Highway☆ 1.2.0 now in the Apple App Store!

We are excited to announce the release of Highway☆ 1.2.0 for iPhone and iPad!  It is available in the Apple App Store.

This new version includes some of our most requested features.

  • Switch between map and satellite views.  This saves battery and bandwidth on the road.
  • Sometimes connectivity on the road can be poor or non-existent.  Highway☆ now matches missed routes once connectivity is restored.

Highway☆ Map Mode  Highway☆ Satellite Mode

There many more features we have in store, but for the moment we turn our focus to the 1.2 version for Android.  And we are looking forward to putting the app through its paces on our upcoming road trip to NAMM 😺

Highway☆ on Apple App Store

Elliott Sharp, Tania Chen + Wobbly, Euphotic at Canessa Gallery

Today we look back at last week’s show at Canessa Gallery in San Francisco, featuring Elliott Sharp, Tania Chen + Wobbly, and Euphotic. This show was the subject of CatSynth TV Episode 8, and you can see and hear a bit of each set.

We were quite pleased to see Elliott Sharp. We saw him back in the 1990s, but it’s been a while since he made it to the Bay Area.

Elliott Sharp

He has a unique and idiosyncratic sound, with fast runs, harmonics, and extended techniques, along with electronics. The electronics, which appeared to include some looping, sampling, and delay, did not overpower his guitar playing, and the individual gestures, from frenetic fingerpicking to expressive scratches, came through strongly. Although his style is unusual, it is still quite melodic and harmonic, something that comes out particularly in a solo-performance setting.

The evening opened with Euphotic, a trio project featuring Tom Djll (electronics, trumpet), Cheryl Leonard (instruments from natural found objects) and Bryan Day (invented instruments).

Euphotic (Day, Djll, Leonard)

The sound was subtle and detailed, with a lot of short sounds clustering like schools of fish. Djll’s electronics bridged the space between Cheryl Leonard’s organic sounds and Bryan Day’s more chiseled electro-acoustic creations. There was also a quality in Day’s performance that foreshadowed Elliott Sharp’s sound and style later in the evening.

Euphotic was followed by a duo featuring Tania Chen on electronics, voice and found objects, with Wobbly (aka Jon Leidecker) on electronics. He had an array of iPads linked together.

Tania Chen + Wobbly

The performance centered around “Feasibility Study”, an episode of the television show Outer Limits, slowed down beyond recognition. Chen’s vocals and found-object performance featured material and ideas from the episode, including chomping on biscuits and pop rocks to represent the rock-like aliens in the video. She also performed a melodic section on an iPad, which complemented Leidecker’s complex electronic processing. His sounds were slower and more undulating, providing an eerie setting for the overall performance.

We had a great time at this show, as did the rest of the audience that filled Canessa Gallery to capacity. We look forward to more interesting music from these artists and from this venue. And thanks to Bryan Day for continuing to host this series.

CatSynth Video: Roland re-201 space echo + iPad fugue machine + electric violin

From abertronic on YouTube, via matrixsynth.

“Another one of my restored space echo’s now for sale on ebay.

Ive got an iPad with the app ‘Fugue Machine’ playing through one input and live electric violin on another. Just a quick jam showing that this space echo is working as it should.

My cat loves the space echo… unfortunately she cannot be left alone with it because she’ll chew up the tapes!

ROLAND Re-201 Space Echo $899USD
Its just been cleaned, serviced and checked. Cosmetically very good condition!
Internally and externally cleaned. Pots cleaned and lubricated with contact cleaner.
Serial number: 653577
PLUS! 1 tape installed and 5 spare tape loops!!! (new loops)

Pinch roller and tape heads are in excellent condition. Sounds great , with minimum wow and flutter.
Very nice unit!
Full service has been done on this unit including polished tape heads.
youtube demo coming soon…
$145US SAL economy Air (approx 1-2weeks) .
This item is 100v 50/60hz you may need a power converter depending on your country.”

Highway☆ Released on the App Store!


We at CatSynth are excited to announce the release of our newest app Highway☆ for iPhone and iPad, available on the App Store!

This app comes out of long-term interest in highways and road travel, something we explore periodically on this site. It’s a sort of “Pokemon Go” for travelers and road geeks, where you can discovery and collect highways as you travel.

Highway☆ iPhone screenshot

It also has features for exploring new places on your device, and finding more information about the roads. You can also connect with other users and compete for the top scores.

It is completely free, so please download and have fun, especially if you are planning to hit the road this summer. And please let us know what you think or if you have ideas for new features 😺

And we are currently busy at work on an Android version, which we hope to share soon.

CatSynth: The App! 2.5.0 for iOS Released

We have a new version of CatSynth: The App! available on the Apple App Store. This is a tremendous update. The best version of CatSynth: The App! ever. We have rethought the user experience while preserving the distinctive style. It also happens to match Sam Sam’s markings quite nicely.

It is smoother and simpler to browse and read articles on your mobile device. And for the built-in Mystery Synths, we have added MIDI input support!

You can play the synths with an external MIDI controller or sequencer using either the network or (on iPads) a class-compliant MIDI USB device. We will have some video demos of this soon.

If you have an iOS device, please do try out the app and let us know what you think! 😺

CatSynth: The App! on iTunes

CatSynth: The App! for iOS 1.4.142 is released!

CatSynth: The App

CatSynth: The App! for iOS

We’re happy to release the first major update for the iPhone/iPad version of CatSynth: The App!. 1.4.142 (yes, it’s the square root of 2) has the following new features and improvements:

  1. New Mystery Synth #3!
  2. Facebook or email login for comments, favorites and more.
  3. Numerous bug fixes and under-the-hood improvements

It’s that last one that really took the longest: the under-the-hood improvements using a completely rebuilt backend. We might have more to say about the technology that went into it (it’s pretty cool from the point of view of a computer-science geek), but for now we simply ask that if you have an iPhone or iPad, please download and enjoy the new app.

And yes, 1.4.142 for Android is coming soon, too!

Outsound New Music Summit: PoetryFreqs

The concert series of the Pitta of the Mind, my duo with Maw Shein Win got things going with a set of poetry and electronic music on the themes of abstract art and cinematic distance. Our color theme for the evening was red and black.

Pitta of the Mind at Outsound Music Summit
[Photo by Annabelle Port.]

It was our longest set to date, but also our best so far, with a variety of sounds to match the words and tight transitions between poems. It was also the most complex technically, with the Prophet 12, analog modular, Moog Theremini, iPad, and Nord Stage EX all running at once.

Amanda Chaudhary
[Photo: PeterBKaars.com.]

Maw Shein Win
[Photo by Annabelle Port.]

We performed confidently and playfully and we got a great audience response. And the color theme went well with the blue set and lighting courtesy Travin McKain.

We were followed by first-ever performance by Ruth Weiss, one of the original Beat poets, with master analog synthesizer artist Doug Lynner as well as Hal Davis on log.

Doug Lynner, Ruth Weiss, Hal Davis
[Photo: PeterBKaars.com.]

Log may seem like an odd instrumentation, but Davis made it work well with Ruth Weiss’ recitations, and Lynner managed to create sounds on the Mystery Serge modular that sometimes mimicked the percussive resonance of the log and at other times complimented it with more lush tones. He was also able to hit loud or noisy moments in between the words. Ruth Weiss was sharp and witty in her readings, moving from her work in the 1950s and 1960s to more recent compositions. Although the trio had only met once before, they seemed very comfortable performing together and it made for a fun and exciting set. This was something that will likely never be repeated, so we were privileged to have witnessed it.

The final set brought together Zachary James Watkins on electronics and Marshall Trammell on percussion with poet and voice artist Amber McZeal.

[Photos: PeterBKaars.com.]

The music began slowly, with calm but textured percussion and electronic sounds combined with McZeal on didgeridoo. The drone built up to more intense textures, with noise and thick electronics, Trammell’s intense drumming, and McZeal’s voice, which was at times beautiful and melodic singing, and other times dramatic and confident speech. The text for this set was very sparse compared to the previous sets, more like a third instrument than poetry set to music.

Overall, this was a great start to the Summit concerts with three strong performances (I admit I am biased about the first one). We had a great turnout as well, filling all the seats in the concert hall at the Community Music Center. It set a high bar for the next nights.