death valley

Farewell to 2021

Collage of images from 2021, including the new album, Sam Sam and Big Merp, San Francisco, Death Valley, and Joshua Tree

I have remarked on numerous occasions that this year seemed to go by exceptionally fast. There was hope, excitement, optimism giving way to a mixture of frustration, cynicism and resolve as the pandemic and political situations dragged on and darkened. I have seen the goodness in many people, while I have witnessed the worst in others. But our personal year at CatSynth was a rich one filled with many experiences.

Most notably, the new album Meow Meow Band is out. I am really proud of the music, the presentation, the collaboration with other musicians and everything out it. Please do take a listen if you haven’t already. It was also a chance to reconnect with the city, go out on the road and into the desert, and start experiencing live music again. Of course, most of the time this year was spent here at HQ with our music, Sam Sam, and Big Merp. I always value time alone with my cats, music, and ideas and this moment in time has provided ample opportunity for that.

It’s been another strong year of growth for CatSynth TV. The most popular videos continue to be our synth demos and tutorials, but I’m also proud of music videos, highway videos, and expanded review series. There were fewer videos total this year. We took more time to get them right, but also time off to focus on other things (like the album). Trying to find that balance between the drive to always do more and the limits of time and resources will always be a challenge. We close out the year of videos by spending some time with Sam Sam and Big Merp.

We at CatSynth are grateful to all of you who chose to join or continue this journey with us in 2021, whether here on the blog, on CatSynth TV, or on social media. It is a fool’s errand to guess what will happen in the coming year, but we do have many goals, aspirations, and hopes; we will take each day as it comes.

Wishing you all a Happy New Year and health and joy in 2022.

Wordless Wednesday: Ubehebe Crater

Ubehebe Crater, a large volcanic crater in Death Valley National Park. It is about a mile wide and 600 feet deep.

It was about 110 degrees Fahrenheit at the rim of the crater the day I was there, so I did not venture all the way down. But I did explore the rim and will share photos on another day.

Farewell to 2019: Tipping Point

Our year-end collage is a long-standing tradition at CatSynth. And we had a lot of fun making this year’s edition, so many wonderful images to choose from. One of my best solo performances to date took place at the Compton’s Cafeteria series at the Center for New Music. Big Merp came to live with has at CatSynth HQ. And our adventures took us from the halls of NAMM to the bottom of Death Valley to the subways of New York.

As we mentioned at the end of last year, most of the energy has moved to CatSynth TV and our social media platforms (especially our Facebook page). The blog is mostly our core cat-and-synth pics these days, although I do enjoy sharing long-form articles now and then. And In 2020, I do plan to revive the “primary highways” series from eight years ago.

On the video side, things have been going very well. Here are the top videos for 2019:

  1. Rick and Morty Pocket Operator, Part 2
  2. Introduction to the KOMA Field Kit [Episode 106]
  3. Ginger Baker, In Memoriam
  4. EXCLUSIVE! Arturia Pigments 1.2 First Look
  5. Folsom Street Fair 2019
  6. NAMM 2019: Rossum Electro-Music Trident [Episode 116]
  7. Rick and Morty Pocket Operator Unboxing [Episode 166]
  8. Mutable Instruments Plaits [Episode 102]
  9. Strymon Magneto Loop & Sample Modes [Episode 125]
  10. NAMM 2019: Interview with Dave Smith of Sequential

By early autumn, I was also thinking about this year as a “tipping point.” The transition from the blog to the video channel is the most obvious, but it also applies also on the personal side. The arrival of Big Merp was one of the big stories, and it’s been a tough integration getting both cats to coexist, but things have been trending well in the past few months, with Sam Sam regaining her confidence and HQ becoming a more harmonious place again. Musically, I have moved in a direction that is perhaps closer to my roots in jazz, fusion, funk while maintaining the experimental electronic aspects. I have also moved to a point where studio work is how I spend most of my musical time, between the videos and other projects. Finally, I am getting older, as we all are, and that adds both perspective and a need to focus on health and wellbeing. In 2020, I may “do fewer things” than in the past, but I hope the things I choose to do make an impact both personally and beyond.

There is a lot to look forward to in the coming days: NAMM 2020 is around the corner, I have a full queue of demos to share, and I am laying the foundations for some major musical projects. And of course, we will continue to post cats and synths.

Wordless Wednesday: Panamint Valley Sunset

Sunset in the Panamint Valley after flash floods.

A beautiful sunset in the Panamint Valley after a flash flood. The Panamint Valley is another deep valley just to the west of its more famous neighbor, Death Valley, in California. This watery desert sunset was also the subject of a recent CatSynth TV with original synthesizer soundtrack.