Author: catsynth

Seabright cats, a warm day, and remembering those in harms way

This was an amazingly warm and clear day here on the California coast.

The early part of the day was in the Seabright neighborhood of Santa Cruz, mostly reading and working, but also enjoying wandering the streets and the area by the beach. I got a glimpse of this cat in one of the apartment complexes near the beach.

This photo is actually from a previous encounter with the “Seabright Kitty”, he/she wasn't in the mood to be photographed today…

Someone else, on the other hand, was quite photogenic:

This is Bella, who resides with my friend and colleague Synthia Payne, whom readers may remember from the UCSC DANM exhibition and Ninjam performances.

Luna of course continues to enjoy her favorite indoor activites:

I actually did take Luna outside briefly yesterday on her harness, and all she wanted to do was head back to the door and go inside. I'm not going to argue.

Like I said, it was exceptionally warm today:

Great for us here in Santa Cruz, but it part of the same warm, dry weather in which the fires in Southern California continue to burn out of control. This years fires in San Diego and the areas in and around Los Angeles might be even worse than the devastiing fires in 2003, with so many people and animals evacuating (over half a million so far) and so many more in harms way.

We at CatSynth want to take a few minutes on this Tuesday to send out thoughts to all the humans, cats, and other animals threatened by this disaster, and hope they make it through safely.

Seattle

The last performing stop on the tour last week was Saturday in Seattle:

Not exactly the Space Needle, but still some impressive communications towers, and not too far from our venue, the 1412 Gallery:


Photo by Polly Moller

I played a solo set, which I think was the best one of the tour, musically. I look forward to hearing the recordings soon. And of course, we did our Polly Moller and Company show:


(Click to enlarge)

Polly has written a bit about our performance in Seattle, including how it was somewhat sparsely attended. This was in part due to the “Much Bigger Show” that occured in direct conflict to ours, and counted much of the experimental/improvised music community as audience or participants. We did get a chance to hang out together with them at Murphy's Irish Pub afterwards, where much drink, conversation and merriment was had by all…

Portland

I am reporting on Portland after Astoria, even though we visted and played a day earlier. That’s just how things sometimes work.

We did have some time to spend in the Rose City before our show at Rotture:


Click to enlarge

We experienced Portland’s famously variable weather. Fortunately, many of the city’s attractions are indoors. This includes Powell’s Books. I could have spent the whole day in the Pearl Room, which contained the art and architecture offerings, as well as their extensive rare book collection.

Portland also has abundant public art. Across from Powell’s is this “brush,” a noted landmark:

And this “recursive elephant” was quite intriguing:

This sculpture includes other animals besides the elephants. I think I see a cat on the trunk:

It always comes back to cats, doesn’t it.

The show that evening was at Rotture, a club on the waterfront, conveniently located next to a construction zone. Although our audience was small, the show went well; and I did like the space, a converted early-20th century industrial brick building.


Click here to enlarge

They also had an interesting mural in the main audience area, and a nice large stage. We shared the bill with Emily Hay, who also does improvisation with flute and voice (although with a very contrasting sound and style from Polly); as well as Tim DuRoche and Resolution 51 (free jazz improvisation). So it was definitely worth sticking around after our performance to hear everyone else – although the entire evening was probably branded as “experimental night” or “improvisation night”, there was a great variety among the three groups, and I think the ordering worked well with us first, both musically and energy-wise.

More on Portland, our show at Rotture, and the trip up from the Bay Area can be found here.

Weekend Cat Blogging #124 and more: Away

Luna is looking out her favorite window…and waiting for someone to return from tour…

Weekend Cat Blogging #124 is at the *New* Tuxedo Gang Hideout.

The Bad Kitty Cats Festival of Chaos will be held at Pet's Garden Blog, while the Carnival of the Cats will be at our friends The Bad Kitty Cats – we hope things are going a bit better for them now. And of course the Friday Ark is at the modulator.

Astoria

Just a quick note this afternoon, from Astoria, Oregon. Our second show of the tour (third, if you count 1510 in Oakland) will be here in Astoria tonight, at the Astoria Visual Arts center. And I will also be performing a solo set to open, again with electronics and my folk and toy instruments.

We have posters all over town, and a great write-up in the Coast Weekend, a local paper.

Astoria itself is an interesting little town, at the mouth of Columbia River on the Oregon coast:

The coast highway runs through and north across the river into Washington state.

Here are a few photos from town:

And here is the band at the “Astoria Column”:


Click to enlarge

More on the performance itself after it actually happens. Also, I might go backwards in time to our show and day yesterday in Portland…but in the meantime, Polly has already journaled the first two days of our tour…

Tour Kick-off show in Oakland

The tour for Polly Moller and Company began last night with out kick-off show at 1510 8th Street in Oakland:

We were a trio last night, rather than a quartet. Guitarist Bill Wolter joins us tomorrow for the trip north.

I also performed a solo set to open the evening:


(Photo by Polly Moller)

Once again, I am playing the ektar (single-string instrument).

This is the first performance in which I used two laptops (both PC and Mac), mainly because not everything I wanted to use last night ran on a single system. I also took advantage of the excellent piano present at 1510. I improvised against the electronics, trying to match the timbre and “vague pitches” – the piano was also picked up by the mic for processing. And I opened the set with a brief rendition of “Alley Cat” (which has been stuck in my head after the bad kitty chaos festival from a couple of weekends back).

I will be doing another solo set for our show in Astoria, Oregon.

Intermezzo: Headphone Festival

Well the :plug3: headphone festival is done. Thanks to the deletist for putting this together once again.

I'm going to have to keep my report short, given that I have to focus soon on tonight's performance and the tour. So here are a few photos:

The above photo, which features Cypod performing, also gives a sense of the venue and how the audience works. The venue, “The Lab”, is an art gallery and performance space. The audience were clustered around stations where they could see the performers, but listen by plugging headphones into provided jacks.

Attendance was somewhat sparse, but people seemed interested. And the calm, sparser audience also worked with the venue, which had relatively minimalist media art on display, and plenty of empty space. All of which puts me very much at ease, it's part of why I like playing galleries.

Below, we see Bruce Bennet and Michael Zbyszynski performing:

And in the background is another friend no.e from Santa Cruz, who performed after me this year.

So here we are, all set up and ready, including the obligatory animals (cat and fish):

Unfortunately, someone seems to have gone wrong with the audio interface (E-MU 1616m) just as performance time approached – everything was still on, but not functioning, which I have seen happen occasionally with the E-MU interfaces and sadly means an embarrassing silence and reboot – fortunately I was able to recover by playing the evolver while rebooting, and I think the set came out OK in the end.

Unfrotunately, one of the casualties was being able to make a recording, so no podcast from yesterday :(.

But it was still and overall good experience, venue and people-wise, and thus worth the effort.

It might also be worth noting this was the first performance where I listed myself as “CatSynth” on the bill…

Weekend Cat Blogging #123 and more: An Old New Favorite Spot

After a major clean-up in the studio, the bean bag chair reemerged from hiding. And Luna immediately reclaimed it as one of her favorite spots:

In addition the great black-on-black styling, it's a comfy place to “nest”, whether just relaxing and watching me work, or taking a nap:

Indeed, Luna spent quite a bit of time on the beanbag yesterday, even well into the evening (while I was working on the headphone festival performance):

Cats can remind a lot about simple joys, like a comfy spot to nest.

Weekend Cat Bloggin #123 is being held by Upsie and Sher at What Did You Eat. Upsie is learning about the US healthcare system, and also featuring the “sight formerly known as ScamperDude” at their new home at CASPCA (Charlottesville, VA ASPCA).

The hardworking “cat boys” Kashim and Othello are hosting this weekend's Kad Kitty Cats Festival of Chaos (it's already edition #14, tempus fugit). The Carnival of the Cats will be happening this Sunday, hosted by Grace and the Kittens. And of course the Friday Ark #160 is at the Modulator.