Election fun, electronic music, and seriousness

Well, we’re getting close, and things are looking good:

(This is a live link, so it will show the final results, and we’ll see how “good” things really went.)

One delightful election story that is rather apropos of this site involves Brian Dewan. He was in the news this past Saturday because of his performances of historical political folk songs (think mildly irritating songs about Jimmy Carter, Nixon or Eisenhower), but Dewan’s true claims to fame are his unqiue electronic musical instruments, including Melody Gins and Dewantrons, and “Folk Synthesizers.” We at CatSynth are delighted to see politics and our own art form crossing paths in such a direct and public way. As for Dewan’s instruments – we want one!.

This reminds me of how electronic music crossed paths for me during the previous elections, when I attended ICMC in New Orleans in 2006; and in 2004 as well, when my fellow electronic musicians and I watched the defeat at a bar in Miami. Things are looking much better this time.

We at CatSynth have also been quite amused by some of the humorous and well-designed sites that have recently appeared, most notably PalinAsPresident.com. This Flash animation depicts Sarah Palin as President (presumably after McCain’s untimely demise) in the form of an interactive game where you click on different objects (it reminds my a lot of Myst series and similar games from the 1990s). Humor abounds, as you uncover stashes from huge shopping trips, make Palin say goofy things like “Where’s Russia” and variations on “Maverick.” It is being updated every day through November 4th, and it’s always fun to come back and see what’s new. Hours, or least minutes of quality entertainment.

One thing that is not so entertaining: a mailer I received, using Barack Obama’s image and words to support Proposition 8. He is officially against it – though he hasn’t been particular vocal about the issue, mostly because of cultural blackmail in certain regions and among certain demographics. Nonetheless, it is really troubling, hopefully it doesn’t sway anyone in this largely Obama-supporting state.

The ad seemed largely targeted at African Americans, given the images and quotes from black clergy. It made me wonder about my own ethnic hertiges and their support for marriage equality. In particular, the Indian side of my heritage. I did find this survey thanks to Prerna. It suggests a 47% vote against proposition 8, which is far higher than I expected. Given my own experience (as well as the stereotypes of Indian Americans), I would have expected far lower, as we (i.e., South Asians) have an embarrassing track record on social and cultural issues. So on that note, I am somewhat optimistic. But both Prerna and I agree, “We can do so much better.”

And that’s true for the country as a whole, we can do so much better. Hopefully, we will chose that option, both nationally and locally…

Weekend Cat Blogging: Patio one last time

This weekend we revisit Luna’s adventures on the patio, before the construction/destruction begins on Monday.


[click each photo to enlarge]


[click each photo to enlarge]

It is ironic how it was only after our move to the city that Luna got to enjoy time outdoors. Our patio is high above the ground and safely enclosed by high walls. The watery theme of the murals depict ocean, beaches, and all sorts of critters:

It will be sad to see it so badly damaged in the construction. Fortunately, we are going to have it restored in the spring. No two original works of art are ever alike, but the restored version could end up even better.

Another issue with the construction is that is isn’t a safe place for a cat. Luna will be checking into a great nearby boarding facility. She will be doted on and treated quite well. However, it is probably going to be a bit lonely here at CatSynth HQ.


Weekend Cat Blogging #178 is being hosted by Cece at Mind of Mog.

The Bad Kitty Cats Festival of Chaos is being hosted by Kashim at the BKCFOC home site.

The Carnival of the Cats will be at Chey’s place this Sunday.

And of course the Friday Ark is at the modulator.

Art Overload! SF Open Studios (and the Anderson Collection)

[For Weekend Cat Blogging, please follow this link].

Since last Sunday (after my performance at the Y2K8 Looping Festival), visual art as taken over. October is Open Studios in San Francisco, where artists open up their studios to for public visits. I took advantage of the opportunity to get acquainted with local artists, mostly in the neighborhoods in walking distance, and the local art scene.

Taking in so much art and so many artists in such a short period of time is quite overwhelming, and I will only be able to describe a small fraction of what I saw. What makes a particular artist memorable and noteworthy is not only the quality of his or her work, but the conversations and personal connections. In some cases, I remember artists whose work may not fit my own aesthetic, but whose meeting was memorable. It was also the setting, and how their work fit in with my vision and sense of the neigbhorhoods.

Potrero Hill, The Mission District, and Bernal Heights

My first day out was last Sunday during which I visited several large studios in the Potrero Hill and Mission districts. The first stop was Art Explosion Studios. Here I met and had a change to talk with Amy Seefeldt; and Victoria Highland, whose large city-scape on a hill in front of a bay (where have I seen that before?) was one of the better large-scale paintings I saw. Heidi McDowell had an interesting large-scale painting featuring a young girl at Lassen National Monument, which I visited last year. The recent work of Melisa Philips is perhaps closer to my own interests. One of her paintings featuring stenciled text is shown to the right. I have discussed here on CatSynth in the past my interest in text within visual art, and whether the words and letters are simply visual elements or retain their meaning. Melisa Philips and I had an interesting conversation about this topic. Additionally, her earlier work includes some of the more interesting female figures I encountered on this particular day.

It is hard to tell specifically where Potrero Hill ends and the Mission begins, and many of the venues on this particular trip sit in that ambiguous area of old industrial buildings dotted with lofts and art spaces. Within these spaces, I encountered not only traditional fine art, but other media as well, some which would have been traditionally classified as “craft.” There were several jewelry makers, for example – there is a fuzzy dividing line at which things like jewelry become art, perhaps when they become more an item to collect and display, rather than to wear. There were the chandeliers by “adventurer” Derek E. Burton, which were quite intricate and intriguing, and although they are completely opposite of my personal style and the style of CatSynth HQ, I enjoyed hearing Derek’s story and his passion for his work. Aliza Cohen presented mix-media art, but it was her wool pillows that caught my attention. I did also encounter more traditional media, such as the photography of Christine Federici that incorporated some architectural and space details, as well as a mixture of natural and artificial textures.

Interestingly, it seemed that “modern” art, which is my main interest, was a distinct minority among the works encountered on this first trip. Certainly, there were many artists working with abstraction, but overall it did not have the stark geometric or textural qualities that I have come to expect.

When searching for “abstract” on the main website, the work of Pauline Crowther Scott showed up on the list. Her works features images of cats. Cats and abstraction seem like a good combination, so I made the trip out to her home studio in the Bernal Heights neighborhood. The trip to the narrow and sometimes vertical streets and older houses in this neighborhood in the southeast of the city, on a somewhat chilly late afternoon, was an interesting experience in itself. Scott’s work was much less abstract than I had expected (she was in fact surprised by the designation), but she did have several works featuring cats that were added to earlier (and indeed somewhat abstract) images. One example was Three Cats on a Bedspread.

South of Market and Mission Bay

This weekend featured open studios the South of Market (SOMA) area, which is my own neighborhood. Overall, the works I encountered were decidedly more modern, and often seemed to take inspiration from the industrial and urban surroundings. Indeed, the mixed media works of Rebecca Kerlin draw upon the highway overpasses, such as I-80 and the approach to the Bay Bridge, that I have featured in many posts here at CatSynth, such as in this Wordless Wednesday post. Her work incorporates photos of familiar landmarks and details into mixed media pieces.

One of my longer pieces about walking in SOMA included this photograph featuring an onramp to the Bay Bridge over Bryant Street, near the landmark Clock Tower:

It turns out that building in the foreground contains several artist studios. Among the artists at this locations was Paule Dubois Dupuis. Her work includes large abstract modernist paintings, the type of art I am currently quite interested in. Some of her pieces also included stenciled text, another common theme among works that draw my attention. In addition to the art itself, her studio is in quite a location, with windows that look out onto the bay, the industrial/office buildings and the highway supports, depending on the direction of one’s gaze. I was inspired to take this photo:

At Clara Street Studios, I encountered the work of Jerry Veverka, whose work involves plays on architecture and geometry, with some surrealist elements. I had seen an example at the SomArts exhibit, and was particularly drawn to his “Impossible Cities Series,” an example of which is displayed to the right. (Click on the image for a full size version at his website.)

Two other photographers I also encountered at included familiar sights from both New York and San Francisco in their work, and I had fun identifying and discussing them. I have unfortunately misplaced both photographers’ contact info (and I cannot find them on the original list. Hopefully, I will be able to get in touch them soon.

Back at Soma Artists Studios (same location as Rebecca Kerlin), I saw an interesting progression the work of Flora Davis. Her early work featured oil paintings of cats, while her more recent work involves sheet metal. They were quite separate, indeed they were displayed in two separate studios. However, I think it would be interesting to place one or two of the smaller cat paintings next to her multi-panel metal works, and considering them as a unit. Indeed, it would summarize my experience as modernism, abstraction, geometry, and cats.

After an exhausting but rewarding walk around the neigbhorhood, I did have to time for a brief excursion south to some studios in the Mission Bay area, which includes much of the old industrial waterfront.

The view behind the studios at 1 Rankin Street onto the Islais Creek Channel were quite inspiring, even without the presence of art. Fitting with the environment, this studio featured metal sculptures. The large sculptures of Béla Harcos greeted visitors. No matter how much I am supposed to be looking for prints and paintings, I am still drawn to abstract metal sculpture. Rebecca Fox also had large works on display, and I able to glimpse her workspace and her collection of metal waiting to be used. The “artist blacksmith” Wolf Thurmeier has some smaller, even “miniature” abstract metal sculptures (what I would consider “apartment-sized”), forged from recycled metal.


The Anderson Collection

Quite by coincidence, I also had the opportunity this weekend to attend a private tour of the Anderson Art Collection. The collection is located in Menlo Park (south of San Francisco, near Stanford University), and features late 20th century and early 21st century American art. It includes over 800 works, spanning about five decades and several notable styles and schools, including color fields, minimalism, the New York school of the 1950s and 1960s (e.g., Jasper Johns and Robert Rauchenberg). There were also recent computer-assisted works by Chuck Close, as well as emerging artists that the Andersons are supporting. One interesting discovery for me was Frank Lobdell. I will have to look for him on the outside. I found it interesting how some of his work resembled the Jasper Johns’ prints featured in the collection (especially the reductions in the very detailed brochures).

This visit to one of the premier private collections was an interesting contrast to many local independent artists over the past week. I would to think that my art experiences will continue to include both.

Preparing for performances next week.

With two performances coming up, next Thursday and Saturday, we at CatSynth are very busy preparing. Actually, it’s more crisis management. Luna’s serene appearance belies the fact that we at CatSynth are dealing with serious equipment failures. First, the Mr Echo pedal has been having its problems. It was mostly an issue with the power jack, which I was able to repair. But after an evening of fantastic practice and experimentation, it stopped working again. This time the power appears to be fine, but now there is no sound.

In the middle of all of this, our MacBook had a serious hard drive failure – or least that what it appears to be. One moment, we’re happily web browsing, the next a spinning pinwheel of death (SWOD), and after a forced reboot it simply will not come up.

I am of course doing my best to continue preparing for the show. I am shifting the focus to other pieces of equipment, and using the old PC laptop. Although now the PC, which is old and slow under the best circumstances, appears to also have some hard-drive issues.

Oh yeah, and I hear the entire world was having some financial difficulties last week.

It’s a good thing Luna is here for comfort and stability, We will also try and visit Weekend Cat Blogging with Salome and Astrid. And the Bad Kitty Cats Festival of Chaos with Sammy and Miles Meezer. And the Carnival of the Cats at My Big Fat Orange Cat.

Meanwhile, I’m on my way to a local music store, and probably the Apple Store as well, for a little help.

UPDATE: As of Monday evening, the pedal is working again. But the MacBook is out for repair.













Weekend Cat Blogging: What Did You Eat?

Our friends Kashim, Othello and Astrid are dedicating Weekend Cat Blogging to our fellow cat blogger Sherry “Sher” Cermak of What Did You Eat?. She passed away suddenly last Sunday.

Sher was also an accomplished food blogger, and we have made some her recipes before. So in addition to Weekend Cat Blogging, we are also participating a tribute hosted by the “Bread Baking Babes” this weekend and preparing her last recipe.

So let us move to the kitchen and dining area of CatSynth HQ:

And with Luna ready to supervise, let us begin:

Angel Hair Pasta With Red Pepper Pesto

[Adapted from Food and Wine.]

3 medium red bell peppers or bottled roasted red peppers
1 tablespoon pine nuts
1 small garlic clove, smashed
1/4 cup basil leaves, plus 2 tablespoons chopped basil
1/4 cup extra-virgin olive oil
Salt and freshly ground pepper
1/2 pound angel hair pasta
1/2 cup grated pecorino cheese

Roast the red peppers over a gas flame or under the broiler, turning occasionally, until charred all over. Transfer the peppers to a bowl, cover with plastic wrap and let cool. Peel, core and chop the peppers. (We opted for the bottled peppers here at CatSynth.)

In a small skillet, toast the pine nuts over moderate heat until golden, about 4 minutes. Let cool.

Transfer the peppers and pine nuts to a blender or food processor (If your food processor has been sitting in a box at the bottom of a kitchen cabinet since moving, make sure to clean it first.) Add the garlic and whole basil leaves and blend until coarsely chopped. Add the olive oil and cheese and puree to a chunky pesto. Season with salt and pepper.

In a large saucepan of boiling salted water, add the pasta and cook until al dente. Drain and cool slightly under running water. Transfer the pasta to a bowl and toss with the pesto. Season the pasta with salt and pepper. Top with the chopped basil and pecorino and serve at room temperature.

Now let us raise a glass and toast…


More tributes can be found at Weekend Cat Blogging, hosted at Astrid’s food blog. I’m sure the boys won’t mind too much.

The Carnival of the Cats will be hosted here at CatSynth tomorrow. Click here to submit your entry.

The Bad Kitty Cats Festival of Chaos will be hosted this week at Pet’s Garden Blog.

And of course the Friday Ark is at the modulator.


Sad news today

Some very sad news today. Our friend sher of What Did You Eat? passed suddenly this morning.

Sher was one of the first people we met through Weekend Cat Blogging. She often left kind words on our site for Luna, whom she quite admired. And in turn we got to know her late cats Upsie and Sundance, and of course her little black kitten Laura.


We remember her sharing life with cats and squirrels. But she was also an accomplished food blogger, and we have tried several of the recipes she posted. Indeed, I was going to be making the Angel Hair Pasta With Sweet Red Pepper Pesto that she posted on Thursday, not knowing this would also be her final post.

Our thoughts are with Sher’s family and friends this evening.


CatSynth 2nd Anniversary (and Weekend Cat Blogging)!

July 19 is the Second Anniversary of CatSynth!

And by coincidence, we are hosting Weekend Cat Blogging (really, it is a coincidence). So we invite all our friends to participate and celebrate with us. As always, please leave a comment with your link, and we’ll post it during the roundup later this weekend.

Of course, we must post the photo of Luna that started it all on July 19, 2006:


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and some fun stats for the occasion. Over two years at CatSynth, we have:

657 articles.
2,476 comments.
106,000 visitors.
298 “catsynth pics.”

The latter is using some custom analysis tools I created for the occasion, which also provide the top 33 tags/categories here at CatSynth:

cats 738
synthesizers 444
luna 280
music 169
news 136
wordless wednesday 101
weekend cat blogging 97
wcb 94
art 90
highways 85
personal 79
modernism 54
san francisco 50
stats 39
electronic music 35
experimental 34
carnival of the cats 32
mathematics 29
podcast 29
mp3 28
kitty 27
keyboard 26
friday ark 25
analog 23
photography 22
reviews 22
video 22
cotc 21
black cat 20
cats on tuesday 20
festival 19
california 18
chaos 18

Some tags, such as “photography”, should really be much higher.

Many readers may recall that last year, on our first anniversary, the site went down due to a rather annoying problem with our service provider, and we were sent into exile at the CatSynth FEMA Trailer. So we are leaving an anniversary post at the trailer as well.

A year ago, we at CatSynth had no idea what was going to be in store for us over the next year. A new job, a new home, a new life.

We traded the sun and greenery of our old home:

for our new home:

and life in the big city:

But some things remain the same. Luna, of course, is always here. And our friends and family. And CatSynth!

And we’ll still be here, continuing to do what we always do…


Some other significant milestones this weekend:

The 200th Friday Ark boards this weekend at the modulator.

Our friend Dragonheart is two years old today.

This is week also includes several birthdays for friends, whom we won’t embarrass by announcing their ages on our rather public forum…

It’s only one weekend after the Bad Kitty Cats Festival of Chaos first anniversary, so let us include it as well. This weekend’s edition will be at Life from a Cat’s Perspective with Samantha and Tigger.


Bon Voyage

It’s always hard to go away on a trip and leave the ketzela behind. But Luna will be in good hands while I am gone, with our new cat sitter.

And this trip is very necessary. There has been a lot of fun, excitement, love, playfulness and beauty in our new life, but there are a lot of things that have been difficult. Getting away for a few days seems like the right thing to do. Even that simple decision has been challenging, with plans gone awry and sore feelings among friends dominating the start of this journey. But as things move forward, there might actually be a little peace, inspiration, and even a little fun.

In the meantime, please visit other Cats on Tuesday. And we’ll be back soon.


In the shadow of the bridge

When nothing else is happening on a quiet weekend afternoon, I will often go for a walk through our neighborhood, South of Market (SOMA) and South Beach. Our neighborhood is in many ways more like New York than the rest of San Francisco, with its old industrial buildings, dilapidated piers on the waterfront, and new condo developments. But perhaps that adds to the sense of familiarity, and of “home”, amidst the concrete.

Our walk usually begins on Townsend Street, heading east towards the waterfront. This area is dominated by AT&T Park, home of the San Francisco Giants. But while crowds head towards the stadium in the summer, we often head in the opposite direction. There is a little park at the end of Townsend along the Embarcadero, where I often see older Eastern European folks. Across the park is the cul-de-sac that marks the end of Delancy Street, a name reminiscent of the Lower East Side of Manhattan. Here I often stop at a small cafe – it has a large garden that can be enjoyed on its own or for the glimpses of the bay it affords.

There are some books I only seem to read when I’m out at places like this, rather than at home. One such book is The Cat: A Tale of Feminine Redemption. I will stop and read a chapter while enjoying a coffee and the views. Though sometimes I opt for one of our free weekly papers instead. I like the idea of being contrary, reading esoteric books while a major sporting event is going on nearby. But in a large, cosmopolitan city, there are always people doing their own thing. One is never really alone.

Beyond the cafe is the southern portion of the Embarcadero, which contains glimpses of a seedy and crumbling past while being revitalized with the stadium and frenzied development.

Heading south along the Embarcadero, one approaches the Bay Bridge. Commercial buildings, as well as residential complexes, have sprung up in its shadow. I enjoy seeing these buildings fit comfortably beneath the bridge:

Some of them have appear older, more reminiscent of the 1970s or even earlier, while huge new high rises are going up all around them.

I then often turn back inward from the waterfront on Bryant Street. This is generally a wide street that crosses SOMA and the Mission District, but here it is a narrow alley between the steep approaches to the Bay Bridge and a residential block.

Again, the feeling is more of a residential section of New York, perhaps Riverdale in the Bronx, or the Upper West Side. Of course, the fact that this block interests Delancy Street adds to this impression.

Longtime residents and admirers of San Francisco often look down upon this area, but I find it a comforting place to walk and explore. Certainly, there is familiarity coming from New York, which has always defined “city” for me. And perhaps the sense that I am finally living the city life that I should have done long ago – I am finally home.

The narrow streets and tall buildings abut the hill and the approach to the bridge, with a complex array of staircases and ramps. I often find an excuse to climb at least one, such as this that connects the lower alley section of Bryant Street to the main section that begins on top of the hill.

At the top, one is amazingly close to the freeway and byzantine ramps that feed onto the bridge:

Heading back down the hill towards the west, one can take a detour through South Park, which has nothing to do with the popular cartoon. Instead, it is a small park surrounded by two-story residences that feels more like a neighborhood in Brooklyn. Although it is not far from the this section of freeway we featured a few weeks ago, such things seem invisible and far away. But step outside this oasis, and one is back in the “concrete jungle” and the streets that lead home.



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