analog

Ambient Chaos at Spectrum: Schuyler Tsuda, Amar Chaudhary, John Dunlop, RMA Trio

Today we look back at the November 26 Ambient-Chaos night at Spectrum in New York. I was happy to once again perform there, and hear some of what the local experimental-music scene has to offer.

The performance itself, the New York debut of my feminine persona, went quite well as was very well received. It was anchored by rhythmic elements on the Dave Smith Evolver, overlaid with iPad synths, the garrahand drum, sketch box, and a miniature subset of my analog modular system.

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[Photo by Painter Jung Nam Lee at Spectrum Manhattan, New York Nov 26, 2013]

Performing at Spectrum is always a great experience, sonically as well as visually. Lighting and shading was part of the design of my set and worked perfectly with the ever changing light patterns in the space. I was also happy with the narrative structure within the music. You can see and hear the full set in the following video:


Performance at Spectrum, November 26, 2013 from CatSynth on Vimeo.

I was preceded on the program by Schuyler Tsuda, who performed a set featuring his sonic sculptures. In a space lit only by candles on stage, he struck, bowed and scraped a variety of sonic objects. There were long ambient metallic sounds punctuated by shorter percussive events. The overall effect was eerie and sometimes a bit anxious, but also immersive and inviting. It is difficult to capture in a still photograph, so here is a video clip:


Schuyler Tsuda from CatSynth on Vimeo.

The third set featured John Dunlap on guitar and vocals as part of a duo that also included saxophone and electronics.


John Dunlap from CatSynth on Vimeo.

Their playing was loud and frenetic, and quite a contrast to both my set and Tsuda’s. Dunlap also incorporated throat singing into his performance.

RMA Trio
[Photo by Painter Jung Nam Lee at Spectrum Manhattan, New York Nov 26, 2013]

The final set brought together the RMA Trio along with a guest vocalist/actor to read excerpts from an upcoming play.

The text was in German, and if I understood correctly (which is doubtful) it was based on Hamlet. There was a variety in the instrumental pieces, including both percussive and harmonic piano, drums and guitar effects.

Overall, it was a great show, and a decent turnout considering that it took place in the middle of a nasty rainstorm. Thanks as always to Robert L. Pepper (PAS) for hosting this series, and to Glenn Cornett for making Spectrum a destination for musicians and sound artists in New York.

ERICA MODULAR TEASER “ROCKET SCIENCE” BY $KODEK

Via matrixsynth. Spot the cats.

“Erica Synths teaser ‘Rocket Science’ by team rider $KODEK.
Gear: MPC1000, Erica Synths DIY modules (hexinverter.net MIDI2CV, TH4046 VCO, Yusynth APR VCF, Erica Synths double VCA, MFOS dual AR generator, Erica Synths mixer, Yusynth Output module with mods), Korg Volca beats (clap and hi-hat).
Staring: LUSIS the Cat
http://www.ericasynths.lv
https://soundcloud.com/girts-ozolins-2
http://4444.debilas.net/”

via Imants Dexys on The MATRIXSYNTH Lounge

CatSynth in New York

CatSynth NYC

It’s time once again for the annual pilgrimage to New York. In addition to family and friends, there will be much art-seeing and urban exploration, and two electronic-music performances. If you are in New York over the next two weeks, I invite you to come check them out.

Tuesday, November 26, 7:30
Ambient-Chaos presents Schyuler Tsuda, Amar Chaudhary (San Francisco), John Dunlop, RMA Trio
121 Ludlow St, Second Floor, New York

Robert L. Pepper (PAS) presents a night of Ambient-Chaos featuring Schyuler Tsuda, Amar Chaudhary (San Francisco), John Dunlop, RMA Trio. THE EVENT STARTS EARLY!. So please be there by 7:30 to settle in and enjoy the frequencies.

Saturday, November 30
Rachel Mason, The Use, and Amar Chaudhary at Harvestworks
Harvestworks, Broadway&Houston, New York

5.1 Surround surround performance at Harvestworks with Rachel Mason and The Use (Michael Durek), additional A/V element from Jay Van Dyke; and a set from Amar Chaudhary a.k.a. CatSynth.

I did want to include some analog modular elements in these performances, so I put together a miniature version of the rig featuring a cross section of modules, with an emphasis on live processing (Make Noise Echophon) and chaotic oscillation.

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The best way to keep up with CatSynth in New York is via Twitter @catsynth. But you can also follow us on Instagram. And of course we will continue with periodic blog posts.

Robotspeak Modular Synth Meet

Last weekend, Robotspeak in San Francisco hosted a modular synth meet, with several manufacturers of synth modules on hand along with collectors and enthusiasts.

Eric Barbour of Metasonix was on hand, demonstrating his distinctive yellow tube-based modules, including a new spring reverb still in a pre-production phase.

Metasonix modular synth

I had the opportunity to try these out for myself. I particularly had fun with R-54 VCF, which I may have to get as a companion for my R-53.

AC at modular synth meetup
[Photo by Edward Sharp.]

Another favorite, Make Noise, was also present. I was particularly impressed with the Phonogene – I had heard it before, but this demonstration made the power of the module more apparent.

Make Noise modular synth

I also finally saw and understood what the Wogglebug module does.

Pittsburgh Modular’s offerings were more down-to-earth, workhorse modules. They make an entire basic range of oscillators, filters and modulators that can be obtained separately or in very accessible pre-packaged units like this one.

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The Pittsburg Modular demo was quite extensive, spanning several interconnected cases.

In the back room, there was a Buchla modular synth being demonstrated. It is a thing of beauty.

Buchla modular synth

In an interesting twist, the owners of the Buchla and the adjacent Arp 2600 decided to hook them up together. You can hear a little bit of the result in this video:

While Dave Smith does not build modulars, he is a San Francisco institution in the synth world, and was represented at the synth meet. We even got a sneak preview of the upcoming tabletop version of the Prophet 12.

Dave Smith Prophet 12 synth

It had the same luscious sound as the keyboard version, though in my opinion the QuNexus keyboard does not do it justice. This is probably a bias a trained keyboardist.

In all, it was a fun afternoon at what I have decided is one of the “most dangerous stores in San Francisco”.

CatSynth pics: Korg MS-20 with KORG 35 Filter & Synth Cat

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Via matrixsymth:

Currently listed for sale here. “This vintage MS20 is THE MS20 to buy if you’re looking for an original Korg 35 filter version in both great physical and functional shape for a very reasonable price and shipped from WITHIN THE US, NOT JAPAN, WITH US VOLTAGE! As said earlier, this MS20 has the original Korg 35 filter circuit chips (no screw/daughterboard in the VCA section, front panel has the more grey-ish hue than the later versions, which typically have a more jet black-ish hue). It’s in great physical condition for its age, with only minor surface blemishes, and no missing parts, broken parts, major dents, or major damage. The only flaw I can think of is a very small chip out of the bottom of one of the keys (not visible when viewed from above; doesn’t affect function). There is also a vintage sticker on the right end cap, which could be easily removed…”

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