
OK, technically this is neither a synth nor a synth case, but it is feline and musical 😸
Submitted by our friend techno_id_com via Twitter.

OK, technically this is neither a synth nor a synth case, but it is feline and musical 😸
Submitted by our friend techno_id_com via Twitter.


Cat posing with a classic Yamaha DX7 FM synthesizer. Via this auction, via matrixsynth.
Comes with cartridge 3, which allows you to factory reset the DX7. Also I will send you my sysex library which includes patches I’ve found and made. You can easily send sysex patches to the DX7 via MIDI and a sysex librarian program.
Cartridges Included
• Yamaha 3, 64 Patches
• Yamaha 4, 64 Patches
• Yamaha DX7 Data Cartridge, 32 Patches
• Bo Tomlyn’s Best of the USA, 64 Patches
• Bo Tomlyn’s Top Forty, 64 Patches
This was the coveted instrument in the mid 1980s that I didn’t have, though I did get a TX81Z module which I have to this day. These days, we at CatSynth also have a Yamaha TX802 module (essentially a multitimbral timbral module that shares the DX7’s 6-operator FM architecture), so not much need for another. But if you are looking for this (in)famous instrument, this auction might be worth a look.
Please welcome Bok Choy, making her long awaited debut on CatSynth.

Here we see her checking out, and showing a bit of disdain for, a Casio SK-1.

The Casio SK-1 is actually an awesome little instrument we have used many times.
Bok Choy is the cat that lives with Maw Shein Win, our longtime collaborator in Pitta of the Mind. And on that note, Pitta of the Mind will be performing next Friday at Nomadic Press in Oakland (23rd and Telegraph).
Join us for an excellent Uptown Fridays featuring readings by Norma Smith and Sofia Lopez, with musical guest Pitta of the Mind featuring Maw Shein Win and Amanda Chaudhary. Emceed and curated by Reńe Vaz .
Suggested donations of $5-25 collected at the door, but no one turned away for lack of funds.
Red wine and Red Bay coffee will be available.

The Red Robot Show and Vacuum Tree Head are back! This time Jason Berry brings footage from our March show at HSP2017, and is joined by Marlon Brando in this full-length episode.
The members of the band for this performance are:
Jason Bellenkes : Alto Saxophone and Clarinet
Jason Berry: Conductor
Amanda Chaudhary: Keyboards and Vocoder
Richard Corny: Electric Guitar
Michael de la Cuesta: Guitar, Synth, Vibraphone, Sitar, etc.
Richard Lesnik: Bass Clarinet
Justin Markovits: Drum Kit
Joshua Marshall: Soprano and Tenor Saxophones
John Shiurba: Bass Guitar
Video credits:
Cameras by Amanda Chaudhary and Jason Berry
Edited by Berry / Chaudhary
Audio Engineering by Amanda Chaudhary
Animated and Directed by Jason Berry
Special Thanks:
Mika Pontecorvo
Mark Pino
Brought to you by White Wine. Crisp. And Refreshing.

From iamshadowdancer on Instagram.
Patchcords #caturday #saltillotile #rockyandrufus #whyistherealwaysoneonthefloor #synth_stuff
We suspect that the patchcord on the floor may have been used as a cat toy 😸

In mid June, we at CatSynth were treated to a greatl concert at SFJAZZ that featured Donny McCaslin’s “Blackstar” Band and Antonio Sánchez’s group Migration. McCaslin and his quartet are perhaps best known for their collaboration with David Bowie on his final album Blackstar (which we have discussed previously), but they are a remarkable group in their own right.

[Donny McCaslin]
Indeed, our interest in this show was not just the Bowie connection, but reviews from friends who had previously seen the Santa Cruz-born-and-raised McCaslin live and were blown away by the performance. And as soon as the band started in on their first tune, “Shake Loose” from their latest album Beyond Now, we understood why. It was thunderous, aggressive, but complex and intricate at the same time. There was an intensity, and even a bit of a punk sensibility to the way they powered through the entire set, which included additional selections from the album, a new composition by McCaslin, and “Lazarus” from Blackstar. The encore was also a Bowie song, but a surprising one: “Look Back in Anger.” There really wasn’t a bad moment in the entire set, and it went by quickly with the group’s frenetic pace and energy.
While McCaslin was front and center both visually and musically – he is rather tall as well as a very expressive performer – I was also very impressed with Jason Lindner on keyboards. He freely mixed synthesizers, classic electric piano, and acoustic grand in a performance that was solid harmonically and rhythmically, but again complex and multi-linear. Rounding out the quartet were Mark Guiliana on drums and jazz multi-instrumentalist Nate Wood on bass.
The first half of the show featured Antonio Sanchez Migration performing Sanchez’s long-form composition The Meridian Suite. While the piece has classical influences in its structure, it was unmistakably jazz, and Sanchez himself told the audience that unlike classical-music concerts, the audience was encouraged to applaud between movements and anywhere else the felt warranted such a reaction. The unusually long piece moved through several styles and textures, from very sparse modern jazz to more funky riffs, all anchored by Sanchez’s versatile and precise drumming. Some of the movements included lyrics sung by Thana Alexa. The band also featured Chaise Baird on tenor saxophone, John Escreet on keyboards, and Matt Brewer on bass.
Overall, it was a concert we were happy to have the chance to see; and I will certainly be on the lookout for McCaslin’s next appearance in the Bay Area. In the meantime, we will be enjoying his newest album.

Another from Davor Gazde via our Facebook page. This image features his beautiful white cat with an MU-format system that includes modules from Rob Hordijk. It’s a bit like an expanded and more powerful version of what we have here with our benjolin module. 😺

The title pretty much says it all 😸.
From the group Strange and Weird Instruments on Facebook. (Shared by our friend Neal Trembath.)
Somewhere Over The Rainbow played on squeaking stuffed cats…what else can I say?
More about Rare and Strange Instruments on the official blog : www.rareandstrangeinstruments.com
The monthy Church of the Superserge event at Robotspeak in San Francisco has been going on five years. We at CatSynth were on hand to mark this milestone during the May show.
Musically, the highlight was a solo set by Tom Djll on modular synth and mini trumpet. It was quite musical, blending rhythms and phrases with the timbral elements, even a “melody” of sorts from the processed trumpet.

The afternoon opened with a set by Normalien, also on modular synthesizer. Some delightfully weird sounds with rhythmic elements.

And Carson Day closed things out with a forceful set that included Novation and Dave Smith instruments.

It’s always a fun afternoon at Robotspeak. Not only do I enjoy the music and technology in the performances, but also just browsing the display cases on the wall, seeing what instruments I should covet next. This little DIY synth stood out this time, especially juxtaposed between the giant vacuum tube and the WMD pedal.

We look forward to next time, and perhaps playing again soon.
The annual Outsound New Music Summit is less than a month away. We at CatSynth are looking forward to participating in Touch the Gear and enjoying four nights of concerts, especially after having to sit out last year’s summit entirely. You can see the full lineup and schedule at the website.
We attended the annual benefit dinner for the Summit earlier this month at the Finnish Kaleva Hall in Berkeley, California. In addition to good food and good friends, we were treated to a live performance by Ze Bib, a duo featuring Shanna Sordahl on cello and electronics and Robert Lopez on percussion.

The music featured sparse textures that blended Lopez’s percussion worth Sordahl’s electronics, as well as more rhythmic and forceful sections laying cello, electronics and drums. We are grateful that they shared their music with us for this event.
While the dinner is over, the fund drive for the summit continues. You can find out more information on how to donate here. And if you are the Bay Area, we encourage you to attend one or more of the Summit programs at the Community Music Center in San Francisco, July 23-29.