this beautiful kalimba tuned to 31edo.

Kalimba with 31edo tuning.  Pet the Tiger

I would love to write a piece for it one of these days. There was also a large metalophone with a deep resonant tone, interesting tuning, and some satellite “bass” notes.

Pet the Tiger.  Metalophone.

Back inside the hall, Motoko Honda demonstrated a network of electronic devices processing voice, along with a fun circuit-bent instrument.

Motoko Honda

Matt Davignon brought his setup for expressive manipulation and processing of samples and other pre-recorded sound materials.

Matt Davignon

We would also like to thank Matt for his efforts organizing this event every year! We would also like to thank the folks at VAMP for co-presenting and bringing a pop-up shop of records and sundry vintage and musical items.

It was a fun afternoon as always, and it was great to see families in attendance. And there were multiple things to inspire me musically and technologically. We will see where that goes. Next up, the concerts…

Red Robot Show presents Vacuum Tree Head Live @ HSP2017!

The Red Robot Show and Vacuum Tree Head are back! This time Jason Berry brings footage from our March show at HSP2017, and is joined by Marlon Brando in this full-length episode.

The members of the band for this performance are:

Jason Bellenkes : Alto Saxophone and Clarinet
Jason Berry: Conductor
Amanda Chaudhary: Keyboards and Vocoder
Richard Corny: Electric Guitar
Michael de la Cuesta: Guitar, Synth, Vibraphone, Sitar, etc.
Richard Lesnik: Bass Clarinet
Justin Markovits: Drum Kit
Joshua Marshall: Soprano and Tenor Saxophones
John Shiurba: Bass Guitar

Video credits:
Cameras by Amanda Chaudhary and Jason Berry
Edited by Berry / Chaudhary
Audio Engineering by Amanda Chaudhary
Animated and Directed by Jason Berry

Special Thanks:
Mika Pontecorvo
Mark Pino

Brought to you by White Wine. Crisp. And Refreshing.