Author: catsynth

  • CatSynth video: Synthesis for Cats

    From Poppaneedsanap, via matrixsynth

    “OJ (Turkey Leg) on the Etherwave pitch CV controls the rate of random LFO, pinging a Q106 oscillator. Bling Bling (aka Manwich) goes nuts on a contact mic and Moog MF104Z Delay. Ok, I mixed the contact mic pretty low I admit, but it was his first time wiggling and he was a little self conscious about his performance.

    A more robust jam will follow when I find the fucking laser pointer!”

  • Fun with Highways: California 247 and 18

    After a few cold weeks in the city, I am looking back fondly at my trip to the desert this past summer. Today we look at the final leg of that trip, leaving Joshua Tree on Highway 247. I had been curious about this highway which heads north from Yucca Valley at a junction with Highway 62 out into the desert hills. There is actually quite a bit of residential development near the start of highway, with a great many dusty side streets with a diverse collection of homes. I acquired one of my sculptures at the home of an artist there several years ago. But on this occasion, I kept going north. One of first reassurance markers was, appropriately enough, next to a joshua tree.

    The narrow two-lane highway wound its way uphill between a rocky ledge to the west and a desert valley to the east, with occasional rocky outcroppings. A few of them had graffiti on them. Perhaps I should have taken a photo, but I feel differently about graffiti on natural objects than I do on walls. Eventually, the road turned from north to east-west and entered a wide, flat valley, with the classic “road in the middle of nowhere” appearance.

    The day was pleasantly hot, probably in the low 90s Fahrenheit (low 30s Celsius), a far cry from the triple digit temperatures at the start of this trip. There was a moderate breeze at times, but not too much. So standing on the side of the road here was an opportunity to experience silence punctuated by the occasional passing vehicle. It is rare that I have the opportunity to hear moments with so little sound, but so much other sensual information in the texture and temperature of the air and the sparseness of the visual space.

    Highway 247 then enters the town of Lucerne Valley on the edge of the Mojave desert. It does not have much in common with Lucerne in Switzerland. The lakes here are dry lake beds, but like the more famous Swiss town it is surrounded by mountain ranges. Here, 247 turns north towards Barstow, so I switched onto Highway 18 heading east out of town. This odd highway winds around the mountains and valleys of San Bernardino county through a variety of geographies. The section that I traveled started with crumbly red-brown rock formations up against the sparse commercial development of the town. After an empty section, the road entered the town of Apple Valley where the landscape turned all of a sudden into suburban development and the highway became a multilane expressway known as the “Happy Trails Highway”. The sharp contrast was a little jarring, but not unexpected given the history of development in the deserts north and east of Los Angeles. But this was not the stark industrial development as I had seen in New Topographics a couple of years earlier, it was just dull suburban sprawl. Upon entering Victorville, Highway 18 becomes a regular city street along with Business Loop 15.

    From here, I was able pick up I-15 and ultimately wind my way north along more familiar highways back to San Francisco.

  • CatSynth pic: posishund 4 music prevenshun

    "posishund 4 music prevenshun"

    From edeevo on flickr. Visit http://www.etsy.com/shop/edeevo for more photography.

    BTW, the cat’s name is Mila. 🙂

  • Weekend Cat Blogging with Luna

    It’s a new year, and Luna is ready to play.

    She always seems particularly eager for attention when I am about to leave home, which point she launches into a rather effective guilt trip. But this week she has been getting quite a bit of extra attention, between the New Years vacation and my feeling under the weather the last few days. It has actually been a good time to catch up on cats and electronic music.


    The Carnival of the Cats will be hosted tomorrow by Nikita and Elvira at Meowsings of an Opinionated Pussycat.

    And the Friday Ark is postponed until next week…

  • Analog modular improvisation

    Here is a little track I created last night improvising with a few of the modules in my Eurorack system. Enjoy!

    This analog modular improvisation featured the Wiard Anti-Oscillator and Noisering from Malekko Heavy Industry, Make Noise Maths, and KOMA SVF-201.

  • CatSynth pic: Quasimidi Rave-O-Lution Drum Machine SN 42262

    Another “cat not included” auction photo courtesy of a matrixsynth:

    “Cat not included!”

    “This unit is unexpanded (hence the moderate price)… There are many technical photos of this synth at http://www.loscha.com These pictures are of the actual unit you will be buying.

    The power socket has a slightly broken shell, but the plug holds in no problems.”

    KORG Polysix/Mono-Poly era knobs.

  • World of Wonder with DJ CatSynth, January 2, 2013

    Here is the podcast from my World of Wonder show that aired at midnight on San Francisco Community Radio.

    12:00AM-12:00AM (0:48) Opening Chimes / Announcements

    12:00AM-12:03AM (2:22) Marvin Gaye & Tammi Terrell “Ain’t No Mountain High Enough” from 20th Century Masters: The Millennium Collection: The Best Of (MP3, 2000)

    12:03AM-12:05AM (2:46) Chris Cutler & Thomas DiMuzio “When Cracks Appear: Reappearance Of Birds” from Quake (CD, 1999)

    12:05AM-12:15AM (9:35) Mulatu Astatke & The Heliocentrics “Anglo Ethio Suit” from Inspiration Information 3 (CD, Album, Reggae, 2009) on Strut (UK)

    12:15AM-12:26AM (10:47) C.O.M.A “Verdical” from Verdical (MP3, Single)

    12:26AM-12:26AM Announcements

    12:26AM-12:36AM (9:26) Nico “(The End)” from Classic Years (CD, 1998)

    12:36AM-12:43AM (7:38) Cobblestone Jazz “Change Your Apesuit” from 23 Seconds (2007) on !K7 Records (UK)

    12:43AM-12:46AM (2:16) The Work “Scream Circle” from Woof 7 Inches (Rock, 2006) on Ad Hoc Records

    12:46AM-12:52AM (6:34) Fred Frith “Heart Bares” from Cheap At Half the Price (CD, 2004)

    12:52AM-12:58AM (6:08) Solcircle “Uncle Bob” from Solcircle (CD, 2002)

    12:58AM-1:00AM Station ID / Announcements

    01:00AM-01:08AM (8:34) Bark Psychosis “The Black Meat” from Codename: Dustsucker (Rock, 2004) on Fire Records

    01:08AM-01:14AM (6:05) Myrmyr “Fire Serpents Lull” from Fire Star (CD, 2012)

    01:14AM-01:22AM (7:20) Oval “Textuell” from Systemisch (1996) on Thrill Jockey (USA)

    01:22AM-01:32AM (10:22) Yuji Takahashi “Mimi No Ho” from Finger Light (1995) on Tzadik

    01:32AM-01:39AM (7:13) Deletists “The Lure Or War And Boredom” from The Deletist (CD, 2003)

    01:39AM-01:40AM Announcements

    01:40AM-01:42AM (2:33) Cardiacs “The Obvious Identity” from The Special Garage Concerts Vol II (2005) on The Alphabet Business Concern (UK)

    01:42AM-01:46AM (4:00) Various Artists – Buda / Ethiopiques “Ene Negn Bay Manesh – Girma Beyene” from Ethiopiques Volume 8: Swinging Addis (2000)

    01:46AM-01:52AM (5:31) Duboniks “Fi Don’ Givit” from Trip Hop & Jazz 4 (1998)

    01:52AM-01:57AM (5:23) Polygon Window “Polygon Window” from Surfing On Sine Waves (1992) on Warp Records

    01:57AM-01:59AM (1:27) Ilkae “Push Pop Nil” from Pistachio Island (2001) on Merck Records

    01:59AM-02:00AM Announcements / Closing Chimes

  • CatSynth pic: M-Audio Venom Synth Keyboard

    Via matrixsynth, where you can find more info.

    49 full-size keys with velocity
    12-voice polyphony
    Features 512 single patches and 256 multi-sound patches
    41 oscillator waves and 53 drum sounds sampled from vintage analog and digital FM synths and drum machines
    Three oscillators per voice
    FM, sync, and dynamic wave-shaping
    Three LFOs and three AHDSR envelopes
    Four-part multitimbral
    Four independent MIDI-syncable phrase sequencers
    Two global bus effects and one inset effect per part
    Classic arpeggiator
    Tap tempo and top-panel BPM control
    Built-in USB 2.0 2-in, 2-out 24-bit audio interface
    Microphone, instrument, and stereo line level inputs
    MIDI in and out via 5-pin DIN connections
    Large custom LCD display
    Four rotary encoders for editing and performance control
    Assignable pitch bend and modulation wheels
    Vyzex Venom software editor for Mac and Windows included”

    Cool cat not included.

    We think the cat probably prefers the box 😉

  • Wordless Wednesday: Half and Half



  • Farewell to 2012

    It’s time for our traditional end-of-the-year image. It is always a challenge to decide what to include, but we thinks this captures a few of the significant elements. 2012 was a crazy and at times and a bit nerve-wracking, but it full of richness and opportunity. I except more of the same in 2013. It’s going to be a busy and challenging year ahead, but I hope to be able to continue to keep this site going and maintain the friendships I have made here.