
Photography
Wordless Wednesday: 5020
Weekend Cat Blogging: Rocks, and remembrance
This weekend we are again combining Weekend Cat Blogging with the week’s Photo Hunt theme of rocks.
Here we see Luna in repose behind one of our sculptures here at CatSynth HQ:

This sculpture has appeared in a few of our pictures before. It is called Red Rock Maquette by Steven Reiman, an artist in the Joshua Tree area who primarily works in large-scale metal works. This piece combines metal elements with a rock base.
I would like to more formally introduce more of the artwork here at CatSynth HQ, which has been lurking in the background of many of our photos. But time has been quite limited of late. Two performances in the past week, the reports still pending; and of course the regular business of daily life.
But time is also precious, and the Othello and Astrid remind us in this Weekend Cat Blogging #215: in honor of Sher, a regular at WCB who passed away a year ago. Life will hopefully slow down a bit in the next week, and one way to enjoy a quiet evening would be to prepare another of Sher’s recipes and spend time with Luna.
Wordless Wednesday: Luna Sun Triangle
Wordless Wednesday: Tangle
Wordless Wednesday: There goes the neighborhood
Wordless Wednesday
Cats of Tokyo

“He wrote me that in the suburbs of Tokyo there is a temple consecrated to cats. I wish I could convey to you the simplicity—the lack of affectation—of this couple who had come to place an inscribed wooden slat in the cat cemetery so their cat Tora would be protected. No she wasn’t dead, only run away. But on the day of her death no one would know how to pray for her, how to intercede with death so that he would call her by her right name. So they had to come there, both of them, under the rain, to perform the rite that would repair the web of time where it had been broken.”
I remembered this scene from Chris Marker’s film Sans Soleil of the temple in the suburbs of Tokyo that was dedicated to cats, and when I knew that I was in fact going to be in Tokyo for a couple of days, I decided I would find this temple. It is in fact the Gotoku-ji Temple in the Setagaya ward in the western suburbs of Tokyo.
It really was tucked away in a relatively quiet residential neighborhood, easily missed if one did not know where to find the gate. The temple grounds were very quiet, with very few visitors other than myself.
There is a small building near the large tower in the photo above. I believe it is a side temple of sorts. Behind it is a set of shelves containing hundreds of maneki nekos, or beckoning cats, left as offerings. Indeed, Gotoku-ji claims to be the birthplace of the popular cat figurines.

This was definitely the temple from Sans Soleil, I had succeeded in finding it. And having come this far, I spent a little time to linger in this small, quiet place.
Gotoku-ji is not the only site that claims to be the birthplace of the maneki neko. In Akasuka, not far from the famed Senso-ji temple, is the Imado Shrine.
Like Gotoku-ji, the shrine was tucked away in an alley in a quiet residential neighborhood. It was quite small, but had enough space for gardens, trees and statues leading up to the main building:
Inside on the altar is a pair of large cats:

The one on the left has spots and is the male cat, while the one on the right is the female cat, and together the lucky cats of Imado are supposed bring good fortune to couples or those seeking love. Images of the pair of cats can be found throughout the shrine:
The wooden plaques tied below the image of the cats contain wishes left by visitors. This is a common practice at temples and shrines, but it was specifically here that I chose to leave such a wish myself. Another common practice is selecting a fortune from a box near the shrine – at the Imado temple, each fortune comes with a tiny cat figure. I did get one of these, and of course a few ceramic cats from both Imado and Gotoku-ji.
One cannot help but think a little bit about spiritual things after visiting spiritual places, and a coincidence that occurred soon after leaving Imado contributed. Heading back south towards the Senso-ji temple, I saw a small narrow park, really a stone path lined with trees, and decided to walk in that direction. About halfway, a saw a woman with an open cat carrier, and inside was a black cat with green eyes!

[click to enlarge]
Although we had almost no words in common except basic greetings and “neko”, I was able to express my appreciation of her cat, and showed photos of Luna. “Lady?”, she asked in English. I nodded. She pointed to her own cat and smiled “Boy!”
The symbol of the cat is ubiquitous in Tokyo, spiritually as well as commercially:
In the image above, we see a shop carrying not only an impressive array of maneki neko, but some examples of Japan’s other famous feline symbol, Hello Kitty. I have approximately zero interest in Hello Kitty, but during my trip I did build up a small collection of maneki neko, of which a subset are shown below:
Included are one of the simple ceramics from Gotoku-ji, the tiny cat that came with the fortune at Imado, and a couple of black cats that I found.
Beyond the black cat in the park, I did not see very many live cats during my short visit. Apparently, this is an issue from Japanese ailurophiles as well. There are now several cat cafes around Tokyo, where for a fee one can spend an hour or so interacting with the cafe’s very friendly (and very clean) cats. I did see a cat cafe in Akiabara (an area which will be the focus of one of our next articles), but I did not have time to check it out. However, Akiabara, the center of electronics and anime in Tokyo, will itself be the topic of an upcoming article here at CatSynth.
Wordless Wednesday: Maneki Neko
Summer Palace and Temple of Heaven, Beijing
On the northwest corner of Beijing is the Summer Palace, or Yihe yuan (颐和园).

It is quite a contrast to the dense network of buildings and courtyards of Forbidden City, and is dominated by the “natural” elements of of Kunming Lake and Longevity Hill – “natural” is in quotes as the lake and hill are at least partly artificial. Along the hillside are a series of impressive buildings leading up to the Tower of Buddhist Incense. Other palaces and gardens ring the lake, with similar architectural and sculptural elements:
In its present incarnation it is more of a park than a palace, with locals and tourists boating on the lake, or having picnics in the gardens and pavilions along the side. However, the main attraction remains the buildings of Longevity Hill. At the base, one enters a court and the Cloud-Dispensing Hall, and can look upward towards the tower up the hill.

From there, one climbs a series of covered and exposed stairways, navigating a series of buildings on the hillside:
The courtyard of the Temple of Buddhist Virtue at the top of the stairs is relatively tight, and only offers extremely vertical views of the tower:
One does, however, get a specular view of the lakeside and southeast towards the city center of Beijing.
The Summer Palace has quite a history. It was destroyed during multiple invasions in the 19th Century and was rebuilt around 1900 in its current form.
Back in the city center is the Temple of Heaven.

[click to enlarge]
The most prominent building, the circular triple-gabled building depicted in the pictures above, is the Hall of Prayer for Good Harvests. Harvests seems to have been a major focus when the temple functioned as a location for ceremonies performed by the emperor. However, the most important structure, from a ceremonial point of view, was the Alter of Heaven, a tiered circular mound at the southern end of the complex:
Unlike the more architecturally prominent buildings, which have gone through extensive maintenance and renovation, the mound seems to have gone to seed a bit, with lots of grass and weeds coming up the ground. For me, however, this actually makes for interesting photography, as I tend to like buildings that in a bit of disrepair.
I found more buildings in various states off to the side of the main axis of the complex, such as this dry moat with weeds growing:
This area of the complex was nearly empty, no tourists and very few locals, and walking around here among more quiet and less maintained buildings was quite comforting, especially after the intensity and the crowds of Beijing.

























