I had to the opportunity to attend the Garden of Memory, a walk-thru performance to celebrate the summer solstice at the Chapel of the Chimes in Oakland.
The Chapel of the Chimes is a columbarium, a building dedicated to the placement of cremated remains. It is an exquisite building both in terms of shape and lighting, and thus a rather interesting place to experience late evening sunlight:
There were so many performances throughout the building that it was difficult to see them all, and we only provide a small sampling here.
Outside the chapel, I saw a performance by Jaroba that featured the gopichand, a single string instrument from India that we have mentioned on numerous occasions here at CatSynth.
Inside the chapel, performances ranged from more conventional to the more exotic. Sarah Cahill performed the music of James Tenney and others (yes, here at CatSynth James Tenney is considered “conventional”). Dan Plonsey’s Daniel Popsicle played several avant-guard jazz sets for most of the evening on the roof garden.
Edmund Campion, a former colleague of mine from CNMAT, performed with Daniel De Gruttola and John Campion, with digital piano, cello, live electronics, poetry, and a row of triangles. I was listening to hear how the triangles were being processed or used to trigger other sounds in the performance.
In the meditation chapel, Randy Porter performed a set of compositions that featured a 1940s portable electric organ, prepared guitar, and series of “brass instruments”, consisting of tubing and custom horns. The result was both musically and architecturally interesting, and seemed to “fit” into the space:
Custom instruments were in abundance, with these offerings from Walter Kitundu, including the “phonoharp” illustrated below:
[click to enlarge]
I am definitely curious to check out more of his instruments.
This installation by http://www.maggipayne.com/]Maggi Payne[/url] used one of the many fountains to control one of my favorite hardware synths, the E-MU Morpheus:
[click to enlarge]
I haven’t even plugged in the Morpheus since we moved into the new CatSynth HQ 
. Maybe this will provide some inspiration to do so.
More tubes, this time with both air and water. Krystina Bobrowski performs on special water glasses with electrical pickups, with Brenda Hutchinson (in the background) playing a large metal tube.
Brenda Hutchinson has also been involved in a project called dailybell2008, in which people observe every time the sun crosses the horizon and mark the event by ringing bells. The solstice sunset is a particular special crossing, and most everyone in attendance participated in bell ringing at 8:34 PM. Given the time and the location, it was also an occasion to remember those who have left us.
After sunset, darkness began to descend quickly and many of the chambers in the building, providing an appropriate end to the event.
In search of my next mathematics topics, I stumbled upon the Math Cats, a site that uses cats to explore a variety of mathematical topics, from the very basic to the more esoteric. The emphasis is really on “exploration” rather than a series of lessons or tutorials, though there is a collection of resources for teachers and parents. Beyond the basics, the attic is full of facts and definitions, some of which are quite sophisticated (for example, do you remember exactly what a geodesic is, and who doesn’t want to forget avoirdupois weights). Sadly, I could not make the “Animal Math” link work. I was particularly fond of the virtual mobile, which also introduces viewers to the work of Alexander Calder. There is also a visit to a more recent geometric artist George Hart. Indeed his art studio looks a bit like the music studio here at CatSynth HQ, festooned with stuffed cats.
Among the shapes the Hart uses in his work are the regular polyhedra, but also Archimedean solids, such as the truncated icosohedron, or “buckyball.” You can see an example here, as well as some of the more esoteric shapes.
