We are excited to announce the release of Highway☆ 1.2.0 for iPhone and iPad! It is available in the Apple App Store.
This new version includes some of our most requested features.
Switch between map and satellite views. This saves battery and bandwidth on the road.
Sometimes connectivity on the road can be poor or non-existent. Highway☆ now matches missed routes once connectivity is restored.
There many more features we have in store, but for the moment we turn our focus to the 1.2 version for Android. And we are looking forward to putting the app through its paces on our upcoming road trip to NAMM 😺
That most wonderful time of year known as NAMM is fast approaching! As we prepare to cover this year’s show, we’re sharing some of our past NAMM videos on CatSynth TV!
This year’s show starts on January 25. Please let us know in these posts about anything specific you would like us to investigate or review while we are there.
Mary Street, a small alley in the South of Market neighborhood of San Francisco. Tempest is a local bar visible in the middle of the image. More in the comments section.
Rosie with a blue Korg Electribe MX. (At least we think it’s Rosie. We’re pretty sure about the Electribe.) From our friend Karl Lee Avery via Facebook.
The Electribe family has undergone quite a few iterations, including the newer Electribe 2. I do like the blue-tinted models in particular.
Our pal Mister Kitty returns to the pages of CatSynth with his new RE-303 bass synthesizer.
The RE-303 is a replica of the infamous Roland TB-303. This one was assembled by Mister Kitty’s human, Prophei (aka Michael Dietel). We at CatSynth approve of their choice of the black case. Oh, and it sounds great, too.
As a replica, the circuit board and CPU are compatible with the original TB-303, which suggests the parts can be used to refurbish vintage instruments in addition to building new ones. You can read a bit more in this Synthopia article from 2015. Clearly, the statement about DIY kits turned out to be wrong, as evidenced by this article. You can find out more about the RE-303 and kits here.
Meanwhile, we wonder what Mister Kitty may have in store for us next…
Our first music report of the year features the final show we saw in 2017. Scott Amendola assembled a cast of seasoned improvisers for a concert at Slim’s in San Francisco that took us on quite a journey over two full-length sets. It was the subject of our last CatSynth TV.
As one can hear in the video, there were a variety of textures throughout the two sets. My favorites were the forceful rhythmic sections, some of which came at the very start of the performance. There were also quite a few “operatic” segments that featured the voice of Pamela Z, who was also manipulating samples through various electronic processes. Aurora Josephson’s vocals provided a counterpoint with different timbres and style.
The ensemble includes three electric guitars (Henry Kaiser, John Schott, and Fred Frith) and three percussionists (Jordan Glenn, Robert Lopez, William Winant). As we have often remarked, doubling and tripling of such powerful instruments can be treacherous, especially in an improvised setting. But it worked here, as everyone had a distinct sound, and the good sense to always listen and lay out when appropriate. In fact, to my ears the music, especially during the more operatic less rhythmic sections, was dominated by the concert string section, consisting of Christina Stanley and Alisa Rose on violin, Crystal Pascucci on cello, Zach Ostroff on string bass, and Soo-Yeon Lyuh on haegeum. At various points, Mark Clifford cut through the harmonies and timbres on the ensemble with frenetic solos on vibraphone.
The ensemble was rounded out with the wind section, which included the entire Rova Saxophone Quartet: Bruce Ackley, Larry Ochs, Steve Adams, and Jon Raskin. I felt like I didn’t hear as much of a distinct voice from the saxophones as I did from the other sections, but that was perhaps because they blended with the violins and cello.
In all, it was a fine night of music to wrap up the year. As we often do at Slim’s, we enjoyed the concert from the balcony over dinner and drinks, but we also had the chance to mingle with our many friends in the ensemble and the audience. We look forward to more music from everyone in their own projects in 2018.
The new year has brought plague and pestilence to CatSynth HQ, as I succumbed to the current vaccine-resistant strain of the flu. It’s been mostly bed rest since Wednesday, but fortunately, I have Sam Sam nearby.
She has been affectionate and attentive, more so than usual. I suspect that is also due to my having started working in an office again after being home with her for most of December. That’s a story for another time. In the meantime, we are enjoying one another’s company, even if I am low on energy and sometimes a bit delirious. Here is a closeup of her.
In a way, the illness and rest have extended the period of solitude and introspection from the last weeks of 2017, which I do not mind at all. It’s given me more time to think about the vague ideas and plans that I have for this year, though it postpones getting started on any execution. On the negative side, I had to cancel a gig today in Sacramento, extending what I call the “Sacramento Curse” where every planned show in that city since the beginning of 2014 has been missed for one reason or another (the first and most dramatic being one that was canceled due to a massive fire near the venue – fortunately, no one was hurt and the venue was fine afterwards). It has also slowed down activity that requires looking at screens for prolonged periods. I made an exception to get this post out.
Lying down and letting one’s mind wander with a slight fever does lead to interesting thoughts. A different experience from The Disintegration of Thought during periods of health, but interesting nonetheless. Some are complete nonsense, but others are consistent with introspection and what it takes to try and be happy and healthy in these challenging times. The roles of fear and caution are part of that internal dialog, as well as creativity in general. Perhaps I will have more to say about them as I return to health, perhaps not.
