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We at CatSynth once again, celebrate Pi Day on its three-digit approximation, March 14 (3-14).
We start with some interesting facts about the digits of pi. We presented statistics about the distribution in our 2007 Pi Day post. From super-computing.org, we present some interesting patterns:
01234567890 first occurs at the 53,217,681,704-th digit of pi.
09876543210 first occurs at the 42,321,758,803-th digit of pi.
777777777777 first occurs at the 368,299,898,266-th digit of pi.
666666666666 first occurs at the 1,221,587,715,177-th digit of pi.
271828182845 first occurs at the 1,016,065,419,627-th of digit pi. (that’s e for those who haven’t memorized it)
314159265358 first occurs at the 1,142,905,318,634-th digit of pi.
Last year, we showed the relationship to the Gamma function, and of course to Euler’s identity, which links pi surprisingly closely to the imaginary constant i and the number e. But it is also surprisingly easy to generate pi from simple sequences of integers. Consider the Madhava-Leibniz formula for pi:
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Thus one can generate pi from odd integers and simple arithmetic. Another formula only involving perfect squares of integers comes from the Basel problem (named for the town of Basel in Switzerland):

In recognition of Pi Day, the U.S. House of Representatives passed a resolution this week:
And thus the sad history of pi in politics as exemplified by the Indiana Pi Bill of 1897 is put to rest. Now onto erasing the sad history of science and politics in general of the past eight years…
So what better way to celebrate than with experimental electronic improv music in an old hotel parlor? First on the program was Pink Canoes, who hail from the Bay Area. I was acquainted with several members of the group by name only (and vice versa), so it was quite ironic to meet in person in New Orleans. Musically, they played free improvisation with guitars, effects pedals, analog synths and circuit-bend instruments, similar to some of the group improvisations I have done with friends in Santa Cruz. I get the sense that many of the academics at the conference hadn’t heard much of this sub-genre of electronic music. Personally I would like to see more hybridization among free electronic improv, traditional computer music, and even things like the jazz duo that was also playing in the hotel at the same time.