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Weekend Cat Blogging #231: at home in the studio

A day when I was feeling mildly ill turned into an incredibly creative and productive day, including lots of time in the office/studio.

Here we see Luna sitting on the ledge that borders the studio area. In the background one of our main workstations, with Pro Tools running on the computer, and the trusty E-MU Proteus 2000 module off to the side (it’s back in its rack after the recent Reconnaissance Fly performance). One of several photographs by our friend Luxe hangs in the back.

The studio ledge is the highest point in CatSynth HQ, which makes it attractive to cats. There is also another workspace against the ledge where I often sit, so she likes to be nearby.

Note that the duck is actually musical instrument that I have used in several live shows :).

I do sometimes feel a little nervous when Luna gets up the ledge, given how high it is above the floor below. But I am putting my faith in her feline balance and dexterity. Eventually she comes done into the space itself to curl up for a nap, often on her favorite beanbag chair:

Weekend Cat Blogging #231 is being hosted by Diamond and Tristan over at digicats. Do check out their cool graphic featuring another black cat with green eyes and a human “cat woman” companion.

The Carnival of the Cats will be going to Nikita’s Place this Sunday.

And of course the Friday Ark is at the modulator.

Reconnaissance Fly and Noertker’s Moxie at SIMM series

Last Sunday (November 1), Reconnaissance Fly performed at the Outsound SIMM Series.

This performance was as a trio, with Polly Moller (Scorpio, and flute and voice), Amar Chaudhary (Pisces, and electronics), and Bill Wolter (Saggitarius, and guitar).

Photograph by Jennifer Chu. Click to enlarge.

We performed four pieces from our “spong” cycle Flower Futures. What is a “spong cycle”? It is a series of pieces based on spoetry, “the deliciously powerful results of robot efforts to evade your spam filter” (as well as the enormous spam queue here at CatSynth). Most spam is banal or poorly written, but occasionally one stumbles upon a particularly beautiful piece of text. We performed four pieces from the eventual full cycle. The two I wrote entitled “Small Chinese Gong” and “Seemed to be Divided in Twain” are improvisational pieces based on graphical scores. You can see an example symbol to right. The interpretation of the graphics can be musical gestures “inspired” by shapes, or a more literal interpretation such as tracing them out on a Korg Kaos Pad – for this performance Bill and I had dueling Kaos Pads in some sections, which produced dense textures or “forests” of pointed sounds that reflected the underlying text.

Photograph by Jennifer Chu.

Photograph by Jennifer Chu.

Bill Wolter’s “Spam-a-lot” is a combination of improvisational and traditionally written material. The highlight of the piece is the section in the middle concerning “the animal trade in Canada”, ending with a bluesy rock pattern set to “Ca-na-da-a!”, and is probably one of our favorite moments in every performance or rehearsal.

Polly Moller’s “Emir Scamp Budge” is a more idiomatic piece, scored for a standard quartet of keyboard, bass, guitar and voice with a bit of a jazz feel. The text is set to a rolling melody set against a walking bass line and an odd chord progression. It is quite a contrast to the graphical score pieces, and a great excuse to dust off the jazz chops.

It was a pretty solid performance, with all the practice and rehearsal time having paid off. Sadly, this was in all likelihood the last performance that Bill Wolter will be playing with us.

We were followed by Noertker’s Moxie, featuring Bill Noertker on contrabass, Annelise Zamula on tenor sax and flute, Jim Peterson on alto sax and flute, Jenny Maybee on piano, and Dave Mihaly on drumset and percussion. They were marking the release of their new CD druidh lacunae.

The piece, Kamilopárdali, started off very free-form, with lots of detached notes and percussive sounds, including a cloud of metallic-percussion sounds, and Maybee directly playing the strings inside the piano. Gradually, the music became more focused rhythmically and melodically, and then began to alternate between sections of standard modern jazz with rhythms and chromatic lines, and more free-form sections like the beginning. At one point the rhythm disappeared entirely with only sparse hits on the piano strings, drums and bodies of the bass and saxophones. After this, a section with a stronger and tighter jazz melody and rhythm emerged; I believe this was the segue into the piece Athenian Birds.

This was followed by Virage, which Noertker described as having been composed in Hungary and Slovakia in 1995. However, the impression I had of the piece was more East Asian, with lots of pentatonic scales and harmonies set against a latin rhythm. Indeed, one flute melody performed by Zamula sounded exceptionally Chinese, not only because of the scale but also the ornamentation of the notes – there is a particular sound in Chinese music with grace notes or bends on accented notes.

One other piece that particularly caught my interest was Desert Canto. It was described by Noertker as a “beautiful piece”, inspired by photos from Nevada Test Site (site of former atomic-bomb tests) that were “beautiful but also disturbing.” The piece was indeed beautiful, very atonal – but a traditional melodic atonality as opposed to percussive or non-pitched – and had a soft, more dreamlike quality, with frequent cymbal and drum rolls and freer rhythmic structure. You can hear a clip of Desert Canto on the Noertker’s Moxie website.

Weekend Cat Blogging and Photo Hunt: Entertainment

We are once again combining Weekend Cat Blogging and the Photo Hunt, where this week’s theme is Entertainment.

Whether or not music is a way of life or entertainment is a question that has been debated since time immemorial. But if you accept that at least some music is entertainment, then we at CatSynth have no shortage of appropriate photos. We don’t even need to dig too deep in the CatSynth Archives to find intersections of Luna and music:


Click on any of the above images to see the full size photo in its original post.

Yes, we are doing a “clip show” this weekend. It actually works out well, though, as I need to rest a bit for medical reasons. Luna is great company when healing. It also gives me a chance to ponder future artistic directions, and that brings us full circle to whether art is a way of life, entertainment, or both.

Weekend Cat Blogging #217 is being hosted by Mog and Meowza.

The Carnival of the Cats will be hosted this Sunday by Kashim, Othello and Salome.

And of course the Friday Ark is at the modulator.

Weekend Cat Blogging: In the Studio

Luna enjoys sitting behind the blinds in the studio area. She is always a welcome presence.

We were finally getting everything set up again at the beginning of July, only to have to once again unplug everything to support some of the live shows. It’s been a while since we at CatSynth have had a stable studio where I can just sit down, flip on the switches and do creative work. That is one thing I miss from our former home, the evenings in the downstairs studio room just spontaneously trying things out on the computer or other equipment, and Luna coming over to investigate. Now it feels like I have to constantly plug and unplug things and do heavy lifting just to make music at home. But with no shows of my own scheduled for August, it might be time to set things right.

Weekend Cat Blogging #216 is being hosted by our friends Samantha Black & Mr Tigger at Life from a Cat’s Perspective. 216 is actually an interesting number, but I digress.

The Carnvial of the Cats will be up this Sunday at When Cats Attack.

And of course the Friday Ark is at the modulator.

CatSynth 3rd Anniversary

Well, this site has now been running for three years. And we’re marking the anniversary the best way we can think of: with stats of questionable significance.

886 posts.
195,501 visitors.
4638 comments.
Over 15,000 spam comments squashed.
Over 400 cat-and-synth pics and videos

The top 20 terms (a term is either a tag or a category or both):

Cats   516
cat   356
Synthesizers   297
Luna   215
synthesizer   185
Music   171
News   146
weekend cat blogging   136
WCB   134
Personal   120
Art   115
Wordless Wednesday   96
Modernism   72
San Francisco   68
synth   61
Photography   61
Highways   60
electronic music   52
Reviews   40
cats on tuesday   48

The 11 most commented posts:

Dona Nobis Pacem   48
Wordless Wednesday: La Sagrada Familia, Barcelona   43
"Wayback" Wordless Wednesday: Green Kitties   42
Wordless Wednesday: A Great Moment   41
Wordless Wednesday: Luna Sun Triangle   41
Dona Nobis Pacem: BlogBlast for Peace!   40
Wordless Wednesday: 43   39
Wordless Wednesday: Cat and Geometry   38
Wordless Wednesday: Centered Cat   37
Wordless Wednesday: Alley behind 49 Geary   37
Wordless Wednesday: Maneki Neko   37

And the top comment contributors:

Kitty   451
Mickey   179
CatSynth   138
Gattina   136
whaleshaman   81
Andrée   73
Daisy   71
Dragonheart & Merlin   71
sher   65
SandyCarlson   60
jams o donnell   44
The Right Blue   44
kitikata-san   42
Hendrix   41
parker   40
Matthew James Didier   40
Katie   32
Randall   31
HotMBC   30
Gandalf & Grayson   30
Dennis the Vizsla   30

This list includes sites that are no longer active, and at least one person who has passed away.

I did also go back and look at those early posts from July and August of 2006, expecting to reflect on how much things have changed over three years. But instead I found myself noticing how much things on the site have stayed the same…

Weekend Cat Blogging: Rocks, and remembrance

This weekend we are again combining Weekend Cat Blogging with the week’s Photo Hunt theme of rocks.

Here we see Luna in repose behind one of our sculptures here at CatSynth HQ:

This sculpture has appeared in a few of our pictures before. It is called Red Rock Maquette by Steven Reiman, an artist in the Joshua Tree area who primarily works in large-scale metal works. This piece combines metal elements with a rock base.

I would like to more formally introduce more of the artwork here at CatSynth HQ, which has been lurking in the background of many of our photos. But time has been quite limited of late. Two performances in the past week, the reports still pending; and of course the regular business of daily life.

But time is also precious, and the Othello and Astrid remind us in this Weekend Cat Blogging #215: in honor of Sher, a regular at WCB who passed away a year ago. Life will hopefully slow down a bit in the next week, and one way to enjoy a quiet evening would be to prepare another of Sher’s recipes and spend time with Luna.

Weekend Cat Blogging: Independence Day

July 4 is the big Independence Day holiday here in the U.S. So we at CatSynth are now scrambling to find a recent Luna photo with patriotic colors, and this is the best we can do:

Of course, we are taking full advantage of our extended holiday weekend:

Yes, we are taking some much deserved rest, and with it the opportunity to restore mind, body and our living space. We are also contemplating the newly empty lot next door:

A vacant debris-strewn lot may seem like an odd image for Independence Day, but it quite meaningful for us. And the gritty urban landscape represents our country as much as the images of family picnics and small town parades that are often used as symbols of the holiday.

Weekend Cat Blogging: Red, White and Boom edition is hosted by Sir Tristan Tabby Cat Longtail.

The Carnival of the Cats will be up this Sunday at Mind of Mog.

And of course the Friday Ark is at the modulator.

Cats of Tokyo

“He wrote me that in the suburbs of Tokyo there is a temple consecrated to cats. I wish I could convey to you the simplicity—the lack of affectation—of this couple who had come to place an inscribed wooden slat in the cat cemetery so their cat Tora would be protected. No she wasn’t dead, only run away. But on the day of her death no one would know how to pray for her, how to intercede with death so that he would call her by her right name. So they had to come there, both of them, under the rain, to perform the rite that would repair the web of time where it had been broken.”

I remembered this scene from Chris Marker’s film Sans Soleil of the temple in the suburbs of Tokyo that was dedicated to cats, and when I knew that I was in fact going to be in Tokyo for a couple of days, I decided I would find this temple. It is in fact the Gotoku-ji Temple in the Setagaya ward in the western suburbs of Tokyo.

It really was tucked away in a relatively quiet residential neighborhood, easily missed if one did not know where to find the gate. The temple grounds were very quiet, with very few visitors other than myself.


[click to enlarge]

There is a small building near the large tower in the photo above. I believe it is a side temple of sorts. Behind it is a set of shelves containing hundreds of maneki nekos, or beckoning cats, left as offerings. Indeed, Gotoku-ji claims to be the birthplace of the popular cat figurines.


[click to enlarge]

This was definitely the temple from Sans Soleil, I had succeeded in finding it. And having come this far, I spent a little time to linger in this small, quiet place.

Gotoku-ji is not the only site that claims to be the birthplace of the maneki neko. In Akasuka, not far from the famed Senso-ji temple, is the Imado Shrine.

Like Gotoku-ji, the shrine was tucked away in an alley in a quiet residential neighborhood. It was quite small, but had enough space for gardens, trees and statues leading up to the main building:


[click to enlarge]

Inside on the altar is a pair of large cats:

The one on the left has spots and is the male cat, while the one on the right is the female cat, and together the lucky cats of Imado are supposed bring good fortune to couples or those seeking love. Images of the pair of cats can be found throughout the shrine:


[click to enlarge]

The wooden plaques tied below the image of the cats contain wishes left by visitors. This is a common practice at temples and shrines, but it was specifically here that I chose to leave such a wish myself. Another common practice is selecting a fortune from a box near the shrine – at the Imado temple, each fortune comes with a tiny cat figure. I did get one of these, and of course a few ceramic cats from both Imado and Gotoku-ji.

One cannot help but think a little bit about spiritual things after visiting spiritual places, and a coincidence that occurred soon after leaving Imado contributed. Heading back south towards the Senso-ji temple, I saw a small narrow park, really a stone path lined with trees, and decided to walk in that direction. About halfway, a saw a woman with an open cat carrier, and inside was a black cat with green eyes!


[click to enlarge]
Although we had almost no words in common except basic greetings and “neko”, I was able to express my appreciation of her cat, and showed photos of Luna. “Lady?”, she asked in English. I nodded. She pointed to her own cat and smiled “Boy!”

The symbol of the cat is ubiquitous in Tokyo, spiritually as well as commercially:


[click to enlarge]

In the image above, we see a shop carrying not only an impressive array of maneki neko, but some examples of Japan’s other famous feline symbol, Hello Kitty. I have approximately zero interest in Hello Kitty, but during my trip I did build up a small collection of maneki neko, of which a subset are shown below:

Included are one of the simple ceramics from Gotoku-ji, the tiny cat that came with the fortune at Imado, and a couple of black cats that I found.

Beyond the black cat in the park, I did not see very many live cats during my short visit. Apparently, this is an issue from Japanese ailurophiles as well. There are now several cat cafes around Tokyo, where for a fee one can spend an hour or so interacting with the cafe’s very friendly (and very clean) cats. I did see a cat cafe in Akiabara (an area which will be the focus of one of our next articles), but I did not have time to check it out. However, Akiabara, the center of electronics and anime in Tokyo, will itself be the topic of an upcoming article here at CatSynth.