When I discovered the album 100 Days 100 Nights in 2009, it was a breath of fresh air. It was a time when my life was very oriented towards Asia and my own Asian heritage, but musically I was returning to the funk and soul music that I have long adored and wished to play myself. Sharon Jones and the Dap-Kings fit perfectly into that milieu. The songs, especially the title track and “Tell Me” quickly became part of my regular rotation. The strength of music is of course mostly due to Ms Jones and the band, but the production also intrigued me, as they went back to some of the technologies that made those earlier records. Both the physical artifact and the music references James Brown, one of our musical heroes, and the band intersects other more recent favorites such as Amy Winehouse and The Budos Band.
Sharon Jones’ battle with cancer, which ultimately took her life this past week, also hits home for us at the moment. She had a long fight that included remission and optimism only to watch it come roaring back. It’s a painfully familiar story for us at CatSynth.
Today we look back at the live soundtrack performance of 2001: A Space Odyssey by the San Francisco Symphony. The performance featured the full orchestra on the direction of Brad Lubman along with the San Francisco Symphony Chorus directed by Ragnar Bohlin.
Kublick’s film is of course a masterpiece, as is the film’s score, which comes from a variety of sources, including Richard Strauss and György Ligeti (one of our musical heroes). Hearing it live in a concert hall with the movie on a big screen is a different experience. The orchestra seats did allow us to both see the film clearly and get spatial effects particularly from the chorus. Indeed, some of most powerful sounds was the choral sections featuring Ligeti’s eerie clouds of pitches. What was also particularly apparent in the live setting was just how sparse the score is. Much of the film has no music at all.
The scenes on the space station – overall an under-appreciated part of the film – popped out more strongly as a result of live score, contrasting the (Johan) Strauss music leading up the docking with sparse texture of dialog and machine sounds of station’s interior. Perhaps, however, part of the fun of these scenes is how dated they look, more like an idealized airport interior from the 1960s. By contrast, the scenes aboard the Discovery seem more contemporary. And the audience of 2016 had quite a bit of fun at HAL’s expense, as we live in an age where computers with both voices and voice recognition are becoming part of our daily lives (”Hey Siri, what do you think about HAL 9000?”).
2001: A Space Odyssey was presented as part of the Symphonies ongoing feature film series. Sadly, we were not able to attend the talk beforehand with professor of music Kate McQuiston, or the appearance by Keir Dullea on an earlier date.
It’s been five days since Luna left us. I am still having a hard time processing that she is gone. But I have been very touched and humbled by the outpouring of love for her and sympathy for us. There have been a few tribute posts as well, and we share them below.
The Cat Blogosphere has long posted memorials for blogging cats when they pass away. We have shared a few of those over the years on this site. This time we were on the receiving end, with this beautiful graphic and a very sweet post.
Luna is an icon of the Cat Blogosphere, and will be sorely missed. Fly free, sweet girl.
Our friends Elvira, Kiril, Sneakers, Friday and Nikita at Opinionated Pussycat have dedicated a full post to Luna.
The beauty and grace of Luna so finely complimented the beauty and grace of the instruments her human blogged about and the music and art her human created and shared (the photo above is from 2010).
Her presence complimented perfectly the contributions CatSynth made, as frequent contributor and host, to 3 of the earliest and best of the pet blogging share fests, all about cats, Carnival of the Cats, Weekend Cat Blogging, and Bad Kitty Cats Festival of Chaos, for many years, beginning in the summer of 2007…CatSynth first hosted CoTC with #189.
Music & art shows, travel, photography, cats, synthesizers, sass and grace.
And finally, our dear friend and supporter at matrixsynth have a post for Luna.
Certain pets more so than others. JD was one of them, and I know Luna was as well. They let you become who you want to be. They are your confidante in life. Loosing them feels like loosing a part of yourself. Luna will not only be missed by her owner and friend Amanda, but by those of us that have enjoyed her virtual company online through numerous posts on CatSynth, and a few here on MATRIXSYNTH. We will never forget you Luna!
Never forget, indeed! Thank you all for all your kind words and support as we grieve and move forward. 🎶 💕
It is through tears and with the heaviest of hearts that we say goodbye to our beloved Luna. She passed away quietly and peacefully this afternoon.
Since suspending treatment, I have endeavored to keep her happy and comfortable and surrounded by love. The cancer continued to spread and over the past week it was clear just how much pain and difficulty she was in. It was my last gift to her to let her go and be free of the pain. Knowing that, it hasn’t made it any easier to say goodbye.
Luna and I were an inseparable team for over 11 years, years filled with love and fun and adventures. Over time, we became very in tune to each other’s emotions and needs, and have given one another strength and comfort through many challenges and crises. Indeed, she would always be able to instantly when I was sad or in pain, and come over to sit on my chest and provide comforting and healing purrs. This time she isn’t here to do that. Fortunately, I have friends and family, and this wonderful community around CatSynth to draw on. Thank you all for wonderful support you have given during the past year and a half, and beyond.
I am still processing what happened today, and only beginning the grieving process. I will have much more to say over the course of this coming week and in the weeks after that. For now, I leave you some music that speaks to this moment (including the track from Blackstar that we shared on Friday), as well as a modified Mourner’s Kaddish that I will be using, with both Hebrew transliteration and English translation.
RIP Luna (November 30, 2004 [est] – October 31, 2016)
A lot has already been written about David Bowie’s final album Blackstar. But it seems particularly poignant in a personal way at this moment in my life.
I should start by saying it’s a great album. I would even assert that it was his best since the classic albums of the 1970s. it mixes complex and dark elements with some catchy hooks like on Low. The jazz and fusion elements on Blackstar, which features a band led by saxophonist Donny McCaslin, also take me back to another of my favorites, Station to Station, with its funky vibe. Indeed, some of the initial responses to the album that focused on his use of a jazz band seemed to leave out the connection to his funky bands of the mid 1970s. But coming back to the present moment, it’s the song “Dollar Days” on Blackstar that seems to stand out the moment. It is melancholy and its verses feature ballad-like chord structure, descending root notes resolving back on itself. The chorus has a simultaneously anxious and soaring quality. And the lyrics seem to be self-reflective and prescient of his coming death just two days after the album’s release, especially when coupled with the next track “I Can’t Give Everything Away.”
Cash girls suffer me, I’ve got no enemies
I’m walking down
It’s nothing to meet
It’s nothing to see
If I’ll never see the English evergreens I’m running to
It’s nothing to meet
It’s nothing to see
I’m dying too
Push their backs against the grain
And fool them all again and again
I’m trying to
We bitches tear our magazines
Those oligarchs with foaming mouths come now and then
Can’t believe I just run second, now I’m forgetting you
I’m trying to
I’m dying too
Dollar days ’til final checks, honest scratching tails, the necks, I’m falling down
It’s nothing to meet
It’s nothing to see
If I’ll never see the English evergreens I’m running to
It’s nothing to meet
It’s nothing to see
I’m dying too
Push their backs against the grain
And fool them all again and again
I’m trying to
It’s all gone wrong for on and on
The bitter nerve is never enough, I’m falling down
Don’t believe in just one second round for getting you
I’m trying to
I’m dying too
Specifically, that line “If I’ll never see the English evergreens I’m running to” hits home. Bowie died in New York and had probably not seen the English evergreens in a while, and was aware that he likely wouldn’t. One part of Luna’s decline that has affected me greatly is the realization that we won’t experience some of our favorite things together anymore. Some have already gone, such as playing with toys, clamoring for favorite treats, and running up and down the stairs at night. I have no way of imagining what this feels like to her, but it can’t be good. And that, too, is a painful realization. Sadly, cats don’t have the ability to express their feelings in words, let alone with the lyricism and eloquence of David Bowie. The sharing of his thoughts about his mortality is one of the gifts in Blackstar, along with the music itself.
Luna’s continued decline has good days and bad, and we are spending as much time together as we can, including sitting on the floor and listening to music, cuddling and purring.
