Farewell to 2012

It’s time for our traditional end-of-the-year image. It is always a challenge to decide what to include, but we thinks this captures a few of the significant elements. 2012 was a crazy and at times and a bit nerve-wracking, but it full of richness and opportunity. I except more of the same in 2013. It’s going to be a busy and challenging year ahead, but I hope to be able to continue to keep this site going and maintain the friendships I have made here.

CCRMA Transitions

We close out the year with one final gig report: my performance at the CCRMA Transitions concert at Stanford University’s computer-music center. The two-night event took place in the courtyard of CCRMA’s building, with a large audience beneath the stars and between an immersive 24-channel speaker array.

I brought my piece Realignments that I had originally composed in 2011 for a 12-channel radial speaker and eight-channel hall system at CNMAT, part of my Regents Lecturer Concert there. This version, outdoors in front a large audience and clad in a provocative costume, was quite an experience, and you can see the full performance in this video:

The Transitions version of the piece was remixed to use the eight main channels of the speaker array at CCMRA. Once again, the iPad was used to move around clouds of additive-synthesis partials and trigger point sources, which were directed at different speakers of the array. The overall effect of the harmonies, sounds and immersive sound system was otherworldly. I chose this particular costume to reflect that, although I had also used it a couple of weeks earlier in my duo “Pitta of the Mind” with poet Maw Shein Win at this year’s Transbay Skronkathon. I am planning more performances with this character (but not the same costume) in the coming year.

Weekend Cat Blogging: Return to the Beginning

Weekend Cat Blogging is coming to an end as a public event with today’s edition, so we are going back to the first time Luna participated, back in August 2006.

Luna is much younger here, a skinny adolescent. This was also our first post to receive comments. It is sad to see Weekend Cat Blogging end officially, as it has been an important part of rhythm and structure of CatSynth, and a major way we met many of our regular friends. But times change. We will keep in touch with everyone though individual blogs as well as Facebook and Twitter. And we will continue to have our own “Weekend Cat Blogging” posts featuring Luna, and our annual wild-cats post near Earth Day.


Weekend Cat Blogging #394 is hosted by Jules and Vincent at Judi’s Mind Over Matter.

The Carnival of the Cats will be continuing into new year, and this week’s edition will be hosted at the Tuxedo Gang Hideout.

And the Friday Ark is at the modulator

The Fundamental Theorem of Arithmetic

It is not uncommon to hear operations on numbers, even the computations carried out in modern computers, as “mere arithmetic.” But arithmetic is hardly simple or obvious when one gets down to the fundamentals and realizes the structure that must be present in our number system in order for it to work they way we intuitively think it should work. Thus, today we consider the Fundamental Theorem of Arithmetic.

Every positive integer (except the number 1) can be represented in exactly one way apart from rearrangement as a product of one or more primes.

Thus every integer has a canonical representation as a product of powers of primes:

where p1 < p2 < … < pk are primes and the αi are positive integers; 1 is represented by the empty product. As example 12 = 22 × 3, and 666 = 2 × 32 × 37. Fairly familiar stuff for anyone who paid attention during grade school and secondary school math classes. But the theorem itself is not self-evident, it is something that had to be proven true in order for our everyday arithmetic to hold. A good article on why the theorem is not obvious can be found here. It also has implications beyond the natural numbers. If we extend the canonical representation to allow both positive and negative values for ai, we get the set of positive rational numbers (fractions), for which the theorem still holds. It can also be generalized to more exotic constructions, such as Gaussian Integers. Gaussian integers, often denoted ℤ[i] are complex numbers a + bi where i is the square root of -1, and a and b are integers. It can be shown that the fundamental theorem of arithmetic holds for Gaussian integers, and that there is a definite set of “Gaussian primes” just as there are prime numbers. But while plotting the prime numbers and looking for visual patterns is an exercise in frustration, the rotational nature of complex numbers (which we have discussed in a previous article) causes the Gaussian primes to fall into a visually interesting radial pattern:

With all the important and sometimes confounding properties of primes, having ways to visualize them is always intriguing.

Any mathematical construct (specifically, a “domain”) that obeys the fundamental theorem of arithmetic is known as a Euclidean Domain. (Note that this has very little to do with Euclidean spaces or the other uses of the term in geometry.) We can observe many more Euclidean domains, such as generalizing Guassian integers to other roots of 1. If we use the cube roots of 1, for example (yes, 1 has three cube roots), we get the set of Eisenstein Integers: numbers of the form a + bω, where a and b are integers and:

Like Gaussian primes, Eisenstein primes have a distinctive radial pattern when viewed on the complex plane. Whereas Guassian primes divide into quadrants, Eisenstein primes form a hexagonal pattern.

Note that while the generalization works for square roots of -1, cube roots of 1, etc., it doesn’t necessarily work for all roots of 1. Some of those sets will not form Euclidean domains.

We can also look beyond numbers to other mathematical entities that form Euclidean domains. One such example can be found in knot theory, which we discussed in an article a few years ago. Knots can be expressed as unique combinations of prime knots:

From here we can consider the implications for music of the Euclidean domains, the accompanying Euclidean algorithm for computing greatest common divisors in any of these domains. But that will be left as an exercise for another day.

Ambient-Chaos at Spectrum (NYC): Groupthink, Amar Chaudhary, LathanFlinAli, Charity Chan

Today we look back at the November 15 Ambient-Chaos night at Spectrum in New York. Spectrum is a new loft space dedicated to experimental music, and I was happy to have the opportunity to both hear new music and perform there.

The performance opened with LathanFlinAli, a trio consisting of Lathan Hardy on saxophone, Sean Ali on bass and Flin van Hemmen on drums.

Their music was an intense free-jazz style that moved between individual hits, bends and other sounds to more idiomatic and rhythmic sections. Every so often the intensity would swell to a loud hit or brief run on all three instruments.

The trio was followed by Groupthink an electronic duo featuring Darren Bergstein and Edward Yuhas. While the first performance was all about percussive hits and rhythms, this set was the complete opposite with ambient drones and thick electronic textures.

Throughout the evening, large programmable lights were pulsating, casting different color patterns on the wall and onto the stage. It probably worked best with Groupthink’s music.

It was then time to take the stage. I brought a relatively compact instrumental rig with a laptop, iPad, a garrahand (a metal drum from Argentina), a Luna NT analog synthesizer and a DSI Evolver.

The garrahand was the centerpiece of the set, both as solo tuned percussion and as a source for laptop-based processing. The texture of the overall performance was quite varied, ranging from analog noise to more melodic phrases on the percussion instruments. You can see a brief excerpt of this set in this video:

Amar Chaudhary live set at Spectrum, New York City, November 14, 2012 from CatSynth on Vimeo.

The final set featured Charity Chan on piano and Lukas Ligeti on drums. From the start, the pair’s sound was loud, aggressive and highly percussive. Chan definitely put the piano through a workout with her intense playing both on the keyboard and on the strings inside the instrument:

Ligeti was equally intense on drums, moving between loud hits and resonances.

The motion required for this music made the pair fun to watch as well as listen to.

Overall, it was a fun night of music and great way to start things out in New York. I am grateful to Robert Pepper (PAS) and Glenn Cornett

for hosting me at Spectrum, and hope to play there again.

Weekend Cat Blogging: SF SPCA Macy’s Holiday Windows

Every year, the San Francisco SPCA teams up with Macy’s to produce Holiday Windows featuring adoptable pets at the flagship store in downtown San Francisco. It’s a great holiday tradition here, and an opportunity to find new homes for pets over the holidays.

Over the past seven years, the Holiday Windows have helped the SF SPCA raise nearly $400,000 and find homes for over 2,300 animals. Thank you to our friends at Macy’s for their commitment to helping us find loving homes for San Francisco’s cats and dogs.

There were mostly kittens and adolescent cats on display when I visited the windows earlier today. I was particularly taken with this pair of black-furred brothers.

There is always a theme to the windows, and this year it appeared to be gift boxes, as if these kittens were to both be a gift and to receive a gift.

But the windows also often feature a city vibe as well.

To find out more about SF SPCA Macy’s Holiday Windows, follow this link. And if you happen to be in the San Francisco area this holiday season, I recommend stopping by Union Square to see the pets.


Weekend Cat Blogging #394 is hosted by pam and sidewalk shoes.

The Carnival of the Cats will be hosted this Sunday by Nikita and Elvira at Meowsings of an Opinionated Pussycat.

And the Friday Ark is at the modulator.