Cat sitting on the edge of a Nektar Impact LX49+ synthesizer. Submitted by A5 Totentanz via Twitter @catstynth.
A5 Totentanz synth rule no.3: if your kitty-
playsambient drone on it, you’ve found the right one.
M with our #NektarImpact LX 49+
Sounds like a fine kitty and synth combination 😻
Remember our pals Shadow and Brodie? Well, we have another photo of them honing electronic music skills. Via Shadow’s Facebook page.
Sadly, Shadow passed away in February. This is heartbreaking news, and our thoughts and condolences go out to his humans, as well as his feline brother who must miss him dearly.
Meet Isosceles the cat, who sits atop a Roland Sound Canvas synth module. Submitted by Carl Peczynski via our Facebook page.
Roland Sound Canvas modules were pretty common in the 1990s. I had a Roland SC-7, which functioned as an outboard synth for my Windows PC at the time. It’s pretty still somewhere in storage at CatSynth HQ.
Martika found a nice spot behind the modular synth and control panel. We also espy a Korg Kaoss pad nearby. From Mark Harrop via our Facebook page.
Martika enjoys the VU…She likes to lodge herself on the ledge behind the small modular because she knows its difficult to move her from there. And she knows she’s not normally allowed in the studio
Clever kitty 😸
Jackie sits atop a Knifonium synthesizer at Åghström Production Studio in Brussels, Belgium. Submitted by Nicolus Ripitus via our Facebook page.
Exceptional synth under an exceptional pussy cat
We at CatSynth agree on both counts! Jackie is quite regal posing on the synth. And I had never heard of the Knifonium before, but upon visiting the website it sounds quite unique.
Knifonium is a 26 tube monophonic synthesizer with two oscillators, a 4th order ladder filter and a ring modulator.
https://knifaudio.com/knifonium/
Here is a demo of the Knifonium in action.
Mojo the cat looks on as a musical performance with an Arturia Keystep and Moog Minitaur unfolds. He seems to quite enjoy it. Submitted by Bruce Oliver via our Facebook page.
Mojo was my little buddy for 17 years. He loved synth sounds but would vacate the room if you picked up a guitar!
Dexter sits atop a vintage LinnDrum. Quite a prize of an instrument for feline and human alike! From Peter Fitzpatrick via our Facebook page.
Irish cat Dexter warms up the new Linndrum
Now resident in @Circuit3’s studio.
You can find out more about Circuit3 at their official website. Here is a sample of their music.
Kasey finds a comfy spot between a Roland Plug-Out system, Roland modules, and an Arturia Beatstep Pro. Submitted by Chris Bentley via our Facebook page.
Kasey the cat. Passed away at the age of 19 back in August 2017 but used to love to hang out on my desk while I was tinkering in the studio.
We are very sorry to hear of Kasey’s passing, and our hearts go out to Chris as the rest of Kasey’s family. A wonderful studio cat who lived a long and loved life 💕
Ripley is quite proud of his synths, an Ensoniq SQ 1 and Akai MPC. From Chris Ratterree via our Facebook page.
Here’s Ripley the
boombap cat. She follows me at http://www.instagram.com/chrisratterree
Biggie Smalls contemplates a vintage Roland Space Echo RE-201. From Brandon Fitzsimons via our Facebook page.
“What’s making that noise in there??”
The RE-201 continues to be prized by musicians for its sound. It is actually a true tape-echo machine (plus a spring reverb).
[Ikutaro] Kakehashi’s breakthrough development came in 1974 with the RE-101 and RE-201 Space Echo units, which used the standard 1/4″ tape of the open-reel variety, but made as one, continuous loop. It uses no reels of any kind; the tape is transported via a capstan drive. The tape loop is contained in a loose, constantly moving jumble in the tape chamber (also known as the tape tank) under a plastic panel which protects the tape and keeps it from getting tangled. The design resulted in lower levels of noise, wow, and flutter, and cut down on tape wear.[1] Replacement tapes were sold as well, named RT-1L.[2]
https://en.wikipedia.org/wiki/Roland_RE-201
There are several control dials on the device that alter such aspects as tape speed, repeat pattern (an 11-position rotary switch), one instrument and two microphone inputs, a single analog backlit VU meter for all three inputs, wet/dry mix for both echo and reverb, and intensity (number of repeats), that can be adjusted to a user’s liking; and bass/treble controls to EQ the sound of the repeats (not the dry signal), as well as dry and effected “Echo” output jacks with a switch for output setting (-10, -20, -35db levels.)
It is interesting to read this as I have been working extensively of late with the Magneto tape-echo simulator module from Strymon. You can see our review of the echo mode in this recent video.