emusic

3000 visits…

Well, like the United States, we hit our milestone of a number beginning with three followed by lots of zeroes…

After 3000 visitors, though, you think a few of them might go and buy the CD or download tracks from iTunes or eMusc. But it seems very few visitors even bother to listen to the free samples.

I take pride in keeping this site and my personal/professional site free of ads save for clean and tasteful promotion of my own work. I would like to keep it that way…

…so, time for a Guilt Trip?. If you enjoy this site, would it really hurt to check out the music, maybe buy a 99-cent track or two? If you're an emusic subscriber, add us to your download queue. And if you like anything you hear (heck, even if you don't), please consider writing a short review at one of these sites. Consider this review from Gloria in Toronto at CD Baby:

Amar has done an amazing job in putting together a very creative ensemble of various electronic instruments. Each song in the CD tells a story. Just close your eyes and you can visualize and hear the stories of love, passion, suspense, and anger. It's almost as if I'm watching a movie. The songs made me feel, and every time I listen to the CD, I get more out of it than before. Amar brings forth what I consider to be an exciting new genre of music.

OK, I better wrap this up before it turns into an NPR pledge drive…





Ethiopiques – Funk and "60s" music from Ethiopia

Heard a really cool filler track this morning on NPR, it after a follow-up comment to a story about
Jazz from the Horn of Africa, but the song on the radio was more funk ala James Brown 1970 (i.e., with the JBs, not the original band). The track was from Ethiopiques Volume 8: Swing Addis.

Happily, the entire series is on emusic, and I immediately downloaded the entire volume 8 album. In addition to funk, there are tracks reminiscent of 60s R&B and British/American movie soundtracks of the era.

There is something quite amazing about some of these old recordings. Like western releases of the time, the gritty low-fi recordings blend with the unmistakably “modern” quality of the music that overproduced contemporary artists can't seem to duplicate (think of how contemporary dance and hip-hop can't match the sound of old disco and R&B). It's music you can play late at night in a retro pad with low colored lights while chilling out with your girlfriend and enjoying the psychoactive substance of your choice.

More specifically, this series suggests a lively and sophisticated scene in Addis Ababa of the early 1970s before decades of dictatorship, starvation, poverty, war and now Islamic fundamentalism at its doorstop. You can read an interesting interview with the producer of the Ethiopiques series.

I am curious to review and explore more of what was going on the world at that time culturaly, as compared to where we find ourselves now. Collectively speaking, we're just not as cool as we used to be. But that's a project for another day…time to light up, groove out and tweak a few knobs (so to speak)…