
The modernist pavilion at the center of California City’s central park. California City was one of the strangest towns I have visited.

A cat contemplates its namesake synthesizer, the Octave CAT. From Doug Terrbone via Facebook.
Not surprisingly, we have an original Octave CAT of our own. In fact, it was the first vintage analog synth that I acquired, all the way back in 2005. And it’s a powerful mono synth, with multiple simultaneously waveforms and a sub oscillator. It probably needs some maintenance, but otherwise still runs great – just need to let the oscillators warm up.

A pretty orange tabby plays some notes on an Arturia Keystep and Behringer Neutron synthesizer. From Karl Garcia via Facebook.
In the middle of a patch this cat just sits down on the keyboard and gets the arpeggiator going lol.
Of all the synthesizers in Behringer’s growing catalog, the Neutron is one of the two that most interests me personally, the other being the new VC340 Vocoder. You can see my encounter with Behringer’s synths before NAMM in this video.
Ten years ago, I frequently traveling to China for work, and found myself in Beijing during the week of the twentieth anniversary of the protests and massacre in Tiananmen Square in Beijing. As the thirtieth anniversary is upon us, it seems a good opportunity to look back at that experience.


Tiananmen Square is a YUGE space, mostly empty. It is bounded on the north by the Tiananmen Gate to the Forbidden City. On one side is the Palace of the Republic, the seat of the Chinese government, on the other is another imposing government building that I’m pretty sure was the culture ministry. To the south, before several temples, is the imposing tomb of Mao Zedong.



What was most notable was how ordinary things were, just a mixture of Beijingers and tourists wandering about like any other day. Indeed the most subversive thing I saw during that visit was my own photo with our mascot in front of Mao’s portrait.

There was almost no mention of the anniversary in any media. The big story around town seemed to be the preparations for Expro 2010 in Shanghai. One English-language newspaper had an article about the “last of the 1989 hooligans” being released from prison, but that was about it. My colleagues, who are younger and would have been small children at the time, barely even knew about it except as rumors. One did check out a video via internet tunneling and was shocked to know that her country could have done something like that – but she did accept that it was true.
It’s hard to say if my experience of young Chinese encountering Tiananmen Square as we know it is at all representative, as my friends and colleagues tended to be more educated, cosmopolitan, and a bit jaded. Indeed, one young woman from the more conservative countryside whom I befriended in Suzhou on that same trip seemed to be less cynical and more toeing the party line about respect for authority (and reverence for Mao). I suspect things are even tighter and more controlled now, given the current Chinese leadership under Xi Jinping. Only time will tell how the country comes to reckon with this particular chapter of its past.

Esper inspects a Cubase session in the studio with his humans. Submitted by Hope Tallen via our Facebook page.
Esper loves working with his Dad in the studio. He constantly plays on his synths and loves watching Cubase
We’d love to hear some of Esper’s music.
Getting the two cats to coexist at CatSynth HQ has a long and sometimes bumpy road. Sam Sam in particular has a tough time of it. But things are starting progress to the point were we at least of tolerance and respect. Sam Sam mostly stays on the mezzanine level of HQ, splitting her time between the bedroom and the studio, but she is starting to come out more and reassert herself as the sassy queen of the house.

Big Merp has the run of the downstairs level and enjoying both the relaxing and fun of living here.

He does sometimes come upstairs. In this photo, he jumped up on the main studio console that houses the Nord Stage, Prophet 12 and Pro Tools workstation, and has found a nice hiding place behind the monitor.

From his perch, he supervised part of the postproduction for our latest CatSynth TV, which you can now see here.
Sam Sam also hangs out in the studio a lot. In this video she gives as a little mew as a greeting.
They can actually be in their own spots in the studio at the simultaneously now; and that is indeed progress.