CatSynth pic: Quasimidi Rave-O-Lution Drum Machine SN 42262

Another “cat not included” auction photo courtesy of a matrixsynth:

“Cat not included!”

“This unit is unexpanded (hence the moderate price)… There are many technical photos of this synth at http://www.loscha.com These pictures are of the actual unit you will be buying.

The power socket has a slightly broken shell, but the plug holds in no problems.”

KORG Polysix/Mono-Poly era knobs.

World of Wonder with DJ CatSynth, January 2, 2013

Here is the podcast from my World of Wonder show that aired at midnight on San Francisco Community Radio.

12:00AM-12:00AM (0:48) Opening Chimes / Announcements

12:00AM-12:03AM (2:22) Marvin Gaye & Tammi Terrell “Ain’t No Mountain High Enough” from 20th Century Masters: The Millennium Collection: The Best Of (MP3, 2000)

12:03AM-12:05AM (2:46) Chris Cutler & Thomas DiMuzio “When Cracks Appear: Reappearance Of Birds” from Quake (CD, 1999)

12:05AM-12:15AM (9:35) Mulatu Astatke & The Heliocentrics “Anglo Ethio Suit” from Inspiration Information 3 (CD, Album, Reggae, 2009) on Strut (UK)

12:15AM-12:26AM (10:47) C.O.M.A “Verdical” from Verdical (MP3, Single)

12:26AM-12:26AM Announcements

12:26AM-12:36AM (9:26) Nico “(The End)” from Classic Years (CD, 1998)

12:36AM-12:43AM (7:38) Cobblestone Jazz “Change Your Apesuit” from 23 Seconds (2007) on !K7 Records (UK)

12:43AM-12:46AM (2:16) The Work “Scream Circle” from Woof 7 Inches (Rock, 2006) on Ad Hoc Records

12:46AM-12:52AM (6:34) Fred Frith “Heart Bares” from Cheap At Half the Price (CD, 2004)

12:52AM-12:58AM (6:08) Solcircle “Uncle Bob” from Solcircle (CD, 2002)

12:58AM-1:00AM Station ID / Announcements

01:00AM-01:08AM (8:34) Bark Psychosis “The Black Meat” from Codename: Dustsucker (Rock, 2004) on Fire Records

01:08AM-01:14AM (6:05) Myrmyr “Fire Serpents Lull” from Fire Star (CD, 2012)

01:14AM-01:22AM (7:20) Oval “Textuell” from Systemisch (1996) on Thrill Jockey (USA)

01:22AM-01:32AM (10:22) Yuji Takahashi “Mimi No Ho” from Finger Light (1995) on Tzadik

01:32AM-01:39AM (7:13) Deletists “The Lure Or War And Boredom” from The Deletist (CD, 2003)

01:39AM-01:40AM Announcements

01:40AM-01:42AM (2:33) Cardiacs “The Obvious Identity” from The Special Garage Concerts Vol II (2005) on The Alphabet Business Concern (UK)

01:42AM-01:46AM (4:00) Various Artists – Buda / Ethiopiques “Ene Negn Bay Manesh – Girma Beyene” from Ethiopiques Volume 8: Swinging Addis (2000)

01:46AM-01:52AM (5:31) Duboniks “Fi Don’ Givit” from Trip Hop & Jazz 4 (1998)

01:52AM-01:57AM (5:23) Polygon Window “Polygon Window” from Surfing On Sine Waves (1992) on Warp Records

01:57AM-01:59AM (1:27) Ilkae “Push Pop Nil” from Pistachio Island (2001) on Merck Records

01:59AM-02:00AM Announcements / Closing Chimes

CatSynth pic: M-Audio Venom Synth Keyboard

Via matrixsynth, where you can find more info.

49 full-size keys with velocity
12-voice polyphony
Features 512 single patches and 256 multi-sound patches
41 oscillator waves and 53 drum sounds sampled from vintage analog and digital FM synths and drum machines
Three oscillators per voice
FM, sync, and dynamic wave-shaping
Three LFOs and three AHDSR envelopes
Four-part multitimbral
Four independent MIDI-syncable phrase sequencers
Two global bus effects and one inset effect per part
Classic arpeggiator
Tap tempo and top-panel BPM control
Built-in USB 2.0 2-in, 2-out 24-bit audio interface
Microphone, instrument, and stereo line level inputs
MIDI in and out via 5-pin DIN connections
Large custom LCD display
Four rotary encoders for editing and performance control
Assignable pitch bend and modulation wheels
Vyzex Venom software editor for Mac and Windows included”

Cool cat not included.

We think the cat probably prefers the box 😉

Farewell to 2012

It’s time for our traditional end-of-the-year image. It is always a challenge to decide what to include, but we thinks this captures a few of the significant elements. 2012 was a crazy and at times and a bit nerve-wracking, but it full of richness and opportunity. I except more of the same in 2013. It’s going to be a busy and challenging year ahead, but I hope to be able to continue to keep this site going and maintain the friendships I have made here.

CCRMA Transitions

We close out the year with one final gig report: my performance at the CCRMA Transitions concert at Stanford University’s computer-music center. The two-night event took place in the courtyard of CCRMA’s building, with a large audience beneath the stars and between an immersive 24-channel speaker array.

I brought my piece Realignments that I had originally composed in 2011 for a 12-channel radial speaker and eight-channel hall system at CNMAT, part of my Regents Lecturer Concert there. This version, outdoors in front a large audience and clad in a provocative costume, was quite an experience, and you can see the full performance in this video:

The Transitions version of the piece was remixed to use the eight main channels of the speaker array at CCMRA. Once again, the iPad was used to move around clouds of additive-synthesis partials and trigger point sources, which were directed at different speakers of the array. The overall effect of the harmonies, sounds and immersive sound system was otherworldly. I chose this particular costume to reflect that, although I had also used it a couple of weeks earlier in my duo “Pitta of the Mind” with poet Maw Shein Win at this year’s Transbay Skronkathon. I am planning more performances with this character (but not the same costume) in the coming year.

Weekend Cat Blogging: Return to the Beginning

Weekend Cat Blogging is coming to an end as a public event with today’s edition, so we are going back to the first time Luna participated, back in August 2006.

Luna is much younger here, a skinny adolescent. This was also our first post to receive comments. It is sad to see Weekend Cat Blogging end officially, as it has been an important part of rhythm and structure of CatSynth, and a major way we met many of our regular friends. But times change. We will keep in touch with everyone though individual blogs as well as Facebook and Twitter. And we will continue to have our own “Weekend Cat Blogging” posts featuring Luna, and our annual wild-cats post near Earth Day.


Weekend Cat Blogging #394 is hosted by Jules and Vincent at Judi’s Mind Over Matter.

The Carnival of the Cats will be continuing into new year, and this week’s edition will be hosted at the Tuxedo Gang Hideout.

And the Friday Ark is at the modulator

The Fundamental Theorem of Arithmetic

It is not uncommon to hear operations on numbers, even the computations carried out in modern computers, as “mere arithmetic.” But arithmetic is hardly simple or obvious when one gets down to the fundamentals and realizes the structure that must be present in our number system in order for it to work they way we intuitively think it should work. Thus, today we consider the Fundamental Theorem of Arithmetic.

Every positive integer (except the number 1) can be represented in exactly one way apart from rearrangement as a product of one or more primes.

Thus every integer has a canonical representation as a product of powers of primes:

where p1 < p2 < … < pk are primes and the αi are positive integers; 1 is represented by the empty product. As example 12 = 22 × 3, and 666 = 2 × 32 × 37. Fairly familiar stuff for anyone who paid attention during grade school and secondary school math classes. But the theorem itself is not self-evident, it is something that had to be proven true in order for our everyday arithmetic to hold. A good article on why the theorem is not obvious can be found here. It also has implications beyond the natural numbers. If we extend the canonical representation to allow both positive and negative values for ai, we get the set of positive rational numbers (fractions), for which the theorem still holds. It can also be generalized to more exotic constructions, such as Gaussian Integers. Gaussian integers, often denoted ℤ[i] are complex numbers a + bi where i is the square root of -1, and a and b are integers. It can be shown that the fundamental theorem of arithmetic holds for Gaussian integers, and that there is a definite set of “Gaussian primes” just as there are prime numbers. But while plotting the prime numbers and looking for visual patterns is an exercise in frustration, the rotational nature of complex numbers (which we have discussed in a previous article) causes the Gaussian primes to fall into a visually interesting radial pattern:

With all the important and sometimes confounding properties of primes, having ways to visualize them is always intriguing.

Any mathematical construct (specifically, a “domain”) that obeys the fundamental theorem of arithmetic is known as a Euclidean Domain. (Note that this has very little to do with Euclidean spaces or the other uses of the term in geometry.) We can observe many more Euclidean domains, such as generalizing Guassian integers to other roots of 1. If we use the cube roots of 1, for example (yes, 1 has three cube roots), we get the set of Eisenstein Integers: numbers of the form a + bω, where a and b are integers and:

Like Gaussian primes, Eisenstein primes have a distinctive radial pattern when viewed on the complex plane. Whereas Guassian primes divide into quadrants, Eisenstein primes form a hexagonal pattern.

Note that while the generalization works for square roots of -1, cube roots of 1, etc., it doesn’t necessarily work for all roots of 1. Some of those sets will not form Euclidean domains.

We can also look beyond numbers to other mathematical entities that form Euclidean domains. One such example can be found in knot theory, which we discussed in an article a few years ago. Knots can be expressed as unique combinations of prime knots:

From here we can consider the implications for music of the Euclidean domains, the accompanying Euclidean algorithm for computing greatest common divisors in any of these domains. But that will be left as an exercise for another day.