This is so adorable! And I really need to get hold of one of those Stylophone theremins šŗ
theremin
Cat, Moog Theremin, Alesis Electronic Drums
Black Kitten with Arturia MicroBrute (Red), Behringer Model D, Theremin
CatSynth Video: Black Cat and Theremin
We start off this week with a black cat playing the theremin.
We get a peek at some modules below, and I find myself wondering if the theremin is controlling them. She definitely sees the antenna as a toy šø. It reminds us of our video of Merp with the photo theremin.
CatSynth Pic: Pepino on Theremin
CatSynth Pic: Kona and Moog Theremini
Kona the cat is quite excited to play the Moog Theremini.Ā We certainly enjoy playing ours šŗ
From our friend Daev Roehr via Facebook.
CatSynth video: Coco the Cat Covers Good Vibrations with a Mini Theremin
By mdaane1 on YouTube, via matrixsynth.
This is too cute. And of course we love black cats and theremins š
Analog Ladies at Robotspeak
Today we look back at the recent Analog Ladies edition of the Church of the Superserge that took place in late June at Robotspeak in San Francisco.
The Analog Ladies show featured solo performances by five women on analog synthesizers (along with some additional items). It was a diverse cross-section of musical and performance styles, with each artist being different focus to her set. First up was series regular Elise Gargalikis performing on a Serge Modular synthesizer with along with vocal samples and loops.
Gargalikis, who often performs as part of the duo, Slope114, has a mellifluous voice that rises above some of the noise sounds from the modular synth, while blending as a high note in longer drones.
Next up was Miss Moist, an Oakland-based electronic musician who describes her music as “electro candy pop // tropical kitschā. She combined analog electronics with a Korg Electribe and Mini-Kaoss Pad.
[Photo by Tom Djll.]
The result was a blend of rhythms and sweet tones that did indeed match the description, but also moments of harsh glitching and moderate noise hits before returning back to the main patterns.
The next set featured Jill Fraser performing on her vintage Serge modular synthesizer.
Jill Fraserās set featured fully formed compositions ranging over different parts of her career all the way to very recent. Some were very abstract, but with intricately detailed sound design on the Serge. Iāve always been impressed with the woodwind-like sounds that some musicians have been able to get from this instrument. There were also some melodic and rhythmic pieces as well, reflective of her career in film and TV.
Next up was Mint Park, who performed with an analog modular synthesizer made composed primarily of TipTop Audio modules along with a laptop running Ableton Live!
Her performance was intense. A strong set of beats with punctuated breaks was feed through the modular with hard grating noise that worked well in context. She kept up the energy for the entire duration of the set.
Then it was time to take the stage as the final act of show.
[Photo by Dmitri SFC]
For this set, I brought the full analog modular system, including some recent acquisitions such as the Hexinverter.net Mutant-Hijats – I opened the set with the Hihats controlled by the Make Noise Rene and the Moog Theremini. The Theremini, used exclusively as a CV controller for the modular synth, was the centerpiece of the set as it enabled full embodied performance. I also brought along the Garrahand drum, which works well fed into the Make Noise Echophon.
You can here my full performance in this video.
Amanda Chaudhary at Analog Ladies, Robotspeak, San Francisco from CatSynth on Vimeo.
I always try to make sure there is a variety of textures and energy-levels and weave together a narrative structure even within improvisation. Overall, I was very pleased with this set and the response from the large crowd.
[Photo by Tom Djll.]
Indeed, all the artists were well received by the overflowing crowd at Robotspeak – itās not a large place, but it was filled with synth enthusiasts and those who enjoy more adventurous music. This was the first Analog Ladies edition of the Church of the Super Serge, but I certainly hope it wonāt be the last.
[Photo courtesy of Robotspeak.]
Analog Ladies at Robotspeak, Saturday 3PM
We have covered several of the Church of the Superserge shows at Robotspeak over the past year or so. And now I will be performing in one as part of a special Analog Ladies edition. It will be an afternoon of analog synthesizer madness featuring several of instrument’s most talented women: Jill Fraser, Mint Park, Amanda Chaudhary, Miss Moist, and 7H1NG2. It’s a casual BYOB event, so if you’re in San Francisco (or anywhere on the Bay Area transit grid) and free tomorrow afternoon, please drop by Robotspeak (589 1/2 Haight Street in SF) to hear us.
I will performing on my analog modular plus Moog Theremini, and probably wearing something with a feline theme. Here is a photo of the modular as I start to set up the initial patch for tomorrow’s set.
Things will be a little less chaotic visually by show time tomorrow. Sonically, there might be some chaos, but that is completely intentional š
Pitta of the Mind, Obando/Pumpelly/Wallace Trio
As Pitta of the Mind prepares for our upcoming show next week, we look back at our last show in February at Outsoundās periodic Soundspeak series featuring experimental music and poetry groups.
For our set we performed several new pieces on the theme of film, with several poems evoking treatments and plots for possible (or impossible) films. The music featured a mixture of piano, Moog Theremini, modular synth and DSI Prophet 12, which made for quite an impressive setup.
As with most Pitta of the Mind shows, we had a color/pattern theme. On this evening the theme was white.
[Photos by Annabelle Port. Click to enlarge.]
The performance overall went quite well. You can here some audio excerpts below.
We were proceeded that evening by a trio featuring Nick Obando with Rob Pumpelly and Eli Wallace. The group performed several extended-length jazz pieces layered with Obandoās hip-hop-infused poetry.
I have to admit I do not recall much of the words/poetry, but the instrumental performance was quite memorable. I am a fan of Eli Wallaceās keyboard performance style, and Pumpelly and Obando brought their own strong technical skills to the mix. I particularly liked one piece that featured a funk rhythm with complex solos and patterns on top. The rhythm cut out in a few spots for freeform improvisation that was just long enough before returning to the funk pattern.
Overall, it was a good show, though a quiet night – possibly a combination of other performances happening that evening and the fact that the Luggage Store Gallery is at a temporary location while the main building is being renovated. But we certainly look forward to performing again, and hearing more music in the meantime.