CatSynth Pic: Cat in the Studio, Arturia MatrixBrute, and More

This cat has the seat of honor in this synthesizer-heavy studio.  By Charles Whiley via the Facebook group Synthesizer Freaks.

God I 💗 that 🐈 . And those 🎹.

We know the feeling!

We identify an Arturia MatrixBrute on the left and leave the identification of the others as an exercise to the reader.

Weekend Cat Blogging with Sam Sam: Play with Me!

Sam Sam wants to play!

Sam Sam wants to play!  And who can resist such an entreaty 😻

Sam Sam is a rather gregarious and playful cat, so this ritual plays out several times a day.  And I am happy to indulge.  The rug in the middle of the main section of CatSynth HQ is one of her favorite spots overall, and she spends a lot of time here rolling around, playing with her favorite toys, and getting brushed.  Clearly, this pose in the photo below suggests she wants to be brushed (again).

On her back, you can see some of her many unique black patches, including on her paws, the back of her legs, and her “goatee” on her chin.

We hope you are enjoying your Sunday as much as Sam Sam is.

Interstate 5, California: The Road to (and from) NAMM

At least since 2010, all of my trips to NAMM have been road trips, heading east from San Francisco on I-580 to meet Interstate 5 for the long trek south through Los Angeles to Orange County.

CatSynth on Interstate 5

I-5 takes a more direct route through the sparsely populated western side of the Central Valley, compared to CA 99 (former US 99) that connects the major towns and cities of the region, including Fresno and Bakersfield.  The small communities that one does pass are related to travel on the interstate itself or to the farms and orchards that dominate the landscape between stretches of emptier space.

It is a long trip, and one that I know many people would find boring.  But for me, it is something I look forward to, an integral part of the experience along with the show itself, the after-parties and all the other little adventures. This year there was the added fun of testing out Highway☆ on the road trip, but even without that heightened sense of purpose, it is simply an enjoyable “flow experience.”  Once over the Altamont Pass and into the Central Valley, stresses begin to fade as the mostly straight line of the road and the low stimulation of I-5 takes over.  It may seem “empty” but there is still is just enough detail along the route to provide balance.  After many years, I have come to know just about every major junction and many of the other details, such as the names of the small communities along the highway.  By the time I arrive in the Los Angeles basin, I am recharged, enough to even remain unfazed by the notorious traffic!

The return trip along a nearly identical route is similarly an opportunity for psychic calm and flow after the nonstop overstimulation of NAMM (I do spend a half day after the show either with friends or at a museum as part of the decompression process before getting back on “The 5”).  This year was no different, as I headed back with a tailwind and sense of optimism.   Life seemed calm, free, but also filled with curiosity and excitement about professional opportunities in technology, music, and even travel.  That feeling lasted into our arrival back in San Francisco, at least until my second bout of this year’s awful flu kicked in, along with some other stressful local responsibilities.  One of the mental exercises to help through the ensuing week was to focus on how my mind and body responded positively to the I-5 trip (and to the many tendrils of travel in and around L.A.) and thought experiments on how to capture that sense of enjoyment and calm even when not traveling down a straight and empty stretch of road.  I come back again to flow experience and how much that seems to be a product of solitude for me, but it can also come in playing together with musicians at the highest levels.  And then there are situations where flow is stymied or non-existent.  It is important to recognize both, and I hope to explore these topics more in upcoming articles.

See more of Interstate 5 in California and many other fine places across North America in our Highway☆ app, available on the Apple App Store and Google Play Store.

Highway☆ on Apple App Store .   Highway☆ for Android

NAMM 2018: Blipblox

Among the more unique instruments that we saw at NAMM this year was the Blipblox, a fully functional synthesizer in a plastic shell reminiscent of children’s toys.

Blipblox at NAMM 2018

Don’t be deceived by its appearance. The Blipblox is a full-featured monophonic synthesizer with selectable signal topologies and oscillators; a low-pass filter; a sequencer; and even a drum machine.  There is also a modulation matrix to complete the feature set.  In some ways, it seems similar to overall style and concept of the Moog Mother-32, though it is of course a very different instrument.

You can hear a bit of our attempt to play the Blipblox in this video.

It certainly seems like an interesting way to introduce kids to synthesizers and both the science and art of sound.  But it also seems quite usable for live performance – if it’s rugged enough for kids, it’s probably rugged enough for the stage.  We look at it an immediately think of the repurposing of musical toys for experimental electronic performance via circuit bending.  Whether a Blipblox is bendable or not is beyond the scope of this initial look, but it would certainly fit in with a setup that includes such modified instruments.

More info can be found at https://blipblox.com/

NAMM 2018: Strymon Magneto

At NAMM, one tries out a lot of instruments and walks away wanting to have a good number of them.  The novelty fades quickly, but some you find that you continue to really want.  The Magneto module from Strymon is in the latter category.

Strymon Magneto

The Magneto is a four-head tape delay simulator.  Its controls are very intuitive and playable, with enough flexibility to be used to generate spring-reverb-like sounds as well as function as a looping device via a mode switch.  You can see our first attempts with the Magneto in this video.

Strymon put a lot of attention to detail both in terms of sound design and usability into this device.  And as one would expect from a Eurorack module, just about every function can receive external CV input, making it more of a musical instrument in its own right than it would be in a studio rack or even a guitar pedalboard.  We were able to observe the delay and looping functions in great detail, but it was more challenging to discern the tape-effect functions, such as “wow-flutter” and “crinkle”.  Part of that is just the chaotic environment of NAMM (even in the more calm depth of Hall E).  Hopefully, we will get a chance to try those out in more detail in the near future.

For more information, please check out https://www.strymon.net/products/magneto/