
This cat sits atop an Alesis QS7 keyboard. In the back, we see a Korg Kross workstation and a Nord Stage that looks quite similar (but not identical) to one we have here at HQ.
From Andy Kockelkoren via Facebook.
No, this isn’t Sam Sam, though this cat does look a bit like her from behind. This is the cat that lives with synthguy216, who shares this photo via Instagram. He has certainly mastered the art of playing two-tier keyboards 😸
From William Potter, victimasdelspleen on Instagram.
From Ebotronix on YouTube, via matrixsynth. Quite the modular synth collection in this recording, plus one cool cat.
4ms Peg, QCD /Expander² ,QPLFO, RCD, VCA Matrix
Analogue Systems RS 100², RS110²², RS 360²
Bananalogue Serge VCS
Cyndustries Zeroscillator²
Doepfer R2m, A101-2, A114, A118,A134²², A143-2,A151²²
A152, A175²²,A185-2, A138abc, A192-1( 4Vox midi CC )
Flame 4 Vox ,Chord Machine², FX 16, Talking Synth Module²
flight of harmony choices
Make Noise Brains ,PP²,Maths²,Moddemix²²,QMMG,
Optomix, Wogglebug²
Malekko Anti²², Unkle²²,Jag
Moog FreqBox²², MP201
Roland SVC-350 Vocoder, System 104 Sequencer
SSL Modulation Orgy
Tip Top Audio Z8000 manual voltage source
Toppobrillo Quantimator²(min pentatonic),Sportmodulator,TWF
Logic masterclock to Kenton Pro 2000
Rocktron Rack Interface²
FX : Alesis 3630,Philtre,Boss VF-1,Lexicon PCM 80
Line 6 Echopro ,Red Federation BPM FX Pro
TC M one XL, M3000
mackie the mixer²
drums Ultrabeat
vid # 1284
Another picture featuring Miles the cat, this time with an Alesis Micron. From L.T., via matrixsynth.
“Seems Miles the Cat is developing a keen interest in synthesizers and such.”
Submitted by Louisa Hufstader via our Facebook page.
“Francisco Silverado Léon at Styrene Studios West, Napa, Calif., home of The Styrenes.”
If you would like to submit your own cat-and-music pictures, you do so via Facebook, by tweeting us @catsynth, or contacting us.
iPad docks seem to be a theme this year at NAMM. Basically, these are high-end iPad shells that provide audio and MIDI I/O functionality. Consider the iStudio from Behringer.
The iPad fits into the dock and serves both as the computer and screen. The dock provides several controls one would find in a small portable studio and then a host of standards I/O ports on the back, including XLR, 1/4″ audio, video and MIDI.
But no sooner had I encountered the Behringer model than I came across a very similar one from Alesis:
Here, the Alesis iO Dock is controlling the Korg iMS-20 iPad Synth. Like the Behringer, it has XLR, MIDI, unbalanced audio and video. They even both have footswitch inputs.
So which one is better? It’s not really something I can say. They seem more focused on people who want to use their iPad as a workstation rather than as a live instrument the way I do, which requires being able to move it freely (and switch to portrait mode) and lift it show to the audience. But now that several companies are coming out with docks, maybe we will see more variations.