November 30 is Luna’s birthday as listed in her adoption records. My ketzela is officially eight years old today. She looks all grown up and beautiful in the portrait above, but she also can still seem like a kitten, as in this photo where she receives some birthday scritches.
Please join me in wishing her a Happy Birthday!
From SolarisBorgatron, via matrixsynth, where you can find additional info and videos.
“A Demo of the Borgatron in action … a beer and a disco light.”
Each trip to New York has been characterized by particular subway lines, and on this trip is was the 1 (Broadway / 7th Avenue) and A (8th Avenue Express). I usually began in the Bronx, not far from where I encountered the Bronx cat, getting on the elevated section of the 1 over Broadway.
At 168th Street, I regularly switched from the 1 to the A. This is an odd station. The tunnel for the 1 train is quite deep underground and the platform is in cavernous curved hall with old-time light fixtures.
It is an eerie place, but was the most important transfer point of this trip. The tunnel connects to the more conventional station for the A train above via elevators, the only station I know of that is arranged this way. From 168th Street southward, the A served as an efficient spine along the west side of Manhattan, connecting to Chelsea, the village, and on into Brooklyn.
This worked well, until the elevated section of the southbound 1 was closed last Monday. After weighing the options, I decided to walk the route instead. It was actually the first time I had ever walked on Broadway south of West 230th Street – in all the times I crossed the Broadway Bridge over the Harlem River, I had never done so on foot. The view from the bridge looking over towards Spuyten Duyvil and the Hudson River beyond is quite scenic.
Broadway continued south from the bridge to the Inwood section of northern Manhattan. This is another area I had never walked through before. Among the more interesting things was this mysterious looking archway behind some storefronts on Broadway near 216th Street.
I had seen it before from the elevated tracks, but now on foot I had a chance to take a closer look. It seemed to be incorporated into one of the auto-repair places, but nonetheless completely out of place from the current landscape. I posted it to Facebook and Twitter as the “mystery arch”, and a friend pointed me to some information about the arch and associated mansion. It is in fact The Seaman-Drake Arch, and its story from a grand landmark to a forgotten one is a bit sad. But it is still there, even surviving a 1970 fire, and could be restored and protected if there is enough interest. (It was still for rent as of this 2010 article).
Broadway continues south to 207th Street, where the A line begins. Before descending into the subterranean station, I saw a sign reminding us that this section of Broadway is in fact U.S. 9.. But rather than following the highway, I descend the stairs to catch the A and resume my regular journey.
The chance to explore a new neighborhood, so close to one I already knew, was an unexpected gift from what was annoying subway-line closure. I will have to come back to see more detail sometime (when it is warmer).
From Ebotronix on YouTube, via matrixsynth.
Korg MS 20 duophonic via
Kenton Pro Solo & Pro Solo Mk 2
Yamaha MCS 02
FX TC M 3000 Boss VF 1
Logic Master Clock & Drums
After the Issue Project Room show in Brooklyn last Saturday, I headed north to the Bronx. Out on the street in Riverdale in the Bronx, I came across this cat:
The cat was a bit shy, keeping a bit of distance, but not running away either. It eventually went up one driveway.
It seemed to be a pet cat, not a stray, and after several entreaties came up to me, even head-butting my hand. It is always a treat to encounter cats when out and about.
Weekend Cat Blogging Thanksgiving Edition is hosted by Jules and Vincent over at Judi’s Mind Over Matter.
The Carnival of the Cats will be hosted this Sunday by Nikita and Elvira at Meowsings of an Opinionated Pussycat.
And the Friday Ark is hosted by the modulator.
As part of my wanderings around New York this past week, I had the opportunity to hear an evening of experimental music produced by Issue Project Room. The concert, at the Actors Fund Arts Center in Brooklyn, featured two ensembles that were quite different in terms of music and instrumentation.
The evening began with a performance by the Brooklyn-based Ashcan Orchestra. The group is a project of composer p. spadine and involved a variety of colorful toy instruments.
[Ashcan Orchestra.]
Through the set of four pieces, the members of the ensemble rotated around the instruments, beginning with a piece for an ensemble of toy bells. The bells were actually quite sonorous, and one would be hard pressed to recognize this as a piece performed with toy instruments if only listening and not observing the bright colors. The colors were nonetheless an important part of the presentation and even part of the musical score.
As the performers rotated, the orchestration and timbres became more varied and complex, including more drums and other louder instruments, giving the impression martial music (ableit martial music with toys). In the end, however, they rotated back to the bells for one final piece. The music and presentation was a lot of fun, and I thought they could have easily done another piece. But the set as it was had a good structure. It was nice to hear the ensembles treatments of traditional harmony and ideas reminiscent of early-twentieth century music.
The second half the concert featured a collaboration of Mind Over Mirrors, the project of resident artist Jaime Fennelly, and the ensemble Zelienople. Fenelly’s work involves the use of harmoniums together with electronics. The combination was impressive to look at.
At least one member of Zelienople also used a combination of harmonium and electronics, while others used guitars and other instruments to produce music similar to droning or “space rock” that we have discussed on this site before.
[Mind Over Mirrors and Zelienople.]
In this case, the music was performed as a soundtrack to Gone, a film by Donald Prokop. The film appeared to be winter suburban scenes familiar to any of us who grew up around New York City, with bare trees, ranch houses, and white snow. A lone figure occasionally appeared, walking or entering and exiting a car, and occasionally the scenes dissolved into wintery abstract color contours. Throughout, the music remained based on long drones, but veered between moderate pads and loud dramatic flourishes. The structure of the music and the film both added to a sense of listlessness and disorientation – this was an experience to simply lose oneself in.
Overall it was a strong evening of music, and the performance was well attended. I hope that I can continue to hear programs from Issue Project Room during my visits to New York.
Once again, I will be in New York this month. It has become a yearly pilgrimage of sorts, as well as time to visit with family and friends. There will be lots of art, music and urban landscape writ large. And for this in the NYC area, I will be playing a show this Thursday.
November 15, 2012. Ambient-Chaos featuring Groupthink, Amar Chaudhary, LathanFlinAli, Charity Chan.
Spectrum, 121 Ludlow, Second Floor, New York.
LathanFlinAli, Groupthink, Amar Chaudhary, Charity Chan, and Lukas Ligeti live at the Spectrum Loft Space in Manhattan. Spectrum is a new loft space dedicated to experimental and music.
The event starts early. So please be there by 7:30 to settle in and enjoy the frequencies.
I will try and post sporadically, but in the meantime I do expect to continue with live updates of NY adventures via Twitter @catsynth.
X Libris opened this past Saturday at Root Division in San Francisco, and I had the opportunity to attend. X Libris is “an exhibition exploring the book as a mode of communication in flux.” More and more of our media is migrating from print to digital form, and even the venerable book isn’t immune from this. But the book as an object still retains value for many of us, even if we do much of our reading via digital media such as e-books. We display books, arrange them carefully in rows on shelves or gracefully positioned on tables. Some of the pieces directly lament the loss of books as a central element in our lives, while others explore the printed page as an artistic medium separate from its traditional function.
One corner of the gallery was taken up with a large “architectural installation” made entirely of books. One could walk in between the undulating walls and look at the titles. Although most of the books were closed, every so often there would be an open one. I encountered at least one or two mathematical texts.
One of the most eerie pieces was Alexis Arnold’s “Flood”, which featured distressed and disheveled encyclopedias encrusted in borax crystals. It could have been a scene from a major natural disaster such as Hurricane Sandy or Katrina, with floodwaters causing first one form of damage as they rise, and then another as they recede leaving behind salt deposits. The knowledge contained in the books is just out of reach behind the translucent crystals. Another piece that treated books destructively, but more humorously was Michael Kerbow’s installation of pages as autumn leaves to be raked.
Pantea Karimi created ink drawings with repeated motifs on heavy paper, arranged in unfolding structures on shelves. The result is a colorful and meticulous tribute to the bookshelves that many people proudly display in their homes, but also a lamentation that such displays are gradually becoming rarer.
If books as source of textual information (or escape into fantasy) is waning, what of the physical form of the book as an artistic medium unto itself? Several pieces presented books that were physically books with pages that one could flip and look at, but intended as objects of abstract or conceptual art rather than something to “read.” These examples by Laura Chenault have color and texture but no text.
Still others were more distance from our expectations of the standard book form. Lauren Bartone’s complementary pieces “Letter Trash” and “Leftovers” presented a jumble of letters pasted onto a background and piled on a shelf, respectively. Steven Vasquez Lopez did away with letters and symbols altogether, using only intersecting straight lines on paper, as in this piece entitled “Jooked”:
One might ask what such a piece has to with books, but for me it did bring to mind the whole genre of “abstract comics”, a topic for another time.
X Libris will be on display at Root Division through December 1. You can visit the exhibition page for more info.
