This cat is showing off a great find: a Moog MG-1, which was made for the Realistic (Radio Shack) brand in the early 1980s. From Paul Cunningham via Facebook.
Found this Moog at the pawn shop. Already had the cat. Look it’s got all it’s slider knobs!
The slider knobs (and other knobs) do fit the industrial design of the time. And the colorful section borders suggest a precursor to Moog’s current Matriarch series. It is, nonetheless, a fully equipped analog subtractive synthesizer:
Gizo poses with a Moog Little Phatty and a Korg Poly 800. Submitted by J Lugo Miller via our Facebook page.
Why does Gizmo love the Little Phatty and the Poly 800 so much?
Well, they are both fine synthesizers. The Little Phatty started the modern Moog “Phatty” series that includes the Sub Phatty we have here at CatSynth HQ and lives on with the Subsequent 37. And the Poly 800 has a place in the history of MIDI analog synths of the early 1980s.
At a time when Roland was doing well with their Juno-series, KORG countered with a poly-synth of their own in 1983 with the Poly-800. The Poly-800 was comparable to the Juno-106, at the time, with respect to the fact that musicians now had access to affordable programmable polyphonic analog synthesizers (it listed for under $1,000) with memory storage, stable DCOs (digitally controlled oscillators) and a new state-of-the-art technology called MIDI (although there was no SysEx implementation yet).
Adorable Betty the black cat sits atop a vintage Yamaha CS20m synthesizer. From Edda Jayne Hill via Facebook.
Betty loves the CS20m
And she is certainly in good company! Long before Yamaha’s dominance in the mid-1980s with the DX series of FM synths, they created the CS series of analog subtractive synthesizers. Although similar in topology to other analog synthesizers of the era, they had their own unique sound and character and were prized by many artists.