Looking up at the Black Mountains on the eastern side of Death Valley.
There was something “perfect” about this stretch of road in Death Valley National Park. There is both a joy and a melancholy in looking back at it now.
Our year-end collage is a long-standing tradition at CatSynth. And we had a lot of fun making this year’s edition, so many wonderful images to choose from. One of my best solo performances to date took place at the Compton’s Cafeteria series at the Center for New Music. Big Merp came to live with has at CatSynth HQ. And our adventures took us from the halls of NAMM to the bottom of Death Valley to the subways of New York.
As we mentioned at the end of last year, most of the energy has moved to CatSynth TV and our social media platforms (especially our Facebook page). The blog is mostly our core cat-and-synth pics these days, although I do enjoy sharing long-form articles now and then. And In 2020, I do plan to revive the “primary highways” series from eight years ago.
On the video side, things have been going very well. Here are the top videos for 2019:
- Rick and Morty Pocket Operator, Part 2
- Introduction to the KOMA Field Kit [Episode 106]
- Ginger Baker, In Memoriam
- EXCLUSIVE! Arturia Pigments 1.2 First Look
- Folsom Street Fair 2019
- NAMM 2019: Rossum Electro-Music Trident [Episode 116]
- Rick and Morty Pocket Operator Unboxing [Episode 166]
- Mutable Instruments Plaits [Episode 102]
- Strymon Magneto Loop & Sample Modes [Episode 125]
- NAMM 2019: Interview with Dave Smith of Sequential
By early autumn, I was also thinking about this year as a “tipping point.” The transition from the blog to the video channel is the most obvious, but it also applies also on the personal side. The arrival of Big Merp was one of the big stories, and it’s been a tough integration getting both cats to coexist, but things have been trending well in the past few months, with Sam Sam regaining her confidence and HQ becoming a more harmonious place again. Musically, I have moved in a direction that is perhaps closer to my roots in jazz, fusion, funk while maintaining the experimental electronic aspects. I have also moved to a point where studio work is how I spend most of my musical time, between the videos and other projects. Finally, I am getting older, as we all are, and that adds both perspective and a need to focus on health and wellbeing. In 2020, I may “do fewer things” than in the past, but I hope the things I choose to do make an impact both personally and beyond.
There is a lot to look forward to in the coming days: NAMM 2020 is around the corner, I have a full queue of demos to share, and I am laying the foundations for some major musical projects. And of course, we will continue to post cats and synths.
The Mesquite Dunes in Death Valley at sunset. I featured this image in my recent music video celebrating Death Valley – a “painting with music.” Please check it out if you haven’t already.
A beautiful sunset in the Panamint Valley after a flash flood. The Panamint Valley is another deep valley just to the west of its more famous neighbor, Death Valley, in California. This watery desert sunset was also the subject of a recent CatSynth TV with original synthesizer soundtrack.
A perfectly framed road in the hills of Death Valley National Park.