Via matrixsynth.
via GuyR: “A demonstration track of my synthesizer featuring 17 instances of Waves Element.
All sounds including drums are unprocessed straight out of the synth.
A few other Waves plug-ins were used for mastering.www.waves.com/content.aspx?id=12081”
Via matrixsynth, where you can find more info and pictures.
“I recently picked up an old rhythm machine at an estate sale, It’s called a Percussionet 20, made by Barns and Mullins, London, England.
I think it may be rare because I could not come up with any info about this unit online anywhere, even tried Emailing Barns & Mullins twice, but they never responded.
Perhaps one of your readers may have some info about this oddity.
It will play all of the rhythm styles such as ( Fx – Foxtrot, Tw -Twist, Ch – Cha Cha, Tg- Tango etc.) at the same time, so you can combine various rhythms, also you can select and de-select the individual instruments in the rhythms such as: Snare, Tom Tom, Side, Bass, Bongo etc.
Rear has Hi and Lo output and ¼ ” footswitch input that starts and stops the rhythms.
Add some verb and delay or modulation effects and it sounds pretty incredable.
As usual, Charlotte the cat has her own thoughts about my Percussionet 20, see attached photos.”
From Poppaneedsanap, via matrixsynth
“OJ (Turkey Leg) on the Etherwave pitch CV controls the rate of random LFO, pinging a Q106 oscillator. Bling Bling (aka Manwich) goes nuts on a contact mic and Moog MF104Z Delay. Ok, I mixed the contact mic pretty low I admit, but it was his first time wiggling and he was a little self conscious about his performance.
A more robust jam will follow when I find the fucking laser pointer!”
From edeevo on flickr. Visit http://www.etsy.com/shop/edeevo for more photography.
BTW, the cat’s name is Mila. 🙂
Another “cat not included” auction photo courtesy of a matrixsynth:
“Cat not included!”
“This unit is unexpanded (hence the moderate price)… There are many technical photos of this synth at http://www.loscha.com These pictures are of the actual unit you will be buying.
The power socket has a slightly broken shell, but the plug holds in no problems.”
KORG Polysix/Mono-Poly era knobs.
Via matrixsynth, where you can find more info.
49 full-size keys with velocity
12-voice polyphony
Features 512 single patches and 256 multi-sound patches
41 oscillator waves and 53 drum sounds sampled from vintage analog and digital FM synths and drum machines
Three oscillators per voice
FM, sync, and dynamic wave-shaping
Three LFOs and three AHDSR envelopes
Four-part multitimbral
Four independent MIDI-syncable phrase sequencers
Two global bus effects and one inset effect per part
Classic arpeggiator
Tap tempo and top-panel BPM control
Built-in USB 2.0 2-in, 2-out 24-bit audio interface
Microphone, instrument, and stereo line level inputs
MIDI in and out via 5-pin DIN connections
Large custom LCD display
Four rotary encoders for editing and performance control
Assignable pitch bend and modulation wheels
Vyzex Venom software editor for Mac and Windows included”Cool cat not included.
We think the cat probably prefers the box 😉
Via matrixsynth.
“Techno Kitty…. On a vocal tip. Bwoyeee!”
Maybe I should try recreating that patch on the Korg iMS-20…
Submitted by Raluca Moldovean via our Facebook page.
“Alaska, muse for the romanian band Casetofoane, posing on the Kawai K4.”
Chewie the cat posing handsomely behind an Ensoniq EPS sampling synthesizer. Submitted by Kiki Cameron via our Facebook page.
The Ensoniq EPS and its successor, the ASR-10, were longtime workhorses in my synth collection. Even though the ASR-10 mostly sits in the closet now, I still use some of the sounds from it. You can hear an example here.
From Peter Gorges on flickr, via matrixsynth.
Modular synth aside, that chair would be perfect at CatSynth HQ 🙂