I am reporting on Portland after Astoria, even though we visted and played a day earlier. That’s just how things sometimes work.
We did have some time to spend in the Rose City before our show at Rotture:
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We experienced Portland’s famously variable weather. Fortunately, many of the city’s attractions are indoors. This includes Powell’s Books. I could have spent the whole day in the Pearl Room, which contained the art and architecture offerings, as well as their extensive rare book collection.
Portland also has abundant public art. Across from Powell’s is this “brush,” a noted landmark:
And this “recursive elephant” was quite intriguing:
This sculpture includes other animals besides the elephants. I think I see a cat on the trunk:
It always comes back to cats, doesn’t it.
The show that evening was at Rotture, a club on the waterfront, conveniently located next to a construction zone. Although our audience was small, the show went well; and I did like the space, a converted early-20th century industrial brick building.
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They also had an interesting mural in the main audience area, and a nice large stage. We shared the bill with Emily Hay, who also does improvisation with flute and voice (although with a very contrasting sound and style from Polly); as well as Tim DuRoche and Resolution 51 (free jazz improvisation). So it was definitely worth sticking around after our performance to hear everyone else – although the entire evening was probably branded as “experimental night” or “improvisation night”, there was a great variety among the three groups, and I think the ordering worked well with us first, both musically and energy-wise.
More on Portland, our show at Rotture, and the trip up from the Bay Area can be found here.
