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Farewell to 2025: Brightness from Darkness

2025 is drawing to a close, so it is time for our traditional end-of-year collage and post, a year that was “the best of times, the worst of times.” It was simultaneously one of the darkest and one of the brightest. If I focus on the personal and professional, it was a great year. If we look at the country and the world as a whole, the story is completely different. Our collage focuses entirely on the bright, even as our minds and souls are pulled by both poles simultaneously.

For CatSynth TV, it was another year of strong growth, 50% again in views, and strong growth in subscribers. But it’s not just the raw numbers. I am especially proud that this growth came on my own terms, rather than by “following the crowd” so to speak, maintaining the quality, diversity, and uniqueness of what we do on the channel. We’ve done more interviews with more people, explored more highways, enjoyed the cats’ antics on Caturdays, and of course, reviewed a lot of great synthesizers and music. Indeed, I think of the channel as being more of a TV channel with lots of shows than the single “show” that is typical of YouTube. The blog has found some new energy as well, where we have drawn in more regular viewers to our tried-and-true photos of cats and synthesizers, as well as our long-running Wordless Wednesday series.

We found community at NAMM, at Buchla and Friends, and Knobcon. We traveled not only to New York and Los Angeles, but also to Chicago, San Diego, all through the southern California desert, and to India. And many new friends and new connections along the way. And close to home, the cats are doing great, as are the humans at HQ. I am grateful for the companionship, both human and feline, for family, friends, and community that have sustained me throughout the year.

But one cannot ignore what is happening beyond our bubble. On day one of the new regime (it feels more appropriate to call it that than an “administration”), they chose to cruelly target people like me in one of the first executive orders, and it has cast a dark and stressful pall over all the bright and exciting things that happened. And it was far, far worse for many other people. It was also disheartening to see so many institutions, in media, in business, and even academia, seem to cave so quickly. If there has been a bright spot, it has been the way ordinary people are standing up and resisting, on the streets, in the courts, and in their work, with more strength than I would have expected given those dark days in the early part of the year. And as strange as it seems to say it, the regime’s own incompetence gives me a modicum of hope.

What comes in 2026 remains to be seen. We will hopefully be adding more travel, including to Superbooth this coming year! There are so many videos in the queue as we speak that we are excited to share with all of you. At the same time, I want to find more time to focus on music, both recording and performing. Oh, and the perennial goal of de-cluttering both our physical and metaphorical space. On the larger front, I do hope the world can find a bit more peace, and the regime here in the United States continues to fray at the edges and perhaps even crumble.

We at CatSynth wish you all a Happy New Year and all the best for 2026!

Farewell to 2024: Beautiful Dissonance

2024 has come to a close, so it is time for our traditional end-of-year collage and post. You might notice another kitty in the corner this year – that’s Golda, one of the wonderful cats I stayed with in Berlin. She is representing our European adventure this summer, along with Plac Grunwaldzki in Wroclaw, Poland.

It was a banner year musically. I am especially proud of the album, the best musical work I have done to date! If you haven’t heard it yet, you should. Opening the San Francisco Electronic Music Festival was a special experience. And we had numerous other musical adventures both live and recorded, and an ever growing community of musicians scattered across the country and beyond that are not just colleagues, but friends.

It was a banner year for CatSynth TV, our best to date in terms of viewership, subscriptions, and audience interaction. 50% year-over-year growth ain’t bad. January of 2024, with NAMM, was our best month on record. We even saw an uptick in blog readership, including a new cohort of loyal followers for our cat+synth posts and Wordless Wednesday.

Indeed, with CatSynth TV, I look not only at what we accomplished this year, but what was left undone. So many videos partially complete or in the ideation phase, waiting to be finished in 2025. We are particularly looking to jumpstart our interview series that was big in 2023 but took a bit of a back seat this year because of various circumstances.

The dissonance between things at a personal and CatSynth level, and at a national and world level, is deafening. The election here in the U.S. this year was tragic and heartbreaking, and this coming year is going to be difficult. This time, it wasn’t a fluke, it was a choice, and we chose…unwisely. In my usual cynical way, the best I hope for is sheer incompetence by the new regime, but even so, a lot of people will be hurt, including people who are a lot like me.

So we go into 2025 in a very strange place. The personal successes and hopes for the New Year, set against the fear and coming disasters in the world. All we have is forward motion, each other, and defiance.

Gracie and Roland Jupiter 6

Gray and white cat sitting on top of a keyboard synthesizer (Roland Jupiter 6) on a hardwood floor.

Gracie stands proudly atop a vintage Roland Jupiter 6. As the quality manager for Synthetic Dreamscapes, she always has access to some of the best instruments (including a few of ours that we have sent in for repair).

The Jupiter 6 was a somewhat scaled-down version of Roland’s flagship Jupiter 8 polyphonic analog synthesizer. But it did have a sound of its own, perhaps a little edgier, and it sported one of the earliest MIDI implementations. We at CatSynth enjoy its sound indirectly through Cherry Audio’s Mercury 6 virtual instrument.

Farewell to 2022

It’s that time when we at CatSynth post our traditional end-of-year image, along with a few stats and thoughts on the year that is coming to an end. It was a bit harder to settle on a set of images to represent this year given how much has happened. First, a few quick stats.

On the blog:

  • 207 posts
  • 142 “cat-and-synth” posts

On CatSynth TV

  • 61 new videos
  • Most watched video made in 2022: Klaus Schulze: A tribute to his music and legacy
  • Second-most watched made in 2022: The Logistic Map: Attractors, Bifurcation, and Chaos (Part 1 of 2)

Although there were fewer videos produced this year, there were some ambitious ones, like the two “Red Robot Show” videos. We emphasized quality over quantity.

Compared to the previous two years, 2022 was active and busy. Even a bit chaotic and over-committed at times. Perhaps this is a form of “return to normalcy” after the deepest parts of the pandemic. We did continue the new tradition from last year of releasing at least one EP or album by the end of the year – I am quite proud of the way Merp Friend came out. I also traveled farther and more frequently than in previous years, reconnected in person with more friends, and will be off to visit New York at the start 2023 for the first time in 3 years (the longest I’ve ever been away in my lifetime).

For this coming year, I already have a new album in the works and lots of ideas for the video channel. I would like to see CatSynth TV grow – and this website could use some serious updates. The challenge is sustainability between music, videos, my personal life, and my “day job”. Finding that balance has been at a time challenging this past year, and continuing to develop my new organization and meditation techniques will play a part. And I of course look forward to spending as much time with my cat family – Sam Sam and Big Merp – as I have these past two years. Working from home has truly been a blessing that came out of the challenges since 2020. As my good friend G Calvin Weston says, forward motion.

Wishing you all the best for 2023 – and we’ll keep doing what we do.