For Father’s Day, we have some “patrilineal” art to share. This assemblage was created by my dad, combining a painting of his with a handkerchief that belonged to my grandfather. The material of the handkerchief is decades old and decaying, and the tears and texture make for a very interesting blend with the colors and shapes of the painting below.
We at CatSynth wish a happy Father’s Day to all the human and feline dads out there.
Today we look back at last weekend’s opening of Art for the Naked Eye at Far Out Gallery in San Francisco. The show covers twenty years of work by local artist Kasper Rodenborn.
You can see and hear a bit about Rodenborn’s art in his own words in our most recent CatSynth TV episode.
Rodenborn’s work falls into several periods and categories. First, there are the more traditional paintings, with surrealist quality that particularly reminds us of Yves Tanguy.
Many of the works feature wildstyle, an homage to Rodenborn’s early days as an underground graffiti artist. But he combines this with other elements, including some that project out of the canvas in the sculptural realm, as in the Rauchenberg-esque elements in Aside from Concrete Existence displayed below.
[Kasper Rodenborn, Aside from Concrete Existence. This piece will be hanging in CatSynth HQ after the show!]
Over time, we observe his work to move in the direction of collage and ultimately assemblages, as in these intricate pieces.
The most recent works are a return to flat surfaces. But these flat pieces have depth and motion, as they respond to changing light colors. They were displayed illuminated by rotating-color LED bulbs.
It was a strong exhibition, we are glad to have attended. And Far Out Gallery was an excellent discovery in the Sunset District of San Francisco – we expect to be back for future shows.