Today, we feature our very own Big Merp, who is posing handsomely in front of our large modular synthesizer installation. Other bits of gear can be found on the desk, which is where we do many of our synthesizer video demos.
The makers of all the modules are too numerous to list here, but we do list them in the tags.
Our very own Big Merp leads off the new round of CatSynth pics after NAMM and Buchla & Friends.
Behind him, we see the large modular system, with the Make Noise Tempi, Buchla Red Panel 158, Stymon Starlab, Sputnik Dual Oscillator, Dreadbox Euphoria, and many other modules. Next to so, and slightly under Merp, we see the Korg SQ-1 step sequencer.
Oto seems to be quite enjoying this little jam featuring the Dreadbox Nymphes, controlled by the Oxi sequencer and processed via the Endorphin.es Gost, Chase Bliss Mood, and Death by Audio Rooms.
Last week we featured a “CatSynth pic” with Sam Sam, so it’s only fair that this week we feature Big Merp. As we’ve seen before, he likes to get up on the equipment while I’m working in the studio.
Merp is sitting on our “trusty red keyboard”, the Nord Stage EX. To the right, we see a couple of our more colorful modules, the Strymon Starlab and Dreadbox Euphoria. Behind him are a couple of audio processing units, a tube compressor, and a mic preamp (from Golden Age Project); in the left corner are the same E-MU modules that we saw with Sam Sam last week.
You can see our reviews/tutorials for the Strymon Starlab and Dreadbox Euphoria, respectively, below.
Snowy has found a nice place to nap atop this impressive modular system. In addition to the TipTop Audio case, we see offerings from many module-makers: Music Thing Modular, Dreadbox, Qu-Bit, 4ms, Toppobrillo, Shakmat, WMD, Westlicht, and more.
Sissy Albert Moog sits in the middle of a studio; quite appropriately, she sits atop a Moog semi-modular unit. We also see an Arturia MicroFreak, and offerings from Roland, Behringer, Dreadbox, Doepfer, Tiptop Audio, Elektron and more.
This cat is enjoying some scritches and beats from the Polyend Tracker and Medusa (itself a collaboration between Polyend and Deadbox). We enjoy the chill, almost Motown sound to the chords, with the synthesizer twist.
“Hey, some details about this beat. Im running a sequence of midi chords on the Tracker using the midi chord step fx. These are played back on Medusa. The synths output is connected to Tracker’s line input and runs through the onboard limiter, eq, and reverb. The wonky beat is live-recorded from one-shot samples using micro-timing while live-recording. The bassline is a looped and filtered sample of a square wave from my MS1 synth. The cat’s name is Fifi. Thanks for watching”
The Polyend Tracker seems to be having quite a moment, at least here on CatSynth. Perhaps something to investigate for a future video…