Standing with Cat

Per suggestion of regular reader “Kitty” in response to a recent post, I will present some more of my own graphic and video work on this forum. The above picture is entitled “Standing with Cat.” It was originally done over a year and a half ago using the 3D modeling software Poser (on which I have commented a few times in the past). Previous digital art offerings include Green Kitties and Music of the (Blue) Spheres.

Although this is an “early” work of mine in the medium, it still remains a personal favorite. It has elements of both abstraction and realism simultaneously, even within the female and cat figures (does that make it post-modern?). The pose of the female figure was inspired by a photo print in my collection by photographer and friend Luxe Zeigler.

Another element of note is the tabby texture for the cat, which was created by graphic artist Lyne of Lyne's Creations, based on her real cat Travis. Astute observers might recognize Travis in the CatSynth banner as well. Sadly, Travis passed away late last year. I passed along my sympathies to Lyne at the time, being a “fan” of Travis as well as his late brother Clancy, whose fur and eye coloring are quite similar to Luna's. Look for Clancy in some dark, surreal or abstract works in the near future.






Neave.tv and friends

This video came via our friend synthmonger. It was part of something called neave.tv, basically a custom video-channel application the web that plays a selection of syndicated material from YouTube, Google Video, and elsewhere. Synthmonger was actually calling attention this particular video featuring pjtoro's musical suit appearing on a Russian or Eastern European TV show. The suit appears to be a series of synthesizers controlled by body sensors. Pretty cool. The feline-themed models are a nice touch, too (hey, this is “CatSynth”).

More detail can be found at pjtoro's site, including design information, more images/videos and even an interactive flash simulation.

Back on neave.tv, I found a few other interesting videos. Most intriguiging to me was the a work called Sixes Last by 1st Ave Machine, a design and animation house located (surprise) on 1st Avenue in New York. They did an amazing job of blending natural elements with surreal biology. You have to think about it for a few moments to decide whether it's real, completely animated or manipulated in some fashion.

It's really not hard to create ones own syndicated channel like this with Flash, dynamic HTML/Javascript and the APIs provided by YouTube and other video sites. What interests me more are a few of the videos themselves, such as the work by 1st Ave Machine and others, which remind me that I still want to do more experimental video and animation work to complement my music. I've been spending much time back exclusively with music and sound (and trying to sell the CD lately), but there are some upcoming video opportunities I might want to consider…








Dorian Grey's Box: Art Installation at Pajaro Valley Arts Council

My sound art installation described in previous posts is now on display at the Pajaro Valley Arts Council as part of the current exhibition “The Human Condition: The Artists’ Response.” The exhibition is “an artistic articulation of the connection between
the individual and world challenges, the exhibit
brings together artists responding to political and social tensions in today?s world”, and features 22 artists (according to my best count). The pieces in the exhibi are all of great quality when compared to recent gallery exhibits I have visited. Many are overtly political or social, dealing with many of darker subjects in current events and recent history. Some are quite realistic, others more abstract.

Dorian Grey’s Box, the piece on which I collaborated with local artist Michael Carson, is one of the more abstract in the exhibition. The main element is a large black cube with newspaper clippings in various patterns and sections of redder coloring. Surrounding the main cube are several small wooden “alphabet blocks”, some of which have also been painted black.


The sound (my contribution to the piece) is on a continuous loop that visitors can hear via headphones. The material is primarily ambient noise, gitches, percussive effects and sounds that only “hint” at speaking voices, arranged in a collage inspired by the sculptural part of the piece.

]The exhibition continues through March 4, and I strongly encourage anyone in the greater Bay Area during this time to check it out. It’s great to see such quality contemporary art locally (Santa Cruz-Watsonville-Monterey area).

I have posted an excerpt from the sound installation on the podcast for those who are interested in the piece but unable to visit in person.










Preparing for January art installation: Part 2

Looks like things are good to go for the upcoming art installation at the Pajaro Valley Arts Council. We took the sound track that I produced last saturday as is ( see part 1) and the entire piece is being installed the gallery today. It's nice when something comes together without a lot of stress or last-minute scrambling and compromise. It's also a welcome change to have something that “presents itself” via pre-recorded matieral – again, no stress, no preparing for live computer problems, etc.

The exhibition, entitled The Human Condition: The Artists' Response will be at the PVAC gallery in Watsonville, CA from January 10 through March 4.






Preparing for January art installation: Part 1

I am collaborating on an art installation for an upcoming exhibition in January at the The Pajaro Valley Arts Council Gallery: the piece has both a visual (sculptural) component and a sound component, the latter being my contribution.

I've been doing bits of it over the holiday break, but finally gave myself the proverbial kick in the tuchus to complete at least a full draft today. I am making things simpler by using only sounds on the computer, not external synthesizers – and also focused on two sound libraries I purchased last year but have made only limited use of until now. The libaries focus on highly processed organic sounds (animals, environment, etc.) and modified analog synthesizers (including some circuit-bend instruments).

The “composition process” was simply auditioning various sounds from this library and assembling them into a continuous sequence – a collage – that works with the visuals. The material is primarily ambient noise, gitches, percussive effects and sounds that only “hint” at speaking voices.

Next step, after any additional changes and mastering, will be to put it together with the sculpture, presumably sometime next week…





[Music] of the (Blue) Spheres

It has been a while since I have completed one of graphic-art images like the Green Kitties piece posted a while back.

If the previous one was “green”, this one is definitely “blue.” It is actually inspired by an evening on the Singapore waterfront several years ago, which including a sculpture/installation with blue spheres and illuminated pools.

This work was created using a combination of Poser and Bryce (in which the final render was done, along with everything except the figure).

It is interesting to compare how both works combine abstract geometric elements with “realistic” figures.







Weekend Cat Blogging #79: from the archives

For this weekend, we go back to the archives for this artistic sepia-toned closup of Luna:

The poster behind Luna is of a stabile by Alexander Calder, among my favorite artists. Calder is famous not only for his monumental abstract stabile sculptures, but also his abstract mobiles – his mobiles were influenced in part by the paintings of Mondrian, another of my favorite artists.

I think Luna's profile and sculpture complement one another quite nicely.

Check out more WCB fun over at belly timber Angry Cat Blog. I figure it's best not to ask…







Worthless Kitty Musings: Brakhage and Bast

I have been viewing on and off a collection of short films by Stan Brakhage. Brakhage was a very prolific and influential maker of short experimental films. Most of his films have little or no narrative, and in many cases are made from images created directly on the film (i.e., not filmed with a camera), as in the case of thethe frame from Resurrectus Est shown to the right. Most of the films are also silent, leaving the viewer to focus exclusively on the images.

One of the films that intruiged me was Cats Cradle, originally done in 1964. Basically, it consists of a series of clips of a black cat interspersed with separate closeups of a man and a woman (apparently there were two couples in the film, but was not able to see this as I was watching). The cuts are frequent and the lighting/tinting is an amazing shade of red/magenta. It really is hard to describe, though you can find a better attempt here. An interesting suggestion is that the film can be seen as the “cat's perspective” on the couple.

The film definitely has a sexual feel to it, though there are no explicitly sexual images (discounting the fact that juxtaposing images of a woman and a man usually adds some sense of sexuality). How does the cat fit into that overall sense? Juvenile word-associations aside, cats have a history of association with (female) sexuality and fertility, most notably through the Egyptian goddess Bast. Bast is definitely a goddess for my personal pantheon, and I've been looking for an excuse to use her in a post on this forum. Bast has quite a resume, as the protector of cats, women and children, also associated with perfume, fertility, love, music and dance. It is interesting to consider Cat's Cradle in the context of Bast, even as a tribute of sorts, although I have no basis to assume Brakhage had such an association in mind. Though looking through his filmography, i think he was fond of cats.






Summary of New Orleans / ICMC articles

Here is a list of all the New Orleans and ICMC articles in chronological order. New readers are encouraged to use this list as a starting point. Enjoy!


Weekend in New Orleans Part 1: Zip visits the French Quarter

Weekend in New Orleans Part 2: City views and Scultpure Garden
ICMC late concert on election night
Preparing for tomorrow's radio performance and more ICMC
After radio performance
NOLA Night Life
Weekend Cat Blogging #75: Cats of New Orleans
The Other New Orleans


Weekend Cat Blogging #75: Cats of New Orleans

WCB 75 is being hosted this weekend by Skeezix the Cat. My contribution this week is a special article on cats in New Orleans. Of course, this is a city steeped in its jazz heritage, and cats and jazz have always gone together at least when it comes to imagery and language. Certainly there were no shortages of artwork, posters, murals, etc., celebrating the “cool cat” of jazz:

The relationship of New Orleans to its real cats is a bit more ambiguous. This is definitely a “dog town” from the perspective of animal companions. People can be seen walking dogs everywhere, and there appear to be lots of guard dogs around as well. Cats were a little more elusive, though I did see a few during my many walks in the uptown area to and from Tulane for the conference. Please click on the images below to see large images of the furry New Orleans residents:

The middle picture is of a pet cat named Kramer who was very friendly and talkative. Most of the other cats I encountered were a bit skittish, many of them darting across streets and hiding under the raised fundations of the houses. Hiding under a house is most times a perfectly good strategy, but I do think with a bit of sadness how many kitties were caught hiding there when the floods came. Many cats were located and rescued in the aftermath of Katrina. Spray-painted notices such as these are still a common site around the city:

Of the groups most involved in locating and rescuing cats and other animals after Katrina was the Louisiana SPCA. Their shelter facility was destroyed in the storm, and they had to evacuate themselves and the animals in their care, no easy task. Upon returning, not only did they not have a facility, but were faced with the reality that so many people had left their pets behind – largely due to a government policy that disallowed pet evacuations, but has since been reversed. You can read more about the SPCA's efforts to rescue animals and rebuild – its both heart-breaking and uplifting.

I did have an opportunity to visit the SPCA's temporary facility. I would like to thank Lori Haeuser and Kate Pullen for taking the time and effort to provide me a tour and more information about their efforts with cats.

The temporary shelter is in a converted coffee warehouse on the Westbank, across the river from the main part of New Orleans and largely spared by the flooding. The warehouse is basically a huge non-insulated space with a concrete floor, not really set up to house large numbers of animals. The SPCA constructed a number of temporary housing units inside the warehouse for offices and animal facilities, including several units for the cats. There are separate units for kitties ready for adoption, healthy cats not quite ready for adoption, those with medical needs, and a separate area for feral cats. Each of the little buildings has its own climate and lighting control – the latter was particularly useful for the feral cats who prefer the shadows. Below is a picture from the adoption unit:

As you can see, they have quite a few black kitties at this time. As noted a few weeks ago around Halloween, black cats do have a harder time getting adopted. And more generally, it seems that culturally many people in the area, particularly those with a more rural background, as less likely to view cats as “pets” that one adopts from the shelter, but rather as functional animals that one might start feeding a befriending, and then perhaps take in. In someways, it is more a situation of the “cat adopting the human”, though those of us with cats know that is how it usually works anyway. They did say that cat adoptions are starting to pick up a bit now, so hopefully some of these kitties will find homes. In the meantime, it seems that they are being cared for as best they can under the circumstances. And they do get to come out and play, as was the case with this friendly little torbie (in photo to the right).

Please visit the Lousiana SPCA website for more info and to support their work.