Giuliano (orange) and Mae (black) enjoy a jam session with the Arturia MicroFreak. Submitted by Alessandro Cilano via our Facebook page.
Giuliano in particular seems to be enjoying it.
The MicroFreak has become one of our main instruments for live performance as well as experimentation. Here is one of our videos demonstrating its features.
Albert sits atop a Korg Electribe SX (red, with SD card reader) as he contemplates his next composition. Submitted by David Cole via our Facebook page.
The SX was a major step forward for the popular Electribe series; plus it had a cool red metal case, and vacuum tubes.
Katy performs an organ solo. Apparently, she has been practicing quite a bit.
From Wayne Jackson of Later Days, who is also the founder of Woodstockhausen and μhausen (micro-hausen). See all our μhausen posts here. And check out this video from the 2018 event.
Our very own Big Merp is our featured cat as he sits in the middle of our demo rig featuring a Sensel Morph (with Buchla Thunder overlay), Arturia MicroFreak, and our modular synth setup.
If you haven’t already done so, please check out our recent video with Big Merp’s performance and our demo connecting the Sensel Morph to the modular via Max/MSP.
Our friends at Metasonix are notorious for the colorful names on their products (especially the pre-modular pedals). Here we see Zatoichi the cat posing with the G-1000 “Fucking Fucker”, a mangling tube-based guitar amp.
Our friend Merce joins us again, with the Jomox Resonator Neuronium along with the MicroKORG. He also shares this classic Fluxus piano piece by George Brecht.
When you can’t even get a Fluxus piece right. George Brecht, “3 Piano Pieces,” from Water Yam, 1962
Even we at CatSynth sometimes find it hard to Fluxus right in these anxious times.
A rare LepLoop synthesizer and groove box in front of a fanciful feline artwork. From LepLoop on Instagram.
We at CatSynth are not particularly familiar with the LepLoop, so we looked it up. Here is a brief summary from a 2016 Sound On Sound article.
The LepLoop is an analogue synth, sequencer and percussion module all the way from sunny Italy. Hand-built into a light wooden enclosure, this tiny groovebox is pock-marked with patch points and able to hook up with MIDI, CV or DIN Sync gear. Regardless of its connectivity, the LepLoop inhabits a wayward world of its own when it comes to traditions such as melody and control. This is because at its heart is a sample and hold generator that provides source material for a looping analogue sequencer. Notes generated at random are captured and — if you like what you hear — worked on until you feel like dipping in again.
Inside are two VCOs, a noise source, a low-pass filter, a dedicated bass drum, twin VCAs (each with a simple envelope) and a switching system offering near-modular flexibility.