Fun with highways: San Jose

Because I am too tired to write about tonight's performance, I'll simply leave you with the impressive interchange between highway 87 and I-280 near downtown San Jose:

The Works/San Jose Gallery, this evening's venue, is on S 1st Street, in the upper right corner of the image. It's a funky neighborhood south of downtown, filled with galleries and performances spaces, many of which were still going at night – real city nightlife is one of those things you miss living someplace like Santa Cruz, which shuts down pretty early and tends to drive its live-music venues out of town.

Although close to the interchange, S 1st Street is not easily accessible from either I-280 or highway 87. The easiest way to get there from the south is to take 87 and immediately get off downtown. San Jose's streets are generally slow-moving and confusing, and even more so because of the San Jose Grand Prix, which sounds more like a live-action video game than a civic event. Needless to see, I did eventually get there, with the 280 elevated tantalizingly visible.

The performance went well and will be discussed in another article.

Attempting to exit was just as difficult. I ended up on a series of detours taking me onto highway 87 south of the interchange with no way back to 280. Instead of attempting to backtrack, I just kept going on 87, but eventually made my way home and probably lost very little in time or distance. Plus, it was different. That can be good now and then.

Preparing for tonight's performance: Cats, Rehearsal and Software

First, I have to remind myself to ABC: Always Bring a Camera. I missed several photo opportunities before and during our rehearsal in San Francisco on Wednesday. There were some great shots on the new Central Freeway terminal ramp. And then the “kitty moments” during the rehearsal with Polly Moller and John Moreira. I did snap this cell-phone pic of John Moreira's cat Crescenda rolling around among our cue sheets and amps. She and her fellow cat Pearl joined us several times during the rehearsal, but Crescenda's little act stole the show.

Musically, I had a minimal setup – a subset of what brought to the Skonkathon two weeks ago – just the MacBook, the E-MU 0202 | USB and a MIDI keyboard. The Mac was running the new script-based Open Sound World to process live guitar input. The processing worked quite well, I think, with several wavetables, ring modulation, and a rather nasty little FM algorithm (it's a lot like those distortion-modulation “sound mangler” pedals). Both the guitar and processing needed to fit within pieces with voice, flute and existing electronic material.

UPDATE: You can read Polly's account of the rehearsal and Crescenda here.

The one concern was the frequent OSW crashes – it wasn't a huge problem during the rehearsal because the system can reset itself very quickly (far more quickly than the older UI-centric version), with only a few seconds of dead time. But still, that's not cool. I suspected something related to the MIDI input handling. Fortunately, last night I was able to track down the crashes last night. They were indeed in the MIDI handling, some issues exposed by the multi-processing with the Core2 Duo. Easily found and fixed by playing the patch with a lot of MIDI control, with the laptop and keyboard on the coffee table. Actually, I made some interesting lo-fi music with the built-in mic and speaker and feedback while testing and debugging. This will probably form the basis of my next piece.

Skronkathon photo…and upcoming show

Well, there's me, attempting to appear ironic, at the 2007 Skronkathon two weeks ago. I'm playing the ektar, a single-string folk instrument from India, one of several instruments used during the performance.

This is one of several photographs taken at the event by Polly Moller. And it is quite timely, given that we will be performing together this Friday in San Jose:

It all starts at 7:00 p.m. at works/san jose,
451 First Street, San Jose, CA 95112
Cost: $5.00/$3.00 donation

july 27th music night with KIOKU, polly moller & company and dajis

based in new york city, the musical group kioku presents traditional
asian folk music within a new context of collaborative experimentation
and improvisation. the trio consists of wynn yamami (east and
southeast asian percussion, including japanese taiko, korean gongs,
and filipino kulintang), christopher ariza (live laptop electronics),
and ali sakkal (saxophones, percussion). while committed to the
preservation of musical traditions, kioku (japanese for “memory”)
acknowledges the plasticity of tradition and freely adopts musical
techniques found within improv-based and new music circles.

converging from oakland, san francisco and santa cruz are polly
moller, john moreira, and amar chaudhary, combining flute, bass flute,
voice, guitar, and electronics to create otherworldly improvisatory
atmospheres and backgrounds for polly's gripping text.

who is dajis? a dj with a selection of ambient and experimental music.

CatSynth 1st Anniversary

Today we celebrate CatSynth's first anniversary.

It's been one year since we posted this photo on July 19, 2006:

The idea came from a friend who said something like “dude, you should do a website about cats and synths.” So I did. Really didn't have too much idea what I would write about. I quickly learned that there was quite an abundance of pictures of cats and synths, and sites like matrixsynth had been collecting such images for a while. Indeed, one of the first external “CatSynth pics” to be posted here was of matrix's own cat JD:

Sadly, we recently learned that JD passed away this month. We offer matrix our sympathies. It's always sad to hear about cat friends passing away (or human friends, for that matter), and we at CatSynth have seen our share this past year.

I expect to post more this evening reviewing the year with photos, not-so-useful stats and the other things we at CatSynth like to think we do well…





Fun with Highways: New Jersey's Finest

This one is pretty good, even for highway-saturated New Jersey:

Where is it? Maybe this overlay will help:

Pretty much at the border of northern and central New Jersey. The Garden State Parkway, with US 9 in parallel, crosses highway 440. To the east, 440 enters Staten Island on the Outerbridge Crossing, and eventually meets up with our friend I-278 near the Goethal's Bridge Crossing. To the west, it crosses I-95 (New Jersey Turnpike) and becomes I-287. It's really not as complicated as it sounds. Really.

Bandwidth and image stealing

A few months ago I noticed some surprising links from a site called neopets.com. Turns out a few users there had appropriated this October-themed image of Luna for their own works. In the case of one neopet user, she was labeled as “Brokenessence: darkhearted girl”. Another user at neopets even got her gender wrong and impugned her honor by declaring her some male dark demon character.

Regular readers know how I feel about demonizing black cats, but that's not what this article is about. It's about the appropriation of images and the corresponding bandwidth from this site. The image in the example above now carries the “catsynth.com” label, as do most of my own images used on this site – some of the art photos carry my name and a date, but the idea is still the same.

But the issue also extends to the images appropriated for this site from others, e.g., the many “CatSynth pics” contributed by others. They have been used at other sites not by copying them, but linking directly back here, thus I end up serving these images to their sites using my bandwidth costs. And they don't even link back here. For those who link back and bring more people to CatSynth, I'm generally OK eating the bandwidth costs. But for those who just grab images from this site, that's just plain stealing.

The worst offenders appear to be forums – blogs and other sites are usually good about copying the images to their own locations and/or linking back. It's the forums where people dash off a random post with an image from CatSynth that are the problem. And this month these forum sites are the most common “referrers”, even though they don't link back.

The biggest offenders for July are:

low-bee.com, where someone used a pic of Mimì.
punkas.com, where I'm paying for a good laugh at a lolbush pic (though I do approve of people ridiculing W).
biggie.co in New Zealand, again serving up a lolbush.
therocksalt.net – looks like lolbush again.
And of course the long-term offender detroitluv.com.

I will probably from now on post the biggest (monthly) bandwidth stealers at least once per month.

While I am happy to see people use images from this site to link back, or to ridicule “W”, I don't appreciate serving up images for free. The bandwidth so far hasn't really cost me much, but it's a lot of work to keep this site running, including the many images which make CatSynth such a rich and rewarding place to visit.

If you want to use an image from this site, please link back and give us credit. Failing that, at least copy it to your own site or one of the popular image hosting sites like photobucket or imageshack (I use ImageShack for sites where I don't have real storage space, like MySpace).