Last night I attended the latest performance of the Moe!kestra! at Cellspace.
“Imagine a man playing an orchestra as though it were a percussion instrument, and you might get some idea of the Moe!Kestra!”. Indeed the performance was in many ways a percussion piece even though the ensemble was almost entirely string instruments: violins, violas, electric guitars, and upright basses. All led by Moe! Staiano.
A Moe!kestra! often includes many familiar musicians. Frequent collaborators Bill Wolter and Clyde Niesen played guitar and upright bass, respectively. Suki O’kane (percussion) and Moe! were both participants in the July Flip Quartet performance. Marielle Jakobsen was part of the Blessing Moon concert that we reviewed here at CatSynth.
The piece being performed was “End of an Error”, inspired by the date January 20, 2009, a date that many of us were highly anticipating, both for its beginning and for the great national embarrassment that it (at least in a formal sense) ended.
The music started out with series of percussive notes on the basses. Soon the violin and viola sections joined in, not on their regular instruments, but instead playing “switches”, i.e., cut sticks that they shook vigorously. An “out of phase” rhythm emerged between the basses and switches, may two notes from the former followed by a splattering of air sounds from the other.
Eventually the other instruments, the guitars, the percussionists and the actual violins/violas entered with more of the percussive notes, and the music became louder and denser. At some point, with all the instruments playing, the texture changed dramatically to something more akin to a “rock orchestra” or a film soundtrack. The pitched material was tonal with lots of familiar chords, but what I call “tense tonality” that one hears in films, and behind it the rhythm of a conventional drum kit from the percussionists. I can’t pin point exactly when the texture and style changed, but it was a sharp contrast.
There were several such changes throughout the performance. Things grew to a crescendo, then “crashed”, with everyone playing long extended tones, forming an atonal drone. After a subsequent swell, there was another “film-like” element with string glissandi. Other moments of note included the tossing of an empty water cooler by Moe! over the heads of the violists. No one was hurt, and it landed a perfect hit in between the other instrumental rhythms.
There was a really thick drone of all seven guitarists playing slides out of sync. The guitarists also closed the performance with a series of repeating flange/chorus tones that gradually came to a stop.
The Moe!kestra performance actually did not begin until 9:30 (despite the announcements suggesting 8PM as the start). We were treated a Sun Ra tribute, featuring videos set to music from The Arkestra. The video included clips of Sun Ra and animations with pseudo-Hebrew lettering and odd vaguely extraterrestial elements, presumably from some of his films. But there were also many other unrelated elements including numerous anime scenes – there was one anime in which all the characters seemed to be playing keytars while doing battle with mechs; martial-arts comedies, a James Bond film (probably Diamonds Are Forever); and a transgendered singer walking down the street and then being transported to another dimension with a Sumo wrestler and bizarre Asian puppet characters. Four of us started playing iPhone Scrabble instead. It has a multi-player mode where one can pass the phone around in a circle and each player takes turns with their own tile set. Highly recommended as a way to pass the time.