Far Out Gallery in the Sunset district of San Francisco is currently hosting a solo exhibition of works by Anne Herbst, and we were on hand to see it and cover it on CatSynth TV.
Of course, the cat-imagery particularly caught my eye, but there are many layers beyond that. Even in the cats, one can see some of the other elements that permeate Herbst’s art, including undulating lines and traces of her body that are used both as textures and bounding elements.
There are also the frequent connections to her personal history in the inclusion of faces and hints of other people. The connection to blood comes up both in the use of color, imagery, and the context of a couple of the paintings. It features in a self portrait as well as a piece for her father’s 90th birthday, both of which are featured in the video.
Herbst took the personal history to a new level for this exhibition by re-imagining childhood drawings with her current artistic style and practice.
We see the lines, shapes, and character of her current work brought to the original cat figure from the drawing. One can also notice the blood-like elements and color in this piece.
Creatures of all sorts abound throughout. In addition to the cats, the turtle seems to be a recurring animal, and was featured prominently in the work we most associated with the exhibition title “Ripples.”
Far Out Gallery has been a great discovery for us, a place connecting us more deeply to that sometimes remote western edge of San Francisco. We are happy to have been there for both Anne Herbst’s show and Kasper Rodenborn’s earlier this season. We hope to see more in the future.