Manul Override at the Garden of Memory 2019

I have attended the Garden of Memory at the Chapel of the Chimes in Oakland many a summer solstice since moving to San Francisco – and written multiple reviews on these pages and even presented a CatSynth TV showcase last hear. But 2019 is the first time I have performed at this annual event as a named artist. It’s a very different experience from the inside looking out. This article describes the adventure.

My friend and sometime collaborator Serena Toxicat and I were excited to be accepted into this years program for our project Manul Override. We joined forces once again with Melne Murphy on guitar and also invited Thea Farhadian to sit in with us on violin.

I had a rather elaborate setup, anchored as usual by my trusty Nord Stage EX. The Sequential Prophet 12 has also become a mainstay of my smaller collaborations, providing rich ambient sounds. The Arturia MiniBrute 2, Moog Theremini, and a collection of Eurorack modules rounded out the rig.

Getting everything into place in the catacombs-like building – a renowned landmark designed by Julia Morgan – was a challenge in itself. Fortunately, I found parking nearby and was able to load everything onto carts or wheeled cases, and had plenty of help getting things downstairs where we were playing.

The acoustics of the space are also quite challenging. It is a set of oddly shaped stone chambers, some large, some small, so echoes abound from both the crowds and other performers. Figuring out how to balance our sound is not easy, and I don’t pretend to have gotten it right on the first try, but it’s a learning experience. But we did get ourselves sorted out and ready to play.

Photo by Annabelle Port

The set unfolded with an invocation, a drone in D mixolydian mode set to Serena’s text Mau Bast, read first in French and then in English. It seemed a perfect piece for the occasion. We then switched things up with a more humorous piece (Let’s Hear it for) Kitties, which was a crowd favorite. You can hear a bit of it in this video from the event.

I have learned how to best follow Serena’s style of speaking and singing, with a more open quality; and Melne and I know how to work together well both in terms of timing and timbre. Thea’s violin added an interesting counterpoint to the voice and electronics. Her sound was sometimes masked by the other instruments and the acoustics but when it came through it added a distinct character and texture. The remaining two pieces were more improvised. One was a free improvisation against one of Serena’s books Consciousness is a Catfish, and another was based on a graphical score with 16 symbols that I first created in 2010 but have revised and reused over the use. The newest version included a cartoon pigeon in honor of my bird-loving co-conspirator Melne.

The performance was well received. Crowds came and went throughout the evening, but many people stayed for extended periods of time to watch us, and others came back a few times. We played two hour-long sets, and in between I had a small amount of time to check out some of the other performs. In particular, I enjoyed hearing Kevin Robinson’s trio, with whom we shared our section of the space.

His spare group and arrangements with saxophone, upright bass, and drum, provided a distinct contrast to our thick sound. The moved between long drawn-out tones and fast runs with short notes that reverberated around the space in between. Robinson’s music often has a meditative quality, even when it is more energetic, so it fit well.

Around the corner from us was the Stanford Laptop Orchestra (SLOrk). They had a quiet set featuring performs seated on meditation cushions with laptops as well as various percussive objects as sound sources.

I was particularly inspired by Anne Hege and her Tape Machine, an instrument with a free-moving magnetic tape and several heads, pickups and tiny speakers. She sang into it at various points and moved the tape, created an instrumental piece that was part DIY-punk, part futuristic, and somehow quite traditional at the same time.

Her performance gave me ideas of a future installation, perhaps even to bring to the Garden of Memory in years to come…

Thea pulled double duty during the evening, also performing as part of a duo with Dean Santomieri, sharing a space with Pamela Z. Our friends Gino Robair and Tom Djll brought the duo Unpopular Electronics to one of the darker columbariums, and IMA (Nava Dunkelman and Amma Arteria) performed on the lower level. In retrospect, our group might have been better placed sharing a space with them, as we are both electronic groups (all women) with large dynamic range.

Overall, it was a wonderful experience, and with the opportunity to play as well as listen it’s my favorite to date. Thank you Sarah Cahill, Lucy Mattingly, and the rest of the crew at New Music Bay Area as well as the Chapel of the Chimes staff for letting us be a part of this event!

CatSynth Pic: Pepino on Theremin

Pepino the one-eared cat proudly shows off his theremin. From Arnaldo M. Negro via Facebook.

The theremin appears to be a Moog Etherwave, the older and higher-end instrument that inspired the Theremini that we at CatSynth often use. We look forward to hearing Pepino’s music one day.

CatSynth Pic: Black Cat, Minimoog, EMS Synthi, Rhodes, and Doepfer

A black cat playing both a Minimoog synthesizer and a Rhodes Stage electric piano. Nearby is an EMS Synthi and a rack full of Doepfer modules. From Mark L. Greco via Facebook.

There are definite musical advantages to using all four limbs.

CatSynth Pic: Black Cat “Jet” and Minimoog

Jet, a beautiful black cat, poses in front of a vintage Minimoog. From Keith Winstanley via Facebook.

CatSynth Pic: Gracie, Moog, LinnDrum, Arp, PPG

Gracie is back, and inspecting the current crop of repaired instruments, including a Moog Subsequent 37, LinnDrum, PPG Wave, and what appears to be an Arp Odyssey (1st version). She always has quite the collection.

From Alsún Ní Chasaide (Alison Cassidy) via Facebook.

CatSynth Pic: Chancer Von Chonkerfloof (with Moog and Nord)

This is Chancer Von Chonkerfloof, a rather handsome fellow if we say so. This studio portrait comes to us from skinfitz via Instagram. And he is posing with synthesizers from Moog and Nord, two brands dear to our hearts at CatSynth.

CatSynth Pic: Nepal and synths (Moog, Novation, Arturia, Yamaha)

Nepal sits in the studio ready to compose a magnum opus on an impressive collection of synths including a Moog Sub Phatty, Arturia MiniBrute 2S, multiple Novation instruments, and several vintage Yamaha boxes with that cool diagonal front panel. Submitted by Brian T Geigner via our Facebook page.

Nepal composing a new song.

We can’t wait to hear what Nepal comes up with 😻🎹

CatSynth Pic: Teach Your Cat Synthesizer Repairing

We at CatSynth love this cartoon, bringing together many of our different interests in hilarious fashion. Seen by our friend Jeph Nor on the Facebook group Toe Beans Appreciation Club.

I have trouble seeing Sam Sam actually doing this 😹

CatSynth Pic: Cat, Moog Voyager, and Nord

Cat playing a Nord keyboard and checking out the current patch on a Moog Voyager. From Zoltan Pinkola via our Facebook page.

CatSynth Pic: Moog Minitaur

Lovely Persian cat with a Moog Minitaur synthesizer. From khy_wasp via Instagram.

khy_wasp
🎶”What’s this? What’s this? There’s color everywhere…”🎶