The Sub Phatty is perhaps the most under-appreciated member of Moog’s Phatty line of synthesizers, which includes the popular Sub37. We have one at CatSynth, and it has served us well both in the studio and in live performance. You can view my recent video on the hidden features of the instrument below.
We have a brand-new CatSynth TV! This one demonstrates a couple of the hidden features of the Moog Sub Phatty synthesizer.
In particular, we look at filter-topology selection and Oscillator 2 beat frequencies. The filter selection makes the instrument much more powerful, moving between the extra crunchy 1 and 2-pole filters to the smooth 4-pole that is “quintessentially Moog”. The beat frequency is a bit more esoteric – it maintains beating frequencies across different pitches, leading to some odd detunings in different registers. But it can add a new timbral-metric component to compositions – something to explore in more depth.
We also look at the Editor/Librarian software from Moog, which is really handy for accessing these features as well as saving patches.