Art

Mobius Transformations video (A YouTube hit)

From our friend Andrée at meeyauw:

An informative and beautifully produced YouTube mathematics hit. There is a YouTube link, where you will find a link to the original source of the video. You can download the video to your own drive. You really should watch this, even if you don't like math (gasp).

Well, we at CatSynth of course love mathematics, and appreciated this video. It is about Möbius transformations, an important concept involving complex numbers and geometry. You can watch the video below:



New Podcast: Mercury Grid live at Woodstockhausen 2002


Click here to subscribe.

With all the craziness from last month, we didn't have much opportunity to release podcasts for the CatSynth Channel. But we're going to start things up again with another live performance from the archives.

This was one of three short pieces I performed at the 2002 Woodstockhausen Festival at the University of California, Santa Cruz. It is entitled Mercury Grid and involved live control of sound using a Wacom graphics tablet (which I have used in most of my live performances up until this year). The sound was done using my Open Sound World software. There was also a video component, with live 3D graphics that reacted in real time to the music.

I have not listened to this piece for a while. It's better than I have given it credit for, and would like to revive it for future live performances. There is also a studio version, which you can find on my music website.

We welcome submissions and requests for our podcast series. You can use our handy submission form, or contact us to get your music featured on the CatSynth Channel.

Portland

I am reporting on Portland after Astoria, even though we visted and played a day earlier. That’s just how things sometimes work.

We did have some time to spend in the Rose City before our show at Rotture:


Click to enlarge

We experienced Portland’s famously variable weather. Fortunately, many of the city’s attractions are indoors. This includes Powell’s Books. I could have spent the whole day in the Pearl Room, which contained the art and architecture offerings, as well as their extensive rare book collection.

Portland also has abundant public art. Across from Powell’s is this “brush,” a noted landmark:

And this “recursive elephant” was quite intriguing:

This sculpture includes other animals besides the elephants. I think I see a cat on the trunk:

It always comes back to cats, doesn’t it.

The show that evening was at Rotture, a club on the waterfront, conveniently located next to a construction zone. Although our audience was small, the show went well; and I did like the space, a converted early-20th century industrial brick building.


Click here to enlarge

They also had an interesting mural in the main audience area, and a nice large stage. We shared the bill with Emily Hay, who also does improvisation with flute and voice (although with a very contrasting sound and style from Polly); as well as Tim DuRoche and Resolution 51 (free jazz improvisation). So it was definitely worth sticking around after our performance to hear everyone else – although the entire evening was probably branded as “experimental night” or “improvisation night”, there was a great variety among the three groups, and I think the ordering worked well with us first, both musically and energy-wise.

More on Portland, our show at Rotture, and the trip up from the Bay Area can be found here.

Intermezzo: Headphone Festival

Well the :plug3: headphone festival is done. Thanks to the deletist for putting this together once again.

I'm going to have to keep my report short, given that I have to focus soon on tonight's performance and the tour. So here are a few photos:

The above photo, which features Cypod performing, also gives a sense of the venue and how the audience works. The venue, “The Lab”, is an art gallery and performance space. The audience were clustered around stations where they could see the performers, but listen by plugging headphones into provided jacks.

Attendance was somewhat sparse, but people seemed interested. And the calm, sparser audience also worked with the venue, which had relatively minimalist media art on display, and plenty of empty space. All of which puts me very much at ease, it's part of why I like playing galleries.

Below, we see Bruce Bennet and Michael Zbyszynski performing:

And in the background is another friend no.e from Santa Cruz, who performed after me this year.

So here we are, all set up and ready, including the obligatory animals (cat and fish):

Unfortunately, someone seems to have gone wrong with the audio interface (E-MU 1616m) just as performance time approached – everything was still on, but not functioning, which I have seen happen occasionally with the E-MU interfaces and sadly means an embarrassing silence and reboot – fortunately I was able to recover by playing the evolver while rebooting, and I think the set came out OK in the end.

Unfrotunately, one of the casualties was being able to make a recording, so no podcast from yesterday :(.

But it was still and overall good experience, venue and people-wise, and thus worth the effort.

It might also be worth noting this was the first performance where I listed myself as “CatSynth” on the bill…