The 2014 Outsound New Music Summit continued last Thursday with night featuring guitars, and only guitars. This was an unusual curation for a concert of new music, and generated some lively and amusing discussion during the pre-concert Q&A.
The concert itself opened with a solo set by Henry Kaiser. He performed on an instrument that he had never used before, or even plugged into an amplifier before the set began.
[Photo: PeterBKaars.com.]
He opened with a simple piece directly into the amp that was quite pretty, with lots of harmonic and melodic sounds punctuated by percussive moments. But it was when he added his effects that things because more interesting, with very lush sounds and intricate patterns of delays and loops – not the simple looping harmonies one often hears but complex textures reminiscent of improvising ensembles.
Next up was a duo featuring Sacramento-based guitarists Ross Hammond and Amy Reed.
[Photo: PeterBKaars.com.]
Their set featured a wide range of sounds and styles, some quite idiomatic drawing on the artistsâ blues and folk roots, some much more experimental with extended sounds techniques, and some quite noisy. Particularly memorable moments includes drones that were interrupted by higher scratchier sounds, and the final acoustic traditional song sung by Reed.
Hammond and Reed were followed by another duo, John Finkbeiner and Noah Phillips. At once one could tell theirs would be a different sound, heavier and a bit more aggressive.
[Photo: PeterBKaars.com.]
There was a lot of fast playing and use of percussive and prepared techniques. The music never really settled down, which I suspect was the intention. I liked a lot of the electrical and âbeyond guitarâ sounds they were able to achieve.
The final set was also a duo, this time bringing Houston-based Sandy Ewen together with Jakob Pek. From the start, this was the most avant-garde of the sets, with both performers placing the guitars in their laps, and bowing or striking the instruments.
[Photos: PeterBKaars.com.]
This was a beautiful and captivating set, with dramatic changes in texture and technique. There mere many long tones but also moments that were very sparse and quiet. They kept the listeners on edge with strange and eerie sounds combining guitar strings with rubber balls, steel wool and other elements, but their gentle intensity also kept us drawn into the performance for the entire duration.
Overall, it was an interesting night, with quite a range of music from a single instrument. All of the artists took us far beyond the typical stereotypes and expectations of the guitar and showed us a lot more of what it can do in the right hands.
