
Cute calico cat sitting atop a Korg MS-20 synthesizer (or at least we are pretty sure it’s an MS-20).
gunceaci . 10M ago
Sunday mood #patchmeup #catsynthesizer

Cute calico cat sitting atop a Korg MS-20 synthesizer (or at least we are pretty sure it’s an MS-20).
gunceaci . 10M ago
Sunday mood #patchmeup #catsynthesizer

Via @retrosynthads on Twitter.
Are they beaming cats up into space or beaming them down?
Perplexing question indeed 😸

Seen on matrixsynth today 😺, featuring modules from our friends at Qu-Bit Electronix.
Just a random synth cat pic via @quebitelectronix.
“Chord kitten from @catsonsynthesizersinspace 💙🐱”
Makes you wonder what it was hearing. Or maybe it was reading MATRIXSYNTH.

Picasso the cat means business as he poses with a Realistic MG-1 synthesizer. Submitted by James Bahleda via our Facebook page.
The MG-1 was built by Moog for Realistic (Radio Shack), and was designed and marketed for home/casual use. It’s no Model D, but it does still have Moog technology and sound. It remains popular with some collectors and artists. You can read more about it here.
From Silent Strike on YouTube, via matrixsynth.
https://www.facebook.com/silentstrike…
Winter Modular Eloquencer is the main sequencer with all 8 tracks used for: bass from Verbos Harmonic Osc, 4 drums from 2 Erica Pico Drums.
The chords are formed by Intellijel Shapeshifter, Mutable Instruments Elements and Braids, through Makenoise Erbe-Verb and Erica Black Hole DSP.
The lead and blips are from Tiptop Z3000 and Malekko Anti-Oscillator, triggered by the Varigate 8+.
Other modules, vcas, mixers etc: MI Veils, Doepfer A-132-2, A-143-2, A-134-1, A-138b, A-138p/o, Waldorf KB37, Low-Gain Submix7, Makenoise Maths and Optomix.
That cat is too adorable 😻

Handsome tuxedo cat Rico Suave poses with a Roland JX-8P synthesizer. Another from Adian Halo on Instagram.
You can find out more about the Roland JX-8P here.

This cute cat-and-synth combo comes to us via adrianhalo82 on Instagram.
While not identified in the Instagram post as a June 106, we are pretty confident in our own identification. See for yourself here 😺 🎹 .
From Space Cat Audio Technologies on YouTube, via matrixsynth.
New Analogue Dubsta Delay & Dub-Synth.
TB-303 TR-606 recorded direct to speaker microphone through a Sony SS-CNP700 that is connected from the Dub-Synth headphone output.
Today we look back at last week’s show at Canessa Gallery in San Francisco, featuring Elliott Sharp, Tania Chen + Wobbly, and Euphotic. This show was the subject of CatSynth TV Episode 8, and you can see and hear a bit of each set.
We were quite pleased to see Elliott Sharp. We saw him back in the 1990s, but it’s been a while since he made it to the Bay Area.

He has a unique and idiosyncratic sound, with fast runs, harmonics, and extended techniques, along with electronics. The electronics, which appeared to include some looping, sampling, and delay, did not overpower his guitar playing, and the individual gestures, from frenetic fingerpicking to expressive scratches, came through strongly. Although his style is unusual, it is still quite melodic and harmonic, something that comes out particularly in a solo-performance setting.
The evening opened with Euphotic, a trio project featuring Tom Djll (electronics, trumpet), Cheryl Leonard (instruments from natural found objects) and Bryan Day (invented instruments).

The sound was subtle and detailed, with a lot of short sounds clustering like schools of fish. Djll’s electronics bridged the space between Cheryl Leonard’s organic sounds and Bryan Day’s more chiseled electro-acoustic creations. There was also a quality in Day’s performance that foreshadowed Elliott Sharp’s sound and style later in the evening.
Euphotic was followed by a duo featuring Tania Chen on electronics, voice and found objects, with Wobbly (aka Jon Leidecker) on electronics. He had an array of iPads linked together.

The performance centered around “Feasibility Study”, an episode of the television show Outer Limits, slowed down beyond recognition. Chen’s vocals and found-object performance featured material and ideas from the episode, including chomping on biscuits and pop rocks to represent the rock-like aliens in the video. She also performed a melodic section on an iPad, which complemented Leidecker’s complex electronic processing. His sounds were slower and more undulating, providing an eerie setting for the overall performance.
We had a great time at this show, as did the rest of the audience that filled Canessa Gallery to capacity. We look forward to more interesting music from these artists and from this venue. And thanks to Bryan Day for continuing to host this series.