Weekend Cat Blogging: Mission Cat

Late last year, I was heading to an opening at Southern Exposure in the Mission when I passed by this cat on the street:

The cat seemed familiar, and indeed it turns out we had encountered one another on the same street back in 2009! You can see some photos in this Weekend Cat Blogging article. It was great to see a cat here in the city with a long-term stable living situation, and the confidence to greet passers by on the street (albeit with laser eyes fully armed).

This neighborhood is mixture of residential buildings and converted factories and warehouses, not much greenery. Similar to the area around CatSynth HQ, actually. But there are lots of little cracks and places for a savvy cat to explore.

Oh, and the art opening was a mixed bag. There were some very interesting pieces, some others less so.


The Carnival of the Cats will be up this Sunday at Mind of Mog.

And the Friday Ark is at the modulator.

CatSynth Pic: Mystery Rhythm Machine – Barns & Mullins Percussionet 20

Via matrixsynth, where you can find more info and pictures.

“I recently picked up an old rhythm machine at an estate sale, It’s called a Percussionet 20, made by Barns and Mullins, London, England.

I think it may be rare because I could not come up with any info about this unit online anywhere, even tried Emailing Barns & Mullins twice, but they never responded.

Perhaps one of your readers may have some info about this oddity.

It will play all of the rhythm styles such as ( Fx – Foxtrot, Tw -Twist, Ch – Cha Cha, Tg- Tango etc.) at the same time, so you can combine various rhythms, also you can select and de-select the individual instruments in the rhythms such as: Snare, Tom Tom, Side, Bass, Bongo etc.

Rear has Hi and Lo output and ¼ ” footswitch input that starts and stops the rhythms.

Add some verb and delay or modulation effects and it sounds pretty incredable.

As usual, Charlotte the cat has her own thoughts about my Percussionet 20, see attached photos.”

CatSynth video: Synthesis for Cats

From Poppaneedsanap, via matrixsynth

“OJ (Turkey Leg) on the Etherwave pitch CV controls the rate of random LFO, pinging a Q106 oscillator. Bling Bling (aka Manwich) goes nuts on a contact mic and Moog MF104Z Delay. Ok, I mixed the contact mic pretty low I admit, but it was his first time wiggling and he was a little self conscious about his performance.

A more robust jam will follow when I find the fucking laser pointer!”

Fun with Highways: California 247 and 18

After a few cold weeks in the city, I am looking back fondly at my trip to the desert this past summer. Today we look at the final leg of that trip, leaving Joshua Tree on Highway 247. I had been curious about this highway which heads north from Yucca Valley at a junction with Highway 62 out into the desert hills. There is actually quite a bit of residential development near the start of highway, with a great many dusty side streets with a diverse collection of homes. I acquired one of my sculptures at the home of an artist there several years ago. But on this occasion, I kept going north. One of first reassurance markers was, appropriately enough, next to a joshua tree.

The narrow two-lane highway wound its way uphill between a rocky ledge to the west and a desert valley to the east, with occasional rocky outcroppings. A few of them had graffiti on them. Perhaps I should have taken a photo, but I feel differently about graffiti on natural objects than I do on walls. Eventually, the road turned from north to east-west and entered a wide, flat valley, with the classic “road in the middle of nowhere” appearance.

The day was pleasantly hot, probably in the low 90s Fahrenheit (low 30s Celsius), a far cry from the triple digit temperatures at the start of this trip. There was a moderate breeze at times, but not too much. So standing on the side of the road here was an opportunity to experience silence punctuated by the occasional passing vehicle. It is rare that I have the opportunity to hear moments with so little sound, but so much other sensual information in the texture and temperature of the air and the sparseness of the visual space.

Highway 247 then enters the town of Lucerne Valley on the edge of the Mojave desert. It does not have much in common with Lucerne in Switzerland. The lakes here are dry lake beds, but like the more famous Swiss town it is surrounded by mountain ranges. Here, 247 turns north towards Barstow, so I switched onto Highway 18 heading east out of town. This odd highway winds around the mountains and valleys of San Bernardino county through a variety of geographies. The section that I traveled started with crumbly red-brown rock formations up against the sparse commercial development of the town. After an empty section, the road entered the town of Apple Valley where the landscape turned all of a sudden into suburban development and the highway became a multilane expressway known as the “Happy Trails Highway”. The sharp contrast was a little jarring, but not unexpected given the history of development in the deserts north and east of Los Angeles. But this was not the stark industrial development as I had seen in New Topographics a couple of years earlier, it was just dull suburban sprawl. Upon entering Victorville, Highway 18 becomes a regular city street along with Business Loop 15.

From here, I was able pick up I-15 and ultimately wind my way north along more familiar highways back to San Francisco.

Weekend Cat Blogging with Luna

It’s a new year, and Luna is ready to play.

She always seems particularly eager for attention when I am about to leave home, which point she launches into a rather effective guilt trip. But this week she has been getting quite a bit of extra attention, between the New Years vacation and my feeling under the weather the last few days. It has actually been a good time to catch up on cats and electronic music.


The Carnival of the Cats will be hosted tomorrow by Nikita and Elvira at Meowsings of an Opinionated Pussycat.

And the Friday Ark is postponed until next week…

Analog modular improvisation

Here is a little track I created last night improvising with a few of the modules in my Eurorack system. Enjoy!

This analog modular improvisation featured the Wiard Anti-Oscillator and Noisering from Malekko Heavy Industry, Make Noise Maths, and KOMA SVF-201.

CatSynth pic: Quasimidi Rave-O-Lution Drum Machine SN 42262

Another “cat not included” auction photo courtesy of a matrixsynth:

“Cat not included!”

“This unit is unexpanded (hence the moderate price)… There are many technical photos of this synth at http://www.loscha.com These pictures are of the actual unit you will be buying.

The power socket has a slightly broken shell, but the plug holds in no problems.”

KORG Polysix/Mono-Poly era knobs.

World of Wonder with DJ CatSynth, January 2, 2013

Here is the podcast from my World of Wonder show that aired at midnight on San Francisco Community Radio.

12:00AM-12:00AM (0:48) Opening Chimes / Announcements

12:00AM-12:03AM (2:22) Marvin Gaye & Tammi Terrell “Ain’t No Mountain High Enough” from 20th Century Masters: The Millennium Collection: The Best Of (MP3, 2000)

12:03AM-12:05AM (2:46) Chris Cutler & Thomas DiMuzio “When Cracks Appear: Reappearance Of Birds” from Quake (CD, 1999)

12:05AM-12:15AM (9:35) Mulatu Astatke & The Heliocentrics “Anglo Ethio Suit” from Inspiration Information 3 (CD, Album, Reggae, 2009) on Strut (UK)

12:15AM-12:26AM (10:47) C.O.M.A “Verdical” from Verdical (MP3, Single)

12:26AM-12:26AM Announcements

12:26AM-12:36AM (9:26) Nico “(The End)” from Classic Years (CD, 1998)

12:36AM-12:43AM (7:38) Cobblestone Jazz “Change Your Apesuit” from 23 Seconds (2007) on !K7 Records (UK)

12:43AM-12:46AM (2:16) The Work “Scream Circle” from Woof 7 Inches (Rock, 2006) on Ad Hoc Records

12:46AM-12:52AM (6:34) Fred Frith “Heart Bares” from Cheap At Half the Price (CD, 2004)

12:52AM-12:58AM (6:08) Solcircle “Uncle Bob” from Solcircle (CD, 2002)

12:58AM-1:00AM Station ID / Announcements

01:00AM-01:08AM (8:34) Bark Psychosis “The Black Meat” from Codename: Dustsucker (Rock, 2004) on Fire Records

01:08AM-01:14AM (6:05) Myrmyr “Fire Serpents Lull” from Fire Star (CD, 2012)

01:14AM-01:22AM (7:20) Oval “Textuell” from Systemisch (1996) on Thrill Jockey (USA)

01:22AM-01:32AM (10:22) Yuji Takahashi “Mimi No Ho” from Finger Light (1995) on Tzadik

01:32AM-01:39AM (7:13) Deletists “The Lure Or War And Boredom” from The Deletist (CD, 2003)

01:39AM-01:40AM Announcements

01:40AM-01:42AM (2:33) Cardiacs “The Obvious Identity” from The Special Garage Concerts Vol II (2005) on The Alphabet Business Concern (UK)

01:42AM-01:46AM (4:00) Various Artists – Buda / Ethiopiques “Ene Negn Bay Manesh – Girma Beyene” from Ethiopiques Volume 8: Swinging Addis (2000)

01:46AM-01:52AM (5:31) Duboniks “Fi Don’ Givit” from Trip Hop & Jazz 4 (1998)

01:52AM-01:57AM (5:23) Polygon Window “Polygon Window” from Surfing On Sine Waves (1992) on Warp Records

01:57AM-01:59AM (1:27) Ilkae “Push Pop Nil” from Pistachio Island (2001) on Merck Records

01:59AM-02:00AM Announcements / Closing Chimes