Category: Synthesizers

  • CatSynth pic: Mimě and MFB-KULT

    From our friends at polynominal, we have more photos of MimÄ?:

    This time, MimÄ? poses with an MFB KULT.

    Check out more Cats on Tuesday.

  • CatSynth pic: Diggy Blocking my Frequences

    Another from Jacksin of Jacksin Music, featuring Diggy.

  • CatSynth pic: Wildfreshness (Cholula)

    A second photo from Ned of wildfreshness:

    Cholula poses on an Ensoniq ESQ-1.

    Check out more Cats On Tuesday at meeyauw.

  • Preparing for tomorrow's performance

    Well, the first big solo show since moving to the city is nearly upon us. And it's a big one, at least in terms of the setup and preparation. Indeed, this is the largest and most complex setup I have used for a live show in quite a while, with both Mac and PC laptops, the tablet, MIDI keyboard, the Evolver synth, and the Proteus 2000 module. And of course the rather byzantine wiring and signal routing to keep it all together.

    In the photo, one can see not only the equipment, but a couple of the acoustic instruments I will be playing including the ektar and the gopichand.

    Why such a complex setup? Well, I wanted to a variety of pieces for this performance, combining both the newer simplified performances (such as those I did last year on tour with Polly Moller and Company), with some of the older more complex works. I also wanted to play the tablet, which I haven't done in a while, and it only runs on the older PC laptop; and include a couple of pieces from the CD, including Chimera and a variation on Xi. I was a little bit concerned about pulling out the old laptop for this performance, but after some effort it's running decently, and it's great to be able to blend elements from my older performances with the more recent ones. And in truth some of the older pieces are more fun to play, such as Chimera on the tablet, and the patch that responds to live drumming (officially called “drummer boy”).

    Luna has of course had to make her presence felt during the rehearsals, as you can see here.

    After a shaky start, the program has come together quite nicely in the last few days, and I am now looking forward to performing tomorrow.

    For those interested, the time and location is:

    Thursday, May 8, 8PM
    Luggage Store Gallery
    1007 Market St.
    @ 6th Street
    San Francisco, California

    More details can be found here.

  • Upcoming Concert: Luggage Store Gallery (San Francisco), May 8

    An announcement for upcoming show in the city:

    Thursday, May 8, 8PM

    Luggage Store Gallery
    1007 Market St.
    @ 6th Street
    San Francisco, California
    Admission $6-10 sliding scale.

    I will be performing a live electronic set, with two laptops, standalone
    synths, “circuit-bent” toys and my collection of Indian instruments.
    Mostly ambient and experimental, with bits of rhythm, beats and familiar
    sounds thrown in.

    I might even pull out the old graphics tablet, which I haven't really used
    in the last year and a half!

    Regular readers may recognize the Luggage Store Gallery from previous articles, including music reviews and my show w/ Polly Moller and Company in Feburary.

    There's a lot going into this show, which is my first solo in a while. Watch for some more details during the week…

  • CatSynth pic: Wildfreshness

    Submitted by Ned of wildfreshness:

    Clementine, the tortie, poses next to a Kurzweill keyboard.

    If you haven't already visited our post on wild cats, please do so.

    You can also check out more Cat on Tuesday.

  • Weekend events in San Francisco (Music, Art and Cats)

    Another busy weekend, especially with the number of things going on. We only have time for a partial review…

    First, there a quick stop at downtown pub to see some friends/colleagues. Then a rush to BART to get across the bay to Berkeley and my old stomping ground, the Center for New Music and Audio Technologies (CNMAT).

    I was a few minutes late, but still had plenty of time to hear Joker Neils and Gino Robair performing a improvised duet. Robair has an amazing talent for getting electronic-like sounds out of acoustic percussion instruments, and did so again on this evening. Neils was primarily using custom synthesizers, both professional instruments as well as circuit-bent toys. We have discussed circuit bending previously here at CatSynth. He brought several well-crafted examples, including Suziki Omnichords with contact-resistance interfaces; and he also brought a tremendous enthusiasm to his performance and to his discussion of circuit bending in between sets.

    Also presenting was Rob Hordijk, who designs custom synthesizers (or “works of art” as he described them). Among the technologies he employed in the “Blippobox” that he presented were chaotic oscillator pairs, where two oscillators feed back into one another to create non-linear modulation, and a filter that he called the “twin peaks” filter (presumably because it has two resonant peaks).

    Amy X Newburg lent her vocal and electronic-music talents during the presentation and in the second half of the show – readers may remember her from a a recent music festival that we reviewed.

    I had some interesting conversions with both Amy X Newburg and Joker Neils following the performances, which is always a nice coda to a concert.


    It was another exceptionally warm weekend in San Francisco (I wouldn’t mind it becoming less exceptional), so more opportunities for walking events. First off I finally made the trip to the San Francisco SPCA to inquire about volunteer opportunities and see their much touted adoption center. The cat area featured large rooms, “kitty condos” as well as comfy areas to hide – it actually seemed on par with the “cat resorts” where I looked into boarding Luna. The SPCA is actually a short work away from CatSynth HQ (well, it’s at least short from my perspective).

    Another short walk in the opposite direction from CatSynth HQ led to the Yerba Buena Gallery Walk. Open studios and gallery events are pretty regular occurrences, even within walking distance. Plus, there’s often free food and drink. I didn’t see too many things that truly interested me, except for some abstract paintings at 111 Minna that I had already seen during the first Thursday earlier this month. But that doesn’t mean the afternoon wasn’t without its attractions. Some of the galleries, such as Varnish, were in very interesting spaces, such as converted industrial buildings from the early 20th century. A view of Varnish is in the photo to the left. Additionally, some of the sights on a gallery tour aren’t the works of art, but the people viewing them – and this is even more true on a warm sunny day. Finally, I did have a delightful conversation with Jesse Allen at Chandler Fine Art – his very psychedelic/natural works aren’t what I am usually drawn to, but some of them did include abstract representations of cats and other animals and one “wild cat” in particular caught my attention.


    More art on Sunday, this time photography. This Sunday was “Pinhole Photography Day” (who knew?) and the RayKo Photo center featured an exhibit, demonstrations, and most notably a ride on the Bus Obscura a school bus converted into a large camera obscura.

    The bus obscura toured our South-of-Market neighborhood, providing a unique view via the pinhole-camera images. Small dots of blurry light would suddenly come into focus as a sidewalk or car or storefront.

    Because the image were so localized, it wasn’t always clear exactly where the bus was, though every so often a familiar landmark would emerge. The ride was accompanied by live acoustic and electronic music, adding to the experience and making it different from the regular “tours” of our neighborhood.

  • CatSynth pic: Black and White

    From threeblackbirds at Flickr, via matrixsynth:

    “maddi, please be careful with my synth.”