CatSynth pic: Woody, Keyboard Cat

From Cardigan Lane on flickr, via matrixsynth:


“Woody chilling out with the Yamaha CS01.”

From the comments on matrixsynth:

Hey guys, that cat is my little friend Woody.
He’s a Bengal. http://en.wikipedia.org/wiki/Bengal_cat

A very cool little guy, a little crazy but lots of fun. He belongs to my friends. He is actually my friends cat, whenever I crash on their couch I usually wake up with him sleeping on my legs.

He got a little freaked out by the CS1… once I turned it on and started playing some keys from it, he didn’t find it such a great pillow any more and started attacking the speaker. He didn’t have any problem with the casio CT310 we were also fooling around with, so I guess I should have named him Casio Cat!

CATcerto with Nora

Today we feature the recent CATcerto performance featuring Nora the piano playing cat:

The piece was a project by Lithuanian conductor, composer and artist Mindaugas Piečaitis. The performance featured in this video was by Klaipėda Chamber Orchestra in the Klaipėda Concert Hall in Klaipėda, Lithuania, on June 5th, 2009.

There was a lot of chatter after this performance about the novelty of this performance, and characterizations as a “joke.” But it is a genuine musical performance, and as we have noted our past review of Nora there is a definite characteristic and quality to the music that she plays. Mindaugas Piečaitis picked up on this in creating the CATcerto, as he describes in this interview:

“I was enchanted by her abilities and started some further research. I reviewed everything I could find on the Internet and it just intrigued me more…”
“I wrote down all of Nora`s improvisations in music (notes), happily remembering my time at the M.K.Čiurlionis art school, when we used to write musical dictations. It never crossed my mind that some time in my life, my teacher could ever be a cat”, – M.Piečaitis said with a smile.

In the actual piece, one can hear how the orchestral music does reflect Nora’s playing of repeated block chords and seconds. It is interesting to think about how this was done over time, with meticulous analysis of video and timing of the orchestral performance:

The problems of the performance of this atypical piece became clear during its first rehearsals. It is not very easy to guess what the cat is playing, so that the video material must be studied very closely and be oriented in the accompaniment not only by what the soloist is playing, but also by the movements she makes beforehand. This became a particular challenge for the orchestra.

Given my own background and interest in improvised music, it would be interesting to turn this premise around and attempt a free improvisation in which the human performers react musically to what the cat is playing.