Author: catsynth

  • #OccupySF October 26

    #OccupySF October 26

    On Wednesday, I returned home to San Francisco around 9PM and was greeted by the sounds of helicopters overhead. I went outside to the patio and saw a helicopter flying closer to CatSynth HQ and lower to the ground than I had ever seen. We had all seen what had happened across the bay in Oakland the day before, with tragic results. Twitter was alight with concerns and rumors that a raid of #OccupySF was possible, and the official protest feed exhorted followers to “come join us”. So I did.

    There was a fairly large crowd when I arrived at Justin Herman Plaza, and a rather festive atmosphere. In the center of the plaza, north of the camp, there was a large circular procession like a picket line. A small brass and drum band was playing a funky riff. Indeed with the bass line, pentatonic scale and four-on-the-floor rhythm it had a bit of an old disco feel! You can hear a bit in this video:

    The sound from the iPhone recording was not that great, so the lower brass instruments are a bit soft. But there was a bass line, and the bass line is key to the disco/funk feel (something I suspect most Tea Party rallies lack).

    However, underneath the party-like veneer it was a bit tense. The nearby BART station was shutdown (as were the stations in downtown Oakland), and reports were flying over Twitter of various groups of police massing, most notably in the Potrero Hill area where they were seen to be boarding MUNI busses. This led to all sorts of jokes about the fact that if they were riding MUNI they would probably never make it here. But jokes aside, organizers and participants took the threat of a raid quite seriously. We had frequent drills for those who were going to hold the camp (and thus risk arrest), and those who were going to form a more diffuse perimeter. There were advisories on what to do in the event of tear gas being used. It involved vinegar. It did not sound pleasant at all.

    Hours went by, alternating between the festive party-like scene, the drills, and an open mic. No sign of any police activity – a fire truck with horns blaring did pull up near the camp, but that was it. Still, conflicting reports and rumors continued to circulate. There was even talk that people from #OccupyOakland who wanted to come across the bay to support us would attempt to cross the Bay Bridge, which is a busy freeway even at night and has no pedestrian sidewalks of any sort. (It was amusing to follow that from the point of view an anthropomorphized @SFBayBridge). This of course did not actually happen, though a small number of people from Oakland were able to come across by using alternate BART stations or other means and did speak to the assembled crowd, including accounts of what had happened on Tuesday and what people in Oakland were doing that evening, and a moving account of what happened to Scott Olsen.

    Several political figures from the city were on hand as well, including several members of the Board of Supervisors (our city council equivalent) and a few mayoral candidates. Current Mayer Ed Lee was not present. However, my own Supervisor, Jane Kim, whose district covers my neighborhood as well as the plaza itself was present – I had actually run into her and (almost literally) earlier in the evening but not recognized her at first. At first, the officials started speaking so a small crowd of media people around 2AM, but after a back and forth with protest representatives, they came to speak to us, using the official “mic check” and call-and-response system:


    [video by josborn25 on YouTube.]

    There was one really annoying heckler, even though he seemed to be echoing the immediate and long-term concerns of many in the Occupy Wall Street movement, he was not respecting the mic system, the speakers or the audience, and its not clear to me if we was really an agitator rather than an overly enthusiastic supporter. For example, he was demanding portable bathrooms, even though the city had already provided several that were present and available at the time.

    In some ways it was a lonely experience. I did not really have any close friends there. But I did feel connected to a community online on Twitter, with people I know across the bay in Oakland who sent and solicited updates, and with readers beyond who let me know they supported my being there.

    I ended up departing around 3AM. It felt like a raid was not likely. And I was happy to see the next morning that it did not happen. It’s not clear if there was a raid in the works that was called off or if it was never really planned. It will also be interesting to see how the movement and the events this week and next week play into local politics (we do have a mayoral election coming up in less than two weeks).

  • San Francisco Open Studios at Art Explosion

    San Francisco Open Studios at Art Explosion

    San Francisco Open Studios has been going on all of October. I have live tweeting from my various studio visits each weekend using the hashtag #SFOS. But as both the month and Open Studios draws to a close, we look back and my own experience on the first weekend, showing my photography at Art Explosion and in the showcase at SOMArts.

    The works were mostly drawn from the same set that I featured in the solo show at The Parts Room in Oakland in early September, include the “triptych” of the large red, blue and yellow pieces.

    The show in Oakland was a great experience, the best visual arts show to date. And I learned a lot about hanging which I put to use for Open Studios. This was most true for the showcase at SOMArts, where I showed up fully equipped to have my piece perfectly centered and mounted in the allotted space. The tools and meticulous measuring and drilling of holes seemed to impress the staff at ArtSpan.

    And the work paid off with the end result (though the camera distorts the leveling a bit).

    During the preview party, I received numerous positive responses from visitors and various people in the arts community.

    The response at the studio itself was also positive. There weren’t always a lot of people visiting, it came in waves throughout the weekend, but those who did come were quite engaged.


    [Photo from Art Explosion Studios Facebook page.]

    I received both positive and constructive feedback over the weekend. One thing that is clear is the strongest works are those, like the “triptych” that focus on details of the urban landscape, a particular shape or pattern or color. Those are also among the most rewarding to work on, so I will likely focus more on this in the future. I will probably continue to have humorous pieces as well. People of course loved the big orange cat. The doll was a lot more polarizing (see the most recent Wordless Wednesday for an example), with some people really liking it and others hating it.

    In balance it was a good experience – it was also great to share it with the other artists in the studio. It was also nice to get it out of the way during the first week, and spend the rest of the month as a viewer rather than presenter. But I am left with a sense of “OK, what next?” in terms my visual-art work…

  • CatSynth pic:  Plaga CatSynth (Korg Kaoss Pad)

    CatSynth pic: Plaga CatSynth (Korg Kaoss Pad)

    Another for Casar Ulloa via our facebook page, this time with a Korg Kaoss Pad.

    “Plaga CatSynth”

    If you would to contribute your own cat-and-music photos (synthesizer or otherwise), you can post them on our facebook page, tweet us @catsynth, or contact us.

  • Robert Reich at #OccupySF

    Robert Reich at #OccupySF

    Last week I returned to #OccupySF, specifically to hear Robert Reich, former Labor Secretary and current U.C. Berkeley Professor.

    It was a somewhat cold and windy afternoon, not unusual for San Francisco, but there was a decently sized crowd for a weekday afternoon. I did attempt to video part of the speech on my iPhone. It came out terribly. But fortunately pixplz on Twitter made a full-length and high-quality recording of the “teach in”. I recommend checking it out.


    [Video by justinryanbeck (pixplz on Twitter).]

    I have listened to many of his commentaries on radio and read his editorial pieces, and usually find him to sound quite reasonable. Indeed, I have been curious why we was not invited to be part of the economic team in 2009 to address our crisis. He was quite detailed in responding to some of the more articulate questions, and very patient with the “other” questions. There is always going to be some of both.

  • Weekend Cat Blogging #333: Works of Art

    Weekend Cat Blogging #333: Works of Art

    Luna contemplates the sculpture Pierced Screen by Joshua-Tree-based artist J Michael Smiley.

    She has a good sense for how to contrast her natural shape against stark geometric lines. Actually, given our art and decor, she doesn’t have much choice in the matter.

    I bring the outdoor sculptures inside every winter. This month has been rather volatile, ranging from a heatwave to violent rainstorms and now to more typical crisp autumn weather. We were caught completely by surprise with the storms, with both heavy rain and winds. A particularly strong gust of wind one of the outdoor sculptures crashing to the ground.

    Fortunately, it was not damaged, perhaps a few scratches but nothing worse than usual wear and tear. I consider the rust sculpture more sensitive to rain, so that one came indoors for storage. Luna has been fascinated by it ever since.

    I would like to clean it and fix the rust surface a bit, but I don’t have much expertise in this despite owning multiple rust sculptures.


    Our friend Parker of Perfectly Parker has received some very sad news this past week. Our thoughts are with Parker and her family.

    Weekend Cat Blogging #333 is hosted by Billy Sweetfeets.

    Carnival of the Cats will be up this Sunday at Meowsings of an Opinionated Pussycat

    And the Friday Ark is at the modulator.

    Weekend Cat Blogging will be here for Hallowe’en next week!

  • CatSynth: Play Your Kaoss Pad with a Kitten

    Another from vlern (one of or most prolific contributors) submitted via our facebook page. This one features the kitten Roberta on a Kaoss Pad.

  • Art Practical Year 3 Launch, with Music and Super-8 film

    Art Practical Year 3 Launch, with Music and Super-8 film

    Today we look back at the launch party for Year 3 of Art Practical, an online magazine that documents and discusses Bay Area visual arts through reviews and analysis. The event took place at Fivepoints Arthouse. Upon entry, we were offered the opportunity to purchase a logo shot glass (which I did). During the evening, it was filled a few “Shotgun Shots” (Shutgun! being the title of their first issue for the year).

    However, the highlight of the evening was in basement of Fivepoints, where artists/musicians Joshua Churchill and John Davis presented live experimental music set against a hand-solarized Super 8 film. It’s pretty rare these days to see actual Super 8 films, but it definitely added something to the piece. They images were purposefully grainy, and even more distorted as a result of the solarization and other treatments of the film – it reminded me of some of the effects on the Hipstamatic (see examples here and here), but on a much larger scale and with a richer depth of intensity and contrast.

    Joshua Churchill sat in front of the screen and performed the live with electric guitar and an array of electronic effects. There were echoes, distortions, some elements that sounded like looping, and synthetic sounds from the combination of effects. There was a noisiness and graininess to the music that seemed to reflect the quality of the film. The overall effect was quite beautiful and evocative, and mesmerizing.

    Through small slots in the ceiling, light poured in from the main floor gallery, creating a series of light streaks that worked both in concert and contrast with the images from the film and heightened the overall presentation. Even though the space was quite crowded, I found myself completely immersed in the visuals and sounds of the piece.

    The piece would have been a great event to see on its own even without the party, but I am happy it was there otherwise I might have missed it. All in all, a great evening. And now Art Practical is already on its third issue of Year 3.