There are multiple superbooths of modular synth makers this year. We visited the first (and smaller) of the two this afternoon.
The folks at Erica Synths have a new DIY kit inspired by the legendary Soviet synth Polyvoks.
It’s a raw but sonically rich instrument and we at CatSynth could see using it. They have also updated their flagship black series.
We would be remiss if we didn’t also show their adorable logo 😺.
One thing we have observed this year is that many module makers have upped their game when it comes to visual design. We saw that with the Erica Synths offerings, but with others as well. Consider this Euclidean Circles from vpme.de:
The Charcot Circles is a collaboration of Studio Electronics and eowave. It is a rather complex and enigmatic module providing sequencing and CV with non-linear processing.
The round designs are reminiscent of Buchla synthesizers, which of course brings us to Sputnik Modular which produces Buchla-inspired “west coast synthesis” modules.
LZX Modular is all about the visuals, as their modules process video rather than audio. They have several new offerings, including an LCD display module and an all-in-one starter. You can see a little bit in this video.
The both also featured Roland’s AIRA series, including the System-8. The setup featured remakes of some classic Roland modules that we reported about last year in addition to the “plug-out” system.
It is interesting that Roland has moved its display of these instruments from their main area at NAMM to the modular-synth booths. It would seem they know their audience.
Finally, we have new offerings from Industrial Music Electronics, formerly known as The Harvestman. They still have the same characteristic orange knob style.
Among there new modules are the Argos Bleak, a CV processer, the Bionic Lester mk II, a capacitor filter; and our favorite name-wise, the Contempt, a dyamics processor.
Modular manufacturers haven’t lost their edge even as the industry matures.
It’s that wonderful time of year again! We at CatSynth are heading south for the annual NAMM Show. It should be another good one as were in a golden age of synths. We will also be looking at computer technology, esoteric instruments, and anything else that piques our interest.
