CatSynth video: shadow cat (modular synth)

From Ebotronix on YouTube, via matrixsynth. Quite the modular synth collection in this recording, plus one cool cat.

4ms Peg, QCD /Expander² ,QPLFO, RCD, VCA Matrix
Analogue Systems RS 100², RS110²², RS 360²
Bananalogue Serge VCS
Cyndustries Zeroscillator²
Doepfer R2m, A101-2, A114, A118,A134²², A143-2,A151²²
A152, A175²²,A185-2, A138abc, A192-1( 4Vox midi CC )
Flame 4 Vox ,Chord Machine², FX 16, Talking Synth Module²
flight of harmony choices
Make Noise Brains ,PP²,Maths²,Moddemix²²,QMMG,
Optomix, Wogglebug²
Malekko Anti²², Unkle²²,Jag
Moog FreqBox²², MP201
Roland SVC-350 Vocoder, System 104 Sequencer
SSL Modulation Orgy
Tip Top Audio Z8000 manual voltage source
Toppobrillo Quantimator²(min pentatonic),Sportmodulator,TWF
Logic masterclock to Kenton Pro 2000
Rocktron Rack Interface²
FX : Alesis 3630,Philtre,Boss VF-1,Lexicon PCM 80
Line 6 Echopro ,Red Federation BPM FX Pro
TC M one XL, M3000
mackie the mixer²
drums Ultrabeat
vid # 1284

Church of the Superserge: March 2015

Yesterday, I attended the Church of the Superserge at Robotspeak here in San Francisco. It is a monthly gathering for electronic music and synth geekery hosted by the same folks who produced the big Serge Modular 40-year Reunion Concert.

There is always an impressive array of gear on hand. Here we see Robotspeak’s Steve Taormina warming things up before the show with a tower of modules. Also note the Prophet 2, Moog pedals and more in front.

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This is a casual, BYOB affair, so I stopped at a bodega across the street to grab a beverage. I encountered this rather stoic cat sitting next to the door.

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The music began with an ambient set by Clarke Robinson. There was an ever changing cloud of sound, sometimes quite tonal. There was also a bit of textural detail added by that small box in front of his modular.

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Next up was Elise Gargalikis, performing on a very compact suitcase rig featuring Serge modules and a looper. Her performance was more abstract and detailed than the previous, and featured her captivating voice as an integral sound source for the electronics.

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JD Northrup rouded out the afternoon with a decided techno set featuring strong patterns and arpeggios atop a four-on-the-floor beat. The rhythm remained fairly constant throughout the set (which was longer than the others), but the timbres from his setup featuring Make Noise modules along with a few others was continuously changing.

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A few of us were compelled to dance in place at points; and eventually Robotspeak’s own disco lighting came up.

All in all, it was a fun afternoon. I look forward to more of these events in the coming months.