Music

A few photos from recent shows

Some photos from our Polly Moller and Company shows earlier this month. The first is from the Luggage Store Gallery:

This was our “trio format”, with myself, Polly and Bill Wolter on guitar.

There is always an art exhibition going on at Luggage Store, something that I generally welcome during music performances, as long as it is not in the way. There was an eclectic mix of works on display that evening (isn't there always?), and I particular liked this piece:

Next, we have a couple of photos from 1510 8th Street in Oakland:

These photos are from Les Hutchins, who played an electronic duo with Matt Davignon in the opening set.

I need a haircut.

Upcoming radio and live shows

I am happy to announce several upcoming shows with Polly Moller and Company. Our group consists of Polly Moller (flute, bass flute, & voice), Jim Carr (bass), Amar Chaudhary (electronica), and Bill Wolter (guitar).

February 2, 2008. 3PM. KFJC 89.7 FM.
Polly Moller & Co. will play live in the Pit on Nozmo Kingâ??s Saturday afternoon show.
Listen live on www.kfjc.org!

February 5, 2008. 8PM. 1510 8th St Performance Space, Oakland, CA.
Matt Davignon and Les Hutchins will interweave their amazing electronic sounds at 8:00 p.m., followed by Polly Moller & Co.

February 7, 2008. 8PM. Luggage Store Gallery, 1007 Market Street @ 6th Street, San Francisco.
8:00 p.m. – Karl Evangelista, solo guitar
9:00 p.m. – Polly Moller & Co.
$6.00 – $10.00.
My first show as a resident of San Francisco!

RIP Oscar Peterson (1925-2007)

Well, we have one more influential musician to remember before the year ends. The great jazz pianist Oscar Peterson passed away on December 23:

Called the “Maharajah of the keyboard” by Duke Ellington, Oscar Peterson is considered to have been one of the greatest piano players in the history of jazz. He played to audiences worldwide in a career lasting more than 60 years.

While Stockhausen (whom we remembered on his death two weeks ago) was an inspiration for his composition, electronic innovations, and ideas about music, Peterson was all about performance and technique, and joy of playing jazz at a high level. As a young jazz pianist, I used Oscar Peterson's piano solos as practice. In particular, I remember playing the minor bluesy Roundalay, which was my successful audition piece for All State Jazz in New York. Certainly, I could never even attempt to match the actual solos at full speed.

You can get a sense of the real thing from this video:

We close with these comments from the CBC:

Renowned for his speed and virtuosity as a pianist, Peterson ? who was born in Montreal and later made Toronto his home ? made hundreds of recordings in his career, even after a stroke in 1993 disabled his left hand…

…”The world has lost the world's greatest jazz player,” Hazel McCallion, mayor of Mississauga and Peterson's friend, told CBC News on Monday afternoon.

UPDATE: You can read his obituary from Mississauga.

RIP Karlheinz Stockhausen

We have lost another of our musical heroes this year:

German composer Karlheinz Stockhausen has died at the age of 79.

Best known for his avant-garde electronic work, Stockhausen was an experimental musician who utilised tape recorders and mathematics to create innovative, ground-breaking pieces.

His Electronic Study, 1953, was the first musical piece composed from pure sine wave sounds.

Electronic Study II, produced a year later, was the first work of electronic music to be notated and published.

But the composer rejected the idea that he was making the music of the future, writing in 1966: “What is modern today will be tradition tomorrow.” [BBC]

In addition to being a strong influence on my own music, Stockhausen worked his way into my regular rotation of music. I can recall many Sunday mornings in Berkeley with coffee, fresh bagels, the New York Times and Stockhausen's Kontakte. This was a groundbreaking work of electronic music, but it was also one that I enjoyed just listening to, the way others might enjoy classical piano music on a weekend. And so, at least for me, Stockhausen's music did indeed pass into “tradition.”

You can sample some of Stockhausen's music here – I recall NPR using Kontakte in their obituary piece as well.

Here is a lecture on “sound” from YouTube:

Sometimes life takes an unexpected turn

Well, this past week I began an exciting new job. Once again, I'm a software engineering manager for a well-regarded music-technology company. (Some readers may even recognize the ProTools logo to the right.)

So things look good professionally speaking. But now the real challenge begins, and not just the work itself. My new job, and new life, is near San Francisco, so we're going to have to move. The idea of moving to the city is quite attractive, but challenging. We will probably be talking more about that in the days to come.

New Podcast: "Bi-fur-cation" demo


Click here to listen or subscribe.

Some might consider tonight's podcast a “rerun” of sorts, as this musical example was featured in the CatSynth article The Logistic Function and its Discontents. This is actually one of our most popular articles of our stats/records are to be trusted, combining mathematics, the work of Antoni Gaudí, and some of my favorite electronic-music techniques. Those who have not read the article are encouraged to do so – I hope to post a follow-up one of these days. Or you can just listen to the podcast as a musical curiousity.