CATSYNTH

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Tag: analog

  • Idris Ackamoor Quartet, Amanda Chaudhary, IMA, Voicehandler. Second Act SF

    Idris Ackamoor Quartet, Amanda Chaudhary, IMA, Voicehandler. Second Act SF

    Today we look back at a memorable show I played in a couple of weeks ago at Second Act here in San Francisco. Four acts each brought a different style of performance, instrumentation and experimentation to the stage.

    First up was IMA, an electro-acoustic duo featuring Nava Dunkelman and Jeanie-Aprille Tang.  Their sound blends the noisier edges of percussion with a range of electronic sources, including loops, samples, and percussive hits that complement the acoustic sources. It was a loud and intense affair, but with quiet sections. Dunkelman also used her voice during the performance as another instrument.

    Then it was time to take the stage. This was another set featuring Moog Theremini and analog modular synthesizer. The color theme for this performance was blue.

    Amanda Chaudhary with Moog Theremini
    [Photo by Tom Djll]

    As with many of these electronic improvisation sets, it starts off very structured and then moves in different directions based on the audience, room, instrument behavior and inspiration. You can see the full performance in this video.

    Amanda Chaudhary at Second Act from CatSynth on Vimeo.

    Overall I was quite pleased with the performance and the audience reaction.

    Next up was Voicehandler, a duo of Danishta Rivero and Jacob Felix Heule.

    Voicehandler

    Their sound was a bit more subtle than the previous acts. It featured Rivero on extended vocal techniques with a water-based electro-acoustic instrument of her own invention, the Hydrophonium; and Heule on extended percussion techniques that were often subtle and precise before veering into more energetic territory.

    The final act was a quartet led by Idris Ackamoor featuring Mark Heshima Williams on bass, Bob Marshall in drums, and David Molina on guitar and laptop with Ableton Live!

    Idris Ackamoor Quartet

    Several of the musicians and musical pieces were familiar from Ackamoor’s renowned “afro-futurist” group The Pyramids. Indeed, the performance followed a similar structure with both a rhythmic entry and recessional. The rhythm section of Williams and Marshall was solid and perfect for some of the funkier grooves; and Ackamoor managed to move effortlessly between roles as horn-player and solo tap-dancing. It was interesting to hear David Molina and his guitar+electronic work, which I have heard before as a solo project, blended into this context.

    Idris Ackamoor

    All together it was a good show from all four groups, a diverse range of music. The large audience seem drawn to all the acts even if they initially came following one. And it’s great to see spaces like Second Act continuing to host shows like this in San Francisco. I hope to play there again sometime soon.

  • CatSynth pic: Chilling on Prodigy case

    Cat with Moog Prodigy box and synths

    From arpodyssey on Instagram.

    In addition to the case for the Moog Prodigy, can you name all the synths that appear in this picture? 🙂

  • CatSynth pic: Serge Kitty

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    From our friends Elise and Dmitri of Slope114.

  • CatSynth Video: VFVHS01 VIDEOSCOPE MINIMIX

    CatSynth Video: VFVHS01 VIDEOSCOPE MINIMIX

    From Virtual Flannel on YouTube.

    VFVHS01 now available on Bandcamp!
    Hand decorated and home dubbed by Virtual Flannel.
    https://virtualflannel.bandcamp.com/a…

  • Church of the Superserge: March 2015

    Yesterday, I attended the Church of the Superserge at Robotspeak here in San Francisco. It is a monthly gathering for electronic music and synth geekery hosted by the same folks who produced the big Serge Modular 40-year Reunion Concert.

    There is always an impressive array of gear on hand. Here we see Robotspeak’s Steve Taormina warming things up before the show with a tower of modules. Also note the Prophet 2, Moog pedals and more in front.

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    This is a casual, BYOB affair, so I stopped at a bodega across the street to grab a beverage. I encountered this rather stoic cat sitting next to the door.

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    The music began with an ambient set by Clarke Robinson. There was an ever changing cloud of sound, sometimes quite tonal. There was also a bit of textural detail added by that small box in front of his modular.

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    Next up was Elise Gargalikis, performing on a very compact suitcase rig featuring Serge modules and a looper. Her performance was more abstract and detailed than the previous, and featured her captivating voice as an integral sound source for the electronics.

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    JD Northrup rouded out the afternoon with a decided techno set featuring strong patterns and arpeggios atop a four-on-the-floor beat. The rhythm remained fairly constant throughout the set (which was longer than the others), but the timbres from his setup featuring Make Noise modules along with a few others was continuously changing.

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    A few of us were compelled to dance in place at points; and eventually Robotspeak’s own disco lighting came up.

    All in all, it was a fun afternoon. I look forward to more of these events in the coming months.

  • CatSynth pic: Cat working a modular synth

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    This cat clearly takes his/her modular patches quite seriously. From the Muff Wiggler forums.

  • CatSynth video: Tom the Cat Playing a Moog Theremini

    CatSynth video: Tom the Cat Playing a Moog Theremini

    By timbolature on YouTube, via matrixsynth.

    “A Moog Theremini comes to visit, and finds a fan in the form of Tom the Cat. Recorded by Offspring #2.”

    Tom is playing the Theremini in way that only a cat can play 🙂

  • CatSynth pic: Modular Synths!

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    Submitted via Facebook.

  • Serge Modular 40 Year Reunion Concert

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    Today we look back a unique event that took place a few weeks ago. To commemorate the 40th anniversary of the modular synthesizer system created by Serge Tcherepnin, fans, inventors, early adopters and virtuosi of these instruments got together at The Lab in San Francisco for an evening of music, gear spotting, and fellowship.

    I arrived just in time to see Slope114, the duo of Elise Gargalikis and Dmitri SFC. Elise’s voice beautifully floated over the beats coming from the massive modular. There were quite a few groovy patterns and refrains in the mix.

    Slope 114

    I should also point out that they were key in organizing the event (and in helping introduce me to this community), so extra kudos for them.

    Next up was LX Rudis, another frequent performer of Serge modulars. His was a much noisier, abstract performance compared to Slope114, but with lots of interesting sounds.

    One of the earliest users of the Serge synthesizer was Will Jackson, who brought it on an anti-whaling voyage with Greenpeace in the 1970s. He related the story of the trip, including their encounter with a Soviet whaling ship, and shared with us some of the music he composed for and with the whales.

    Next up was the virtuoso himself Doug Lynner. He did not disappoint, with a complex solo performance with subtle elements and precisely tuned patches.

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    The music is defies simple description, it is slow, evolving, beautiful, ethereal. it is best to just listen to his sit in this video:

    Jill Fraser was on hand to perform with her large Serge synthesizer setup along with some more contemporary electronics. Well known for her work in film and commercial music, her performance came across as more abstract in this instance.

    The final act of the evening featured a trio, bringing together Paul Young with Gino Robair on drums and Richard Marriott on trombone.

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    I jokingly referred to them as the “Serge house band” for the evening, but they killed it with an energetic jazzy set, especially one disco-infused jam of which I was particularly fond.

    I regret not being able to list every act in this report, there were quite a few and they all brought something different to the event. And there was quite a large audience in attendance, overflowing the seats. We certainly except to hear more from many of these artists soon.

  • NAMM: Synthrotek and Synthesis Technology

    We finally come to the end of our exhaustive visit to the huge analog modular booth at NAMM. We of course had to pay our friends at Synthrotek a visit. They make DIY synthesis kits as well as full modules, often with a delightfully noisy quality. For example there is the aptly named DIRT Filter and the Chaos NAND of which we at CatSynth are quite fond. They had some new offerings for this year’s show.

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    Among the new modules were a series that came from a collaboration with George Mattson. The MST and Synthrotek modules together form a complete analog synthesizer voice, with MIDI-to-CV, oscillator, filter, mixer, and modulations. There is even a classic Mattson-designed buffered multiple. Another interesting offering was the DS-M, a complete drum synth module with multiple “colors” of noise, built in oscillator, VCO and a voltage-based “velocity sensitivity.” It can create standard analog drum sounds, but can also do some rather unusual sounds as well. Like most products from Synthrotek, these can be ordered as raw kits, module-assembly kits (with panels, etc.), or as completed versions.

    Nearby was Synthesis Technology, makers of the E-350 Morphing Terrarium that was among the first modules I bought back in 2012.

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    Next to the e350 in the photo is an expander module from Manhattan Analog that opens up some additional functionality of the original module. Also pictured above the the E-102 Quad Temporal Shifter, basically a digital implementation of the Serge analog shift register. The E-560 thru-zero frequency shifter and ring modulator is quite interesting as well.

    This concludes our reports from this year’s NAMM show. There was so much to see on the synthesizer front we were not able to get to it all, much less write about it. It was definitely one to remember, but we are looking forward to more next year!

    meow meow bye namm 2015