Photography

Liang Shan Buddha

In the hills not far from Wuxi stands 88-meter tall Liang Shan Buddha:

To get a sense of just how immense this statue is, consider the people on the staircase in the photo.

Looking down from the base of the Buddha, one can see the expanse of the valley and temple complex below:

In the temple courtyard, there is a scale replica, which one can view in alignment:

There is also a full-size copy of the Buddha’s hand. One is supposed to walk a full circuit while remaining in contact with the hand for good luck, and the wear from countless visitors is clearly visible.

I did the full circuit around the hand, and we’ll see how that works out…

The Liang Shan Buddha is not an ancient construction, but rather recent project sponsored by the Chinese government with some private donations. There is a certain over-the-top feel to the entire complex, almost like a Buddhist amusement park, with a huge parking lot, busses, etc. They have also built a large “palace” with rather gaudy devotional art. The huge circular meditation hall in the center was less ornate, with it’s arrangement of seats and geometric design, though they did have a constantly changing light show in the domed ceiling:

Not being a Buddhist, I don’t really have much interpretation of these aspects of the center. But certainly, the giant Buddha itself is impressive.

Wuxi and Lake Tai

The city of Wuxi is to the north of Suzhou, along the huge Lake Tai, or Taihu 太湖, the “grand lake”.

Like Suzhou, Wuxi has several traditional Chinese gardens, with the added bonus of being along the lake front. The Liyuan gardens (really, more of a park) had several ponds and pavilions:


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Musicians were performing traditional Chinese music in this pavilion, one of four on a large pond representing the seasons:

The garden is one the shore of Lake Tai, and just beyond the ponds and pavilions are views of the lake:

< One can see another contrast of old and new, with the traditional architecture of the waterfront restaurant in the foreground and the sleek and modern bridge in the background. Compared to the Liyuan garden, Turtlehead Garden was more “natural”, with wooded hills and views of the lake, including this iconic spot:

The garden did include the traditional “planned” elements, such as ponds filled with koi and rockeries, but a short walk leads one to far more natural scenery such as wooded hills overlooking the lake.


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I was fascinated by this one abandoned building in an overgrown wooded area:
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I was able to walk around it and get glimpses from different sides, but could not get any closer.

Feeding time for the koi:

I suspect it’s always feeding time for the koi, especially when there are children around.

Of course, at this point it was also feeding time for us, before making the trip to the giant Liang Shan Buddha.

Suzhou Museum and Zhong Wang Fu

On Saturday morning, I visited the Suzhou Museum. I have been in the area around the museum, which includes the old canals and the Humble Administrator’s Garden, but never had the time until now to venture inside.

The museum is more a culture and heritage museum than an art museum. Its collection is primarily traditional Chinese items, though it does have a contemporary art wing as well. For me, however, the main attraction was the building itself. It was designed by the architect I. M. Pei, whose family has long resided in Suzhou.

The museum’s architecture incorporates the shapes and elements the adjacent traditional gardens and palaces, including its own gardens, pools and rockeries, but stripping away the ornaments and focusing on the lines and geometry. This extends to the interior as well:

Overall, the architecture and design of the museum was quite photogenic, and readers should look for more examples in future photo series, and of course “Wordless Wednesday.”

One exhibit recreated a traditional Chinese study, and suggest that traditional elements of Chinese design can fit very easily into a modern context:

I wish my office looked like that.

I did take some time to see a few of the traditional artifacts, including several examples of animal figures such as this black-and-white jade cat:

Before the new museum building opened in 2006, it was housed in the neighboring Zhong Wang Fu, a traditional Chinese mansion with gardens and courtyards. The grounds and buildings have been restored and remain open to the public:

One can observe which elements were incorporated into the new building, and which ones were not.

Weekend Cat Blogging: Photo Hunt – Triangles

This weekend we are combining Weekend Cat Blogging with the weekly Photo Hunt theme of triangles. It’s been quite a “triangular” week here, including our last wordless wednesday architectural photo. Simple geometry like triangles are often featured in my photos, as well as the interior design at CatSynth HQ, so it’s not hard to find Luna and a triangle together. Indeed, the contrast of Luna’s organic curved form to the angular geometry of of her surroundings has been a regular theme.

This particular glass table, one of our favorites, features multiple triangles (anyone care to count them)?

We at CatSynth also wish everyone a happy Pesach (Passover) and Easter.

Our friends LB and Breadchick host the Easter edition of Weekend Cat Blogging. No rabbits or resurrections, but plenty of feeling antics by LB and the other participants.

Samantha and Tigger host this week’s Bad Kitty Cats Festival of Chaos at Life from a Cat’s Perspective.

The Carnival of the Cats will be up this Sunday at Artsy Catsy. We are joining them today is sending thoughts for the pets and other animals last week’s earthquake in Italy.

The friday ark is at the modulator. And also check out this week’s photo hunt.